IMDb: Las Madres: The Mothers of Plaza De Mayo, (1985, documentary, 63min; still), Written and Directed by Susana Blaustein Muñoz and Lourdes Portillo.
Memoria, verdad y justicia: mural del pañuelo de las Madres de Plaza de Mayo, Gimnasia es Pueblo, Estadio Juan Carmelo Zerillo, La Plata, March 22, 2022 (video).









«Esa pelota que Hebe está levantando, no es una pelota cualquiera. Es la pelota de la Navidad Tripera.
Es una pelota con un fuerte compromiso político y social. Es una pelota de Gimnasia, con la firma del Diego.
Es una pelota que abraza al barrio y que cree en lxs pibes. Apuesta a los potreros como herramienta de inclusión. Y se la juega toda por lo clubes populares.
Para quienes recién llegan por acá, les contamos que gracias a la segunda edición de lo que nosotrxs denominamos "Misión Navidad Tripera" hay más de 100 pelotas pateando los barrios de Berisso, Olmos, Cementerio y Fiorito.
Esa pelota es parte de un proyecto político impulsado con el mandato popular y militante que nos dejaron lxs 30mil. Esa pelota tiene memoria. Somos jóvenes que creemos en el Pueblo y hacemos política ¡sin miedo y sin vergüenza! NO NOS HAN VENCIDO.
Y claro que no es casualidad que Hebe esté levantando esa pelota.
Gimnasia es Pueblo y Hebe también.»
Wikipedia: «Aparición con vida de los desaparecidos / Madres de Plaza de Mayo», Museo del Bicentenario, Buenos Aires [image: CC BY-SA 3.0].
![«Aparición con vida de los desaparecidos / Madres de Plaza de Mayo», Museo del Bicentenario, Buenos Aires [image: CC BY-SA 3.0] «Aparición con vida de los desaparecidos / Madres de Plaza de Mayo», Museo del Bicentenario, Buenos Aires [image: CC BY-SA 3.0]](https://substackcdn.com/image/fetch/w_1456,c_limit,f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2Fdec6152d-8bea-4af1-8869-f94e5dba9ecd_1453x2000.jpeg)
Untitled #304, [2025].

Rock as Gloss, Longbarrow Press, Sheffield, 2019 (plus: sound-enhanced versions & field-recordings of poems from ‘Rock as Gloss’, (digital album)); Jacket Artwork: Hen Cloud by Paul Evans; Author Photograph: Nikki Clayton.
Steps, Longbarrow Press, Sheffield, 2014 (plus: sound-enhanced poems from 'Steps', (digital album)).
Kunstmuseum Den Haag: Untitled, (Indian ink and pencil on paper), 1960; Untitled, (Indian ink and pencil on paper), 1961; Kollage met letters (tekst uit "Homo Ludens" van J.M. Huizinga) (V 1966-15), 1966.
![herman de vries, Kollage met letters (tekst uit “Homo Ludens” van J. M. Huizinga) (V 1966-15), 1966 [Kunstmuseum Den Haag. © herman de vries] herman de vries, Kollage met letters (tekst uit “Homo Ludens” van J. M. Huizinga) (V 1966-15), 1966 [Kunstmuseum Den Haag. © herman de vries]](https://substackcdn.com/image/fetch/w_1456,c_limit,f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2Fad9af749-e01b-4082-85ae-99bdc21bbb88_988x695.png)
Langston Hughes, b. February 1, 1901 / 2025
Langston Hughes papers
![James Allen (photograph), Langston Hughes, no date [Langston Hughes papers, Series XII: Photographs, 1862-1967, Photographers’ portraits of Langston Hughes, Box 455, folder 10996, Yale University Library, Beinecke Rare Book and Manuscript Library, New Haven, CT. © James Allen] James Allen (photograph), Langston Hughes, no date [Langston Hughes papers, Series XII: Photographs, 1862-1967, Photographers’ portraits of Langston Hughes, Box 455, folder 10996, Yale University Library, Beinecke Rare Book and Manuscript Library, New Haven, CT. © James Allen]](https://substackcdn.com/image/fetch/w_1456,c_limit,f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2F727de6d4-3bbf-48b5-b12b-f5cf8dc4968c_1249x1600.jpeg)
Yale University Library, Beinecke Rare Book and Manuscript Library, New Haven, CT: From the Collection: Hughes, Langston, 1902-1967, n.d. [JWJ MSS 26, "Jim Crow's Last Stand" (in Series XXII), Box 630, folder 14172]; Langston Hughes, Dear Cassius [Ali, Muhammad], 1964 [JWJ MSS 26, Series I: Personal Correspondence, ca. 1910-1967, Box 5, folder 95]; Langston Hughes, Gandhi in Prison (1st Draft, Yaddo, 10/17/42), (drafts, typescript and carbon, corrected), 1942-1953 [JWJ MSS 26, Poems, Single Poems, Box 373, folder 6130]; Langston Hughes, Johannesburg Mines, (drafts, typescript and carbon, corrected), 1924 [JWJ MSS 26, Poems, Single Poems, Box 379, folder 6540]; Langston Hughes and Zora Neale Hurston, Mule Bone: A Negro Folk Comedy, (play), (drafts, holograph and mimeograph, corrected), [Written in Westfield, New Jersey, Spring], 1930 [JWJ MSS 26, General Writings, Works by Title, Box 317, folder 5195-5197]; James Allen (photograph), Langston Hughes, no date [JWJ MSS 26, Series XII: Photographs, 1862-1967, Photographers' portraits of Langston Hughes, Box 455, folder 10996]; Ole Brask (photograph), Langston Hughes (in studio), June 1962 [JWJ MSS 26, Oversize, Box 633, folder 14215]; Irving Penn (photograph), Langston Hughes, 1947 [JWJ MSS 26, Oversize, Box 633, folder 14216]; Roy DeCarava, Billie Holiday, [1955] [JWJ MSS 26, Oversize, Box 633, folder 14226].
Dear Cassius
I hear you are interested in history!
Well, history is no mystery.
Why, out of the fact
That some men are black,
Others try to make a twistery
Is the only mystery.
Take it from me—
![Langston Hughes, Dear Cassius [Ali, Muhammad], 1964 [Langston Hughes papers, JWJ MSS 26, Series I: Personal Correspondence, ca. 1910-1967, Box 5, folder 95, Yale University Library, Beinecke Rare Book and Manuscript Library, New Haven, CT] Langston Hughes, Dear Cassius [Ali, Muhammad], 1964 [Langston Hughes papers, JWJ MSS 26, Series I: Personal Correspondence, ca. 1910-1967, Box 5, folder 95, Yale University Library, Beinecke Rare Book and Manuscript Library, New Haven, CT]](https://substackcdn.com/image/fetch/w_1456,c_limit,f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2F90de27e3-13a9-4b5e-882f-30c446ea6a5c_1600x957.jpeg)
Gandhi In Prison
The British said to Gandhi,
We’re tired of you running round loose.
We’re going to grab you and
Cook your goose.
Gandhi said to the British,
That may be—
But you’ll have a tough goose
If you cook me!
![Langston Hughes, Gandhi in Prison (1st Draft, Yaddo, 10/17/42), (drafts, typescript and carbon, corrected), 1942-1953 [Langston Hughes papers, JWJ MSS 26, Poems, Single Poems, Box 373, folder 6130, Yale University Library, Beinecke Rare Book and Manuscript Library, New Haven, CT] Langston Hughes, Gandhi in Prison (1st Draft, Yaddo, 10/17/42), (drafts, typescript and carbon, corrected), 1942-1953 [Langston Hughes papers, JWJ MSS 26, Poems, Single Poems, Box 373, folder 6130, Yale University Library, Beinecke Rare Book and Manuscript Library, New Haven, CT]](https://substackcdn.com/image/fetch/w_1456,c_limit,f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2F972fb04d-86b2-424a-bdeb-e22d55372ce4_1715x1800.jpeg)
Johannesburg Mines
In the Johannesburg Mines
There are 240,000
Native Africans working.
What kind of poem
Would you
Make out of that?
240,000 natives
Working in the
Johannesburg mines.
― Published in «The Messenger», Vol. VII, No. 2, February 1925, p. 93 (pdf) (then in «The Crisis», February 1928) [Marxists’ Internet Archive]
![Langston Hughes, Johannesburg Mines, (drafts, typescript and carbon, corrected), 1924 [Langston Hughes papers, JWJ MSS 26, Poems, Single Poems, Box 379, folder 6540, Yale University Library, Beinecke Rare Book and Manuscript Library, New Haven, CT] Langston Hughes, Johannesburg Mines, (drafts, typescript and carbon, corrected), 1924 [Langston Hughes papers, JWJ MSS 26, Poems, Single Poems, Box 379, folder 6540, Yale University Library, Beinecke Rare Book and Manuscript Library, New Haven, CT]](https://substackcdn.com/image/fetch/w_1456,c_limit,f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2Fcecd75cd-a5fa-49ad-9255-2779f2d1938f_1545x1998.jpeg)
![Langston Hughes and Zora Neale Hurston, Mule Bone: A Negro Folk Comedy, (play), (drafts, holograph and mimeograph, corrected), [Written in Westfield, New Jersey, Spring], 1930 (pdf here) [Langston Hughes papers, JWJ MSS 26, General Writings, Works by Title, Box 317, folder 5195-5197, Yale University Library, Beinecke Rare Book and Manuscript Library, New Haven, CT] Langston Hughes and Zora Neale Hurston, Mule Bone: A Negro Folk Comedy, (play), (drafts, holograph and mimeograph, corrected), [Written in Westfield, New Jersey, Spring], 1930 (pdf here) [Langston Hughes papers, JWJ MSS 26, General Writings, Works by Title, Box 317, folder 5195-5197, Yale University Library, Beinecke Rare Book and Manuscript Library, New Haven, CT]](https://substackcdn.com/image/fetch/w_1456,c_limit,f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2Fd266a384-2fb1-4dfb-b6ad-b3e55cfda2a4_1362x2000.jpeg)
![Ole Brask (photograph), Langston Hughes (in studio), June 1962 [Langston Hughes papers, JWJ MSS 26, Oversize, Box 633, folder 14215, Yale University Library, Beinecke Rare Book and Manuscript Library, New Haven, CT. © Ole Brask] Ole Brask (photograph), Langston Hughes (in studio), June 1962 [Langston Hughes papers, JWJ MSS 26, Oversize, Box 633, folder 14215, Yale University Library, Beinecke Rare Book and Manuscript Library, New Haven, CT. © Ole Brask]](https://substackcdn.com/image/fetch/w_1456,c_limit,f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2F36b5a671-850c-481d-925e-e974b0479a72_1318x2000.jpeg)
![Roy DeCarava (photograph), Billie Holiday, [1955] [Langston Hughes papers, JWJ MSS 26, Oversize, Box 633, folder 14226, Yale University Library, Beinecke Rare Book and Manuscript Library, New Haven, CT. © Ole Brask] Roy DeCarava (photograph), Billie Holiday, [1955] [Langston Hughes papers, JWJ MSS 26, Oversize, Box 633, folder 14226, Yale University Library, Beinecke Rare Book and Manuscript Library, New Haven, CT. © Ole Brask]](https://substackcdn.com/image/fetch/w_1456,c_limit,f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2F24a76e44-7013-4d63-aac7-720986a656d5_1481x2000.jpeg)
James Joyce, b. February 2, 1882 / 2025
Manhattan Rare Book Company, New York, NY: Josef Breitenbach (photograph), James Joyce, (gelatin silver print), 1937 ("Estate of Josef Breitenbach" stamp on verso).
Tate Archive, Tate, London: Audio Arts: Volume 1 No. 3, (audio-visual - sound recording), Audio Arts, 1974 [note: This Audio Arts issue, originally published as an audio cassette magazine in 1974, includes contributions by Margaret Henry, James Joyce, Mark Hayman and William Furlong].
John Cage, Joseph Beuys, Albrecht D., Nam June Paik, Giuseppe Chiari, Daniele Lombardi, Pandit Pran Nath, La Monte Young, Marian Zazeela, Toshi Ichiyanagi, Toshiro Mayuzumi, Mieko Shiomi, Tōru Takemitsu, Fluxus, Music
Walker Art Center, Minneapolis, MN: John Cage, James Joyce, Marcel Duchamp, Erik Satie: An Alphabet, John Cage Trust, New York, NY, 2001; Cover Photo: Donald Deitz.
Fondazione Bonotto, Colceresa (VI): Joseph Beuys and Albrecht D., Performance At The ICA London 1.Nov.1974, (12'' vinyl record), 1003, Samadhi records, 1976; Photography: Chris Schwarz.

Fondazione Bonotto, Colceresa (VI): John Cage and Marcel Duchamp, 27'10.554" For A Percussionist / The Bride Stripped Bare by Her Bachelors, Even. Erratum Musical (First Recordings), SR 9017, Finnadar Records, 1977; Musics by John Cage and Marcel Duchamp; Performed by Donald Knaack; Liner Notes: Donald Knaack; Art Direction, Design: Lynn Breslin; Photography: Peggy Knaack.
![John Cage and Marcel Duchamp, 27'10.554" For A Percussionist / The Bride Stripped Bare by Her Bachelors, Even. Erratum Musical (First Recordings), SR 9017, Finnadar Records, 1977 [Fondazione Bonotto, Colceresa (VI). © John Cage Trust / Estate of Marcel Duchamp, ARS, New York / ADAGP, Paris] John Cage and Marcel Duchamp, 27'10.554" For A Percussionist / The Bride Stripped Bare by Her Bachelors, Even. Erratum Musical (First Recordings), SR 9017, Finnadar Records, 1977 [Fondazione Bonotto, Colceresa (VI). © John Cage Trust / Estate of Marcel Duchamp, ARS, New York / ADAGP, Paris]](https://substackcdn.com/image/fetch/w_1456,c_limit,f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2Fe6e7a1ca-2fae-4e94-9df9-5520a0abe364_1015x1018.jpeg)
MoMA, New York, NY. Fondazione Bonotto, Colceresa (VI): Joseph Beuys and Nam June Paik, In Memoriam George Maciunas: Klavierduett (1978), (Two 12'' vinyl records), GR-EB 113/114, Edition Block, 1982; Photography By – Ute Klophaus.

Fondazione Bonotto, Colceresa (VI): Giuseppe Chiari and Daniele Lombardi, + / - and Costellazione, (12'' vinyl record (Edition of 200), CD (Edition of 300), Cardboard folder), DSART07/09, Die Schachtel, 2010; Liner Notes [Costellazione]: Daniele Lombardi; Design: dinamo milano; Photography: Giovanna Dal Magro.
![Giuseppe Chiari and Daniele Lombardi, + / - and Costellazione, (12’’ vinyl record (Edition of 200), CD (Edition of 300), Cardboard folder), DSART07/09, Die Schachtel, 2010 [Fondazione Bonotto, Colceresa (VI). Art: © Giuseppe Chiari, Daniele Lombardi] Giuseppe Chiari and Daniele Lombardi, + / - and Costellazione, (12’’ vinyl record (Edition of 200), CD (Edition of 300), Cardboard folder), DSART07/09, Die Schachtel, 2010 [Fondazione Bonotto, Colceresa (VI). Art: © Giuseppe Chiari, Daniele Lombardi]](https://substackcdn.com/image/fetch/w_1456,c_limit,f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2F4135c748-eeb9-4951-9c76-20765efeb7bc_988x995.jpeg)
Fondazione Bonotto, Colceresa (VI): Pandit Pran Nath, Ragas, (12" vinyl record), feat. La Monte Young, SR 10007, Shandar, 1971; Recorded in La Monte Young's studio in New York City; Design [Cover Design], Calligraphy: Marian Zazeela; Photography: David Weinrib.
![Pandit Pran Nath, Ragas, (12" vinyl record), feat. La Monte Young, SR 10007, Shandar, 1971 [Fondazione Bonotto, Colceresa (VI). Art: © Marian Zazeela] Pandit Pran Nath, Ragas, (12" vinyl record), feat. La Monte Young, SR 10007, Shandar, 1971 [Fondazione Bonotto, Colceresa (VI). Art: © Marian Zazeela]](https://substackcdn.com/image/fetch/w_1456,c_limit,f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2F12657fa3-42de-4477-9311-900ab73e2c62_952x898.jpeg)
Fondazione Bonotto, Colceresa (VI): La Monte Young, Trio For Strings, (Cardboard box set containing 4xVinyl), DIA21TFS, Dia Art Foundation, New York, NY, 2022; Composition by La Monte Young; Performance by The Theatre of Eternal Music String Ensemble led by Charles Curtis; Charles Curtis, Reynard Rott: cello / Christopher Otto, Erik Carlson: viola, violin; Liner Notes: Jung Hee Choi, La Monte Young, Marian Zazeela; Design: Jung Hee Choi; Calligraphy: Marian Zazeela.
«This vinyl box set is the first-ever official release of La Monte Young’s Trio for Strings (1958), recorded live from the Dream House, a legendary sound-and-light installation by Young, Marian Zazeela, and Jung Hee Choi, and performed by The Theatre of Eternal Music String Ensemble led by Charles Curtis and featuring Curtis, cello; Reynard Rott, cello; Erik Carlson, violin, viola; and Christopher Otto, violin, viola, at Dia:Chelsea in 2015. Featuring a box cover designed by Choi with calligraphy by Zazeela, the collection includes four discs and a 32-page set of liner notes with essays by Young, Zazeela, and Choi.» ― Dia:
![La Monte Young, Trio For Strings, (Cardboard box set containing 4xVinyl), DIA21TFS, Dia Art Foundation, New York, NY, 2021 [Fondazione Bonotto, Colceresa (VI). Art: © La Monte Young, Marian Zazeela, Jung Hee Choi] La Monte Young, Trio For Strings, (Cardboard box set containing 4xVinyl), DIA21TFS, Dia Art Foundation, New York, NY, 2021 [Fondazione Bonotto, Colceresa (VI). Art: © La Monte Young, Marian Zazeela, Jung Hee Choi]](https://substackcdn.com/image/fetch/w_1456,c_limit,f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2Fe7295546-cb4f-4d9b-8e49-96ae89410d6f_1394x1400.jpeg)
Fondazione Bonotto, Colceresa (VI): Walter Piston (‘Sonatina For Violin And Harpsichord’) / John Cage, ('String Quartet (in four parts)) 1950’), (12” vinyl record), Modern American Music Series, ML 4495, Columbia Masterworks, 1953; Cover Art: Stuart Jaros.
![Walter Piston (‘Sonatina For Violin And Harpsichord’) / John Cage, ('String Quartet (in four parts)) 1950’), (12’’ vinyl record), Modern American Music Series, ML 4495, Columbia Masterworks, 1953 [Fondazione Bonotto, Colceresa (VI)] Walter Piston (‘Sonatina For Violin And Harpsichord’) / John Cage, ('String Quartet (in four parts)) 1950’), (12’’ vinyl record), Modern American Music Series, ML 4495, Columbia Masterworks, 1953 [Fondazione Bonotto, Colceresa (VI)]](https://substackcdn.com/image/fetch/w_1456,c_limit,f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2Fba6b3e7b-4d45-4a26-9887-5840c742dbab_943x900.jpeg)
Fondazione Bonotto, Colceresa (VI): Concert : 20-21, Feat. Toshi Ichiyanagi, Toshiro Mayuzumi, Mieko Shiomi, Tōru Takemitsu, (Program, CD), ECJC 016, Tokyo, 2001.
![Concert : 20-21, Feat. Toshi Ichiyanagi, Toshiro Mayuzumi, Mieko Shiomi, Tōru Takemitsu, (Program, CD), ECJC 016, Tokyo, 2001 [Fondazione Bonotto, Colceresa (VI)] Concert : 20-21, Feat. Toshi Ichiyanagi, Toshiro Mayuzumi, Mieko Shiomi, Tōru Takemitsu, (Program, CD), ECJC 016, Tokyo, 2001 [Fondazione Bonotto, Colceresa (VI)]](https://substackcdn.com/image/fetch/w_1456,c_limit,f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2F11fb68f0-c405-4555-ae98-717568a53f72_860x1200.png)
When the Distance is Blue, (Limited Edition “Glacial Blue” Color Vinyl, Classic Black Vinyl, CD, Digital album), IARC0093, International Anthem, 2025; All compositions by Macie Stewart; Macie Stewart: piano, prepared piano, violin, voice, field recordings; Lia Kohl: cello / Whitney Johnson: viola / Zach Moore: double bass; Prepared piano with dimes, contact microphones, and guitar amp, recorded at Palisade Studios, Chicago, IL, April 2023; Prepared piano with felt recorded at International Anthem Studios, Chicago, IL, February 2024 / String improvisations and compositions played by Lia Kohl, Whitney Johnson, Zach Moore, and Macie Stewart at Comfort Station, Chicago, IL, January 2024 / Field recording for Tsukiji recorded at the Tsukiji Fish Market in Tokyo, March 2024 / Field recording of vocal improvisation for Stairwell (Before and After) recorded in a stairwell at the Philharmonie de Paris in Paris, June 2023 / Field recording for Disintegration recorded at Kansai International Airport in Osaka, March 2024; Album Art & Design: Zander Raymond; Additional Layout Design: Aaron Denton; Insert Photo (top): Macie Stewart; Insert Photo (middle): Shannon Marks; Insert Photo (bottom): Dave Vettraino.




Tanya Bonakdar Gallery, New York, NY, and Los Angeles, CA: Olafur Eliasson: 'Frost activity', Reykjavik Art Museum, Hafnarhús, January 17 - March 14, 2004; (2); Olafur Eliasson: 'Frost activity', ARoS Aarhus Kunstmuseum, 2004.
![Olafur Eliasson: ‘Frost activity’, Reykjavik Art Museum, Hafnarhús, January 17 – March 14, 2004 [Tanya Bonakdar Gallery, New York, NY, and Los Angeles, CA. © Studio Olafur Eliasson. Photo: © Ari Magg] Olafur Eliasson: ‘Frost activity’, Reykjavik Art Museum, Hafnarhús, January 17 – March 14, 2004 [Tanya Bonakdar Gallery, New York, NY, and Los Angeles, CA. © Studio Olafur Eliasson. Photo: © Ari Magg]](https://substackcdn.com/image/fetch/w_1456,c_limit,f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2F9894010e-1434-47a2-bb3c-0210c02dd172_2250x1824.jpeg)
![Olafur Eliasson: ‘Frost activity’, Reykjavik Art Museum, Hafnarhús, January 17 – March 14, 2004 [Tanya Bonakdar Gallery, New York, NY, and Los Angeles, CA. © Studio Olafur Eliasson. Photo: © Ari Magg] Olafur Eliasson: ‘Frost activity’, Reykjavik Art Museum, Hafnarhús, January 17 – March 14, 2004 [Tanya Bonakdar Gallery, New York, NY, and Los Angeles, CA. © Studio Olafur Eliasson. Photo: © Ari Magg]](https://substackcdn.com/image/fetch/w_1456,c_limit,f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2Ff441067f-7fed-4aa5-a538-a19c45b3104d_1146x1400.jpeg)
![Olafur Eliasson: ‘Frost activity’, ARoS Aarhus Kunstmuseum, Aarhus, 2004 [© Studio Olafur Eliasson. Photo: © Photo: Poul Pedersen] Olafur Eliasson: ‘Frost activity’, ARoS Aarhus Kunstmuseum, Aarhus, 2004 [© Studio Olafur Eliasson. Photo: © Photo: Poul Pedersen]](https://substackcdn.com/image/fetch/w_1456,c_limit,f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2F36c4476b-780c-42bd-94a6-120bc966781c_1063x1600.jpeg)
Joseph Kosuth: The Mind's Image of Itself #3’ a play of architecture and the mind, Sprüth Magers, (exhibition views), London, September 10 – October 1, 2011.
Studio Bruno Tonini, Gussago (BS): Joseph Kosuth: The Mind's Image of Itself #3' a play of architecture and the mind, (poster), Sprüth Magers, London, September 10 – October 1, 2011.
![Joseph Kosuth: The Mind’s Image of Itself #3’ a play of architecture and the mind, Sprüth Magers, London, September 10 – October 1, 2011 [© Joseph Kosuth / ARS, New York / DACS, London] Joseph Kosuth: The Mind’s Image of Itself #3’ a play of architecture and the mind, Sprüth Magers, London, September 10 – October 1, 2011 [© Joseph Kosuth / ARS, New York / DACS, London]](https://substackcdn.com/image/fetch/w_1456,c_limit,f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2Fc8b8745e-a143-44d3-b58e-296757cb3cfc_1890x1419.jpeg)
![Joseph Kosuth: The Mind’s Image of Itself #3’ a play of architecture and the mind, Sprüth Magers, London, September 10 – October 1, 2011 [© Joseph Kosuth / ARS, New York / DACS, London]](https://substackcdn.com/image/fetch/$s_!gT8S!,w_720,c_limit,f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2F1bb25a00-12c9-405b-842b-10526e7d8ac8_1890x1356.jpeg)
![Joseph Kosuth: The Mind’s Image of Itself #3’ a play of architecture and the mind, Sprüth Magers, London, September 10 – October 1, 2011 [© Joseph Kosuth / ARS, New York / DACS, London]](https://substackcdn.com/image/fetch/$s_!lfTu!,w_720,c_limit,f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2F200d468c-70d2-48dc-9c76-92d1a8840f2c_1890x1419.jpeg)
![Joseph Kosuth: The Mind’s Image of Itself #3’ a play of architecture and the mind, Sprüth Magers, London, September 10 – October 1, 2011 [© Joseph Kosuth / ARS, New York / DACS, London]](https://substackcdn.com/image/fetch/$s_!pCjE!,w_720,c_limit,f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2Fd6581140-3a3d-4c3f-8c5c-41c529f83bb6_1419x1890.jpeg)
![Joseph Kosuth: The Mind’s Image of Itself #3’ a play of architecture and the mind, Sprüth Magers, London, September 10 – October 1, 2011 [© Joseph Kosuth / ARS, New York / DACS, London]](https://substackcdn.com/image/fetch/$s_!ePkA!,w_720,c_limit,f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2F016b669a-609c-48c7-a91a-e186167abb8f_1890x1356.jpeg)
![Joseph Kosuth: The Mind’s Image of Itself #3’ a play of architecture and the mind, Sprüth Magers, London, September 10 – October 1, 2011 (installation views here) [Studio Bruno Tonini, Gussago (BS)] Joseph Kosuth: The Mind’s Image of Itself #3’ a play of architecture and the mind, Sprüth Magers, London, September 10 – October 1, 2011 (installation views here) [Studio Bruno Tonini, Gussago (BS)]](https://substackcdn.com/image/fetch/w_1456,c_limit,f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2F90a19a08-926a-400e-a864-bf08be1d2626_1191x1600.jpeg)
edcat, Zürich: Title by Author - عنوان الكاتب, (48 pages, 130 x 210mm, Digital, Perfect bound / Section sewn, English and Arabic), Cairo, 2024, Printed and bound at the French Institute for Oriental Archaeology; Assistance: Laila Hammoud; Design: Jana Sherif; Consultation: Hoda Atia; Editing: Maysoon Mahfoudh.
![Rahel Zoller, Title by Author - عنوان الكاتب, (48 pages, 130 x 210mm, Digital, Perfect bound / Section sewn, English and Arabic), Cairo, 2024, Printed and bound at the French Institute for Oriental Archaeology [edcat, Zürich. © Rahel Zoller] Rahel Zoller, Title by Author - عنوان الكاتب, (48 pages, 130 x 210mm, Digital, Perfect bound / Section sewn, English and Arabic), Cairo, 2024, Printed and bound at the French Institute for Oriental Archaeology [edcat, Zürich. © Rahel Zoller]](https://substackcdn.com/image/fetch/w_1456,c_limit,f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2F64d0847b-65e9-4bb8-8413-8a4bda06e407_2000x1623.jpeg)
Studio Bruno Tonini, Gussago (BS): Stanley Brouwn / Richard Long, Kunsthalle Bern, June 17 – July 10, 1977 / July 15 – August 7, 1977; Richard Long, Countless stones, Designed by the artist, Van Abbemuseum, Eindhoven, 1983.
![Stanley Brouwn / Richard Long, Kunsthalle Bern, June 17 – July 10, 1977 / July 15 – August 7, 1977 [Studio Bruno Tonini, Gussago (BS)] Stanley Brouwn / Richard Long, Kunsthalle Bern, June 17 – July 10, 1977 / July 15 – August 7, 1977 [Studio Bruno Tonini, Gussago (BS)]](https://substackcdn.com/image/fetch/w_1456,c_limit,f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2F220941d3-c786-4119-aa78-d8b5c55b040a_1299x1800.jpeg)
![Richard Long: Countless Stones, Designed by the artist, Van Abbemuseum, Eindhoven, 1983 [Studio Bruno Tonini, Gussago (BS). © Richard Long] Richard Long: Countless Stones, Designed by the artist, Van Abbemuseum, Eindhoven, 1983 [Studio Bruno Tonini, Gussago (BS). © Richard Long]](https://substackcdn.com/image/fetch/w_1456,c_limit,f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2F73502722-717f-4284-86bf-10f8cadb024b_1080x736.jpeg)
![Richard Long: Countless Stones, Designed by the artist, Van Abbemuseum, Eindhoven, 1983 [Studio Bruno Tonini, Gussago (BS). © Richard Long]](https://substackcdn.com/image/fetch/$s_!vIqN!,w_474,c_limit,f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2Fdee4ec1e-125f-465d-b4f4-b25fbabb34f7_1600x1600.jpeg)
![Richard Long: Countless Stones, Designed by the artist, Van Abbemuseum, Eindhoven, 1983 [Studio Bruno Tonini, Gussago (BS). © Richard Long]](https://substackcdn.com/image/fetch/$s_!1szH!,w_474,c_limit,f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2Fd11e934a-f50d-4269-98a2-ee7e74ad152c_1600x1600.jpeg)
![Richard Long: Countless Stones, Designed by the artist, Van Abbemuseum, Eindhoven, 1983 [Studio Bruno Tonini, Gussago (BS). © Richard Long]](https://substackcdn.com/image/fetch/$s_!Q3vx!,w_474,c_limit,f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2Faaf87d47-d5df-4c84-9248-52c25111a023_1600x1600.jpeg)
![Richard Long: Countless Stones, Designed by the artist, Van Abbemuseum, Eindhoven, 1983 [Studio Bruno Tonini, Gussago (BS). © Richard Long]](https://substackcdn.com/image/fetch/$s_!rd01!,w_474,c_limit,f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2Fc875ec25-a92c-4ecc-87b8-dc0335540615_1600x1600.jpeg)
![Richard Long: Countless Stones, Designed by the artist, Van Abbemuseum, Eindhoven, 1983 [Studio Bruno Tonini, Gussago (BS). © Richard Long]](https://substackcdn.com/image/fetch/$s_!VP69!,w_474,c_limit,f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2F896402f0-dfb6-4dce-b635-42aad3b88aaf_1600x1600.jpeg)
![Richard Long: Countless Stones, Designed by the artist, Van Abbemuseum, Eindhoven, 1983 [Studio Bruno Tonini, Gussago (BS). © Richard Long]](https://substackcdn.com/image/fetch/$s_!U4Fg!,w_474,c_limit,f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2F96740977-e3fb-4e17-b58a-ff44e96104b2_1600x1600.jpeg)
Studio Bruno Tonini, Gussago (BS): 955,000. An exhibition organized by Lucy Lippard, Edited by Lucy Lippard, The Vancouver Art Gallery, Vancouver, 1970; Exhibition: January 13 - February 8, 1970. Expanded/different version of the Seattle exhibition and catalogue '557,087', organized by Lucy R. Lippard at the Seattle Art Museum Pavilion, Seattle, WA, September 5 – October 5, 1969.
![955,000. An exhibition organized by Lucy Lippard, Edited by Lucy Lippard, The Vancouver Art Gallery, Vancouver, 1970 [Studio Bruno Tonini, Gussago (BS). © Lucy Lippard] 955,000. An exhibition organized by Lucy Lippard, Edited by Lucy Lippard, The Vancouver Art Gallery, Vancouver, 1970 [Studio Bruno Tonini, Gussago (BS). © Lucy Lippard]](https://substackcdn.com/image/fetch/w_1456,c_limit,f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2F11338be5-ba50-468d-adbc-16d3fa30272d_1400x937.jpeg)
![955,000. An exhibition organized by Lucy Lippard, Edited by Lucy Lippard, The Vancouver Art Gallery, Vancouver, 1970 [Studio Bruno Tonini, Gussago (BS). © Lucy Lippard]](https://substackcdn.com/image/fetch/$s_!rOhy!,w_474,c_limit,f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2Fdcc1cfd4-4d03-4d6b-96f1-486849639a8b_1080x1080.jpeg)
![955,000. An exhibition organized by Lucy Lippard, Edited by Lucy Lippard, The Vancouver Art Gallery, Vancouver, 1970 [Studio Bruno Tonini, Gussago (BS). © Lucy Lippard]](https://substackcdn.com/image/fetch/$s_!w7Dm!,w_474,c_limit,f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2Ff23e0d41-7a87-489e-9d4c-73af0adc2884_1080x1080.jpeg)
![955,000. An exhibition organized by Lucy Lippard, Edited by Lucy Lippard, The Vancouver Art Gallery, Vancouver, 1970 [Studio Bruno Tonini, Gussago (BS). © Lucy Lippard]](https://substackcdn.com/image/fetch/$s_!o1Po!,w_474,c_limit,f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2Febaa4642-64d1-4362-92b7-e5679e281d60_1080x1080.jpeg)
![955,000. An exhibition organized by Lucy Lippard, Edited by Lucy Lippard, The Vancouver Art Gallery, Vancouver, 1970 [Studio Bruno Tonini, Gussago (BS). © Lucy Lippard]](https://substackcdn.com/image/fetch/$s_!-h24!,w_474,c_limit,f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2F2b817ef7-90ad-4571-a577-dc469c287324_1080x1080.jpeg)
![955,000. An exhibition organized by Lucy Lippard, Edited by Lucy Lippard, The Vancouver Art Gallery, Vancouver, 1970 [Studio Bruno Tonini, Gussago (BS). © Lucy Lippard]](https://substackcdn.com/image/fetch/$s_!daug!,w_474,c_limit,f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2F2b0d9433-5e84-45f0-8ef2-c21eeb56a8f0_1080x1080.jpeg)
![955,000. An exhibition organized by Lucy Lippard, Edited by Lucy Lippard, The Vancouver Art Gallery, Vancouver, 1970 [Studio Bruno Tonini, Gussago (BS). © Lucy Lippard]](https://substackcdn.com/image/fetch/$s_!PP5n!,w_474,c_limit,f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2F909ab305-6185-4d83-b584-6aabdbae40cb_1080x1080.jpeg)
![955,000. An exhibition organized by Lucy Lippard, Edited by Lucy Lippard, The Vancouver Art Gallery, Vancouver, 1970 [Studio Bruno Tonini, Gussago (BS). © Lucy Lippard]](https://substackcdn.com/image/fetch/$s_!3DtI!,w_474,c_limit,f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2F61cdc24f-041e-4101-ae97-062721684f42_1080x1080.jpeg)
![955,000. An exhibition organized by Lucy Lippard, Edited by Lucy Lippard, The Vancouver Art Gallery, Vancouver, 1970 [Studio Bruno Tonini, Gussago (BS). © Lucy Lippard]](https://substackcdn.com/image/fetch/$s_!sldx!,w_474,c_limit,f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2Fb8c5abbc-f154-462c-b610-178f6d578290_1080x1080.jpeg)
![955,000. An exhibition organized by Lucy Lippard, Edited by Lucy Lippard, The Vancouver Art Gallery, Vancouver, 1970 [Studio Bruno Tonini, Gussago (BS). © Lucy Lippard]](https://substackcdn.com/image/fetch/$s_!81De!,w_474,c_limit,f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2F0f4b16e2-4349-4a90-a0bd-74e9bd0d2f18_1080x1080.jpeg)
Rijksmuseum Research Library, Amsterdam (published online on January 29, 2025); (2); (3); (4).



AIP Emilio Segrè Visual Archives, Lande Collection: Hendrik A. Lorentz lecturing in a classroom with a blackboard, no date; Hendrik A. Lorentz working, no date.
Lorentz Institute for theoretical physics, Universiteit Leiden; Internet Archive: H. A. Lorentz. Impression of His Life and Work, Edited by G. L. de Haas-Lorentz, North-Holland Publishing Company, Amsterdam, 1957 (pdf).
Spaarnestad Photo: Nobelprijswinnaars. Professor dr. Hendrik Antoon Lorentz (1853-1928), winnaar van de Nobelprijs voor de Natuurkunde, 1902. Plaats onbekend, 1925, 1925.
Nationaal Archief, Den Haag: Jan Sluijters, Schetsontwerp voor de Kinderpostzegels Nederland 1928, H.A. Lorentz, August 1928; Jan Sluijters, Volledig ontwerp voor de Kinderpostzegels Nederland 1928, H.A. Lorentz, September 1928; Jan Sluijters, Drukproef voor de Kinderpostzegels Nederland 1928, H.A. Lorentz, October 1928; Jan Sluijters (drawing, design), Postzegel Nederland 1928, Kinderpostzegel, H.A. Lorentz, December 10, 1928.
![Hendrik A. Lorentz lecturing in a classroom, n.d. [AIP Emilio Segrè Visual Archives, Lande Collection] Hendrik A. Lorentz lecturing in a classroom, n.d. [AIP Emilio Segrè Visual Archives, Lande Collection]](https://substackcdn.com/image/fetch/w_1456,c_limit,f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2Ffbb60c6c-b98b-44ce-8b49-a3f54025236d_1240x1800.jpeg)
![Nobelprijswinnaars. Professor dr. Hendrik Antoon Lorentz (1853-1928), winnaar van de Nobelprijs voor de Natuurkunde, 1902. Plaats onbekend, 1925, 1925 [Spaarnestad Photo] Nobelprijswinnaars. Professor dr. Hendrik Antoon Lorentz (1853-1928), winnaar van de Nobelprijs voor de Natuurkunde, 1902. Plaats onbekend, 1925, 1925 [Spaarnestad Photo]](https://substackcdn.com/image/fetch/w_1456,c_limit,f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2F0817279e-660d-4a30-987b-a80c7f0beeec_1136x1600.jpeg)
![Jan Sluijters, Volledig ontwerp voor de Kinderpostzegels Nederland 1928, H.A. Lorentz, September 1928 [Postzegelontwerpen, postzegels en affiches, Nationaal Archief, Den Haag] Jan Sluijters, Volledig ontwerp voor de Kinderpostzegels Nederland 1928, H.A. Lorentz, September 1928 [Postzegelontwerpen, postzegels en affiches, Nationaal Archief, Den Haag]](https://substackcdn.com/image/fetch/w_1456,c_limit,f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2F774a7c05-0996-4e90-a186-9e77b166e33c_828x1080.jpeg)
![Jan Sluijters (drawing, design), Postzegel Nederland 1928, Kinderpostzegel, H.A. Lorentz, December 10, 1928 [Postzegelontwerpen, postzegels en affiches, Nationaal Archief, Den Haag] Jan Sluijters (drawing, design), Postzegel Nederland 1928, Kinderpostzegel, H.A. Lorentz, December 10, 1928 [Postzegelontwerpen, postzegels en affiches, Nationaal Archief, Den Haag]](https://substackcdn.com/image/fetch/w_1456,c_limit,f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2F31add460-2abe-483e-be20-c0c6bb2a3e17_1176x1400.jpeg)
Panamarenko, b. February 5, 1940 / 2025
Affichemuseum Hoorn: Panamarenko, Antwerpse Luchtschipbouw: objecten, grafiek, schilderijen, collages, film, affiches, Museum De Beyerd, Breda, October 9 – November 7, 2004.
L'Arengario Studio Bibliografico, Cellatica (BS): Panamarenko, Musée d'Art Moderne de la Ville de Paris, Paris, May 8 – June 1, 1973.
Studio Bruno Tonini, Gussago (BS): Panamarenko, (invitation card), Wide White Space Gallery, Antwerpen, January 15 – February 15, 1971.
Panamarenko: Come fly with me, Curated by Philippe Van Cauteren, Ten Bogaerde Arts Centre, Koksijde, July 2, 2022 – January 8, 2023, in collaboration with S.M.A.K., Gand-Ghent, and the Panamarenko Foundation.
From the Collection: Panamarenko (works on paper), S.M.A.K., Gand-Ghent, June 29, 2020 – February 7, 2021.
S.M.A.K., Gand-Ghent: Bing of the Ferro Lusto, (mixed media), 1999, Edition of 10 (I-X).
S.M.A.K., Gand-Ghent. L'Arengario Studio Bibliografico, Cellatica (BS). Studio Bruno Tonini, Gussago (BS): Atom and Manpower, (offset lithography on paper), Kölnischen Kunstvereins, Köln, 1975; Exhibition: Kölnischen Kunstvereins, Köln, July 16 – September 7, 1975.
Museum Mönchengladbach 1967–1978, Museum Abteiberg, Mönchengladbach: PANAMARENKO. Das Flugzeug, Städtisches Museum Mönchengladbach, August 14 – September 14, 1969; (2).
M HKA – Museum van Hedendaagse Kunst Antwerpen, Antwerpen: Angelika Platen (photograph), Panamarenko with the 'General Spinaxis', (gelatin silver print), 1968.
![Panamarenko, Musée d'Art Moderne de la Ville de Paris, Paris, May 8 – June 1, 1973 [L'Arengario Studio Bibliografico, Cellatica (BS). Art: © Panamarenko] Panamarenko, Musée d'Art Moderne de la Ville de Paris, Paris, May 8 – June 1, 1973 [L'Arengario Studio Bibliografico, Cellatica (BS). Art: © Panamarenko]](https://substackcdn.com/image/fetch/w_1456,c_limit,f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2Ffa09b358-1504-46fd-b978-718aca185c2e_1167x1600.jpeg)
![Panamarenko: Come fly with me, Curated by Philippe Van Cauteren, Ten Bogaerde Arts Centre, Koksijde, July 2, 2022 – January 8, 2023, in collaboration with S.M.A.K., Gand-Ghent, and the Panamarenko Foundation [Art: © Panamarenko] Panamarenko: Come fly with me, Curated by Philippe Van Cauteren, Ten Bogaerde Arts Centre, Koksijde, July 2, 2022 – January 8, 2023, in collaboration with S.M.A.K., Gand-Ghent, and the Panamarenko Foundation [Art: © Panamarenko]](https://substackcdn.com/image/fetch/w_1456,c_limit,f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2F2c3515a9-2a56-4f30-9cf9-2b3c5425080c_800x1043.jpeg)
![From the Collection: Panamarenko (works on paper), S.M.A.K., Gand-Ghent, June 29, 2020 – February 7, 2021 [Art: © Panamarenko] From the Collection: Panamarenko (works on paper), S.M.A.K., Gand-Ghent, June 29, 2020 – February 7, 2021 [Art: © Panamarenko]](https://substackcdn.com/image/fetch/w_1456,c_limit,f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2F3008033a-9cd8-4593-bc7f-a8726bf83e62_1316x1600.jpeg)
![Panamarenko, Atom and Manpower, (offset lithography on paper), Kölnischen Kunstvereins, Köln, 1975 [S.M.A.K., Gand-Ghent. L'Arengario Studio Bibliografico, Cellatica (BS). Studio Bruno Tonini, Gussago (BS). © Panamarenko] Panamarenko, Atom and Manpower, (offset lithography on paper), Kölnischen Kunstvereins, Köln, 1975 [S.M.A.K., Gand-Ghent. L'Arengario Studio Bibliografico, Cellatica (BS). Studio Bruno Tonini, Gussago (BS). © Panamarenko]](https://substackcdn.com/image/fetch/w_1456,c_limit,f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2Fe6909d29-455c-4a39-8002-086b750c1b32_992x1600.jpeg)
![PANAMARENKO. Das Flugzeug, Städtisches Museum Mönchengladbach, August 14 – September 14, 1969 [Museum Mönchengladbach 1967–1978, Museum Abteiberg, Mönchengladbach. © Panamarenko] PANAMARENKO. Das Flugzeug, Städtisches Museum Mönchengladbach, August 14 – September 14, 1969 [Museum Mönchengladbach 1967–1978, Museum Abteiberg, Mönchengladbach. © Panamarenko]](https://substackcdn.com/image/fetch/w_1456,c_limit,f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2Fa83b5503-0eee-4edf-a369-b1fefa12ca1b_2000x1318.jpeg)
![Angelika Platen (photograph), Panamarenko with the ‘General Spinaxis’, (gelatin silver print), 1968 [M HKA – Museum van Hedendaagse Kunst Antwerpen, Antwerpen. Art: © Panamarenko. Photo: © Angelika Platen, Courtesy Anny De Decker] Angelika Platen (photograph), Panamarenko with the ‘General Spinaxis’, (gelatin silver print), 1968 [M HKA – Museum van Hedendaagse Kunst Antwerpen, Antwerpen. Art: © Panamarenko. Photo: © Angelika Platen, Courtesy Anny De Decker]](https://substackcdn.com/image/fetch/w_1456,c_limit,f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2Feaa122e1-addc-49c6-8b71-fdad1a7b9712_1024x758.jpeg)
Electroacoustic Works For Halldorophone, (2xLP 180gr., signed and hand-printed letterpress sleeve, edition limited to 25 copies – Transparent; 2xLP 180 gr. – Transparent; Tape cassette, edition limited to 50 copies; Digital album), KR118, Karlrecords, 2025; Halldorophone recorded at EMS Stockholm in November 2023; All music recorded, composed and produced by Martina Bertoni; Mixed and mastered by Ciaran O'Shea; Lacquer cut by Kassian Troyer at D&M, Berlin; Cover Artwork, Letterpress hand printing: Gregory Cowling / Praxis Typography.







Walter Zeischegg, b. February 5, 1917 / 2025
Museum Ulm, HfG-Archiv: Wand aus gitterorientierten Elementen, 1960s; Gitterorientierte Wandelemente, no date.
Jynann Ong, Where can your creative curiosity take you? Explore the The Ulm School of Design’s digital archive on Dropbox, «It's Nice That», October 12, 2021.
![Walter Zeischegg, Wand aus gitterorientierten Elementen, 1960s [© Museum Ulm, HfG-Archiv] Walter Zeischegg, Wand aus gitterorientierten Elementen, 1960s [© Museum Ulm, HfG-Archiv]](https://substackcdn.com/image/fetch/w_1456,c_limit,f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2Fb52ccf9b-c7ed-42cf-8e64-8f8a054e4157_1433x1600.jpeg)

David Zwirner Books, New York, NY: Richard Serra (center) and others installing One Ton Prop (House of Cards), 1969, for the exhibition The George Waterman Collection, Museum of Art, Rhode Island School of Design, Providence, RI, 1969.
Saint-Martin Bookshop, Bruxelles-Brussel; Internet Archive: Richard Serra Drawing: A Retrospective, Edited by Gary Garrels, Bernice Rose, and Michelle White, with additional contributions by Lizzie Borden, Magdalena Dabrowski, Richard Serra, and Richard Shiff, The Menil Collection, Houston, TX, 2011; Exhibitions: The Metropolitan Museum of Art, New York, NY, April 13 – August 28, 2011 / SFMOMA, San Francisco, CA, October 15, 2011 – January 16, 2012 / The Menil Collection, Houston, TX, March 2 – June 10, 2012.
Saint-Martin Bookshop, Bruxelles-Brussel: Richard Serra: Forged Steel, Texts by Richard Serra and Richard Shiff, Designed by McCall Associates, David Zwirner Books, New York, NY / Steidl, Göttingen, 2016; Exhibition: Richard Serra: Equal, David Zwirner, New York, NY, May 1 – July 24, 2015.
Saint-Martin Bookshop, Bruxelles-Brussel: Richard Serra, Edited by Ernst-Gerhard Güse, with contributions by Yves-Alain Bois, Douglas Crimp, Richard Serra & Armin Zweite, Translation by Michael Robinson and John Shepley, Rizzoli, New York, NY, 1988 [Galerie m, Bochum / Verlag Gerd Hatje, Stuttgart, 1987; Exhibitions: Westfälisches Landesmuseum für Kunst und Kulturgeschichte, Münster, October 18 – November 22, 1987 / Städtische Galerie im Lenbachhaus, München, November 26, 1987 – February 28, 1988 / Kunsthalle Basel, January 31 – May 1, 1988.
Saint-Martin Bookshop, Bruxelles-Brussel: Richard Serra: Early Work, Text by Hal Foster, Designed by McCall Associates, David Zwirner, New York, NY / Steidl, Göttingen, 2014.
Art Books & Ephemera: Richard Serra: Triptychs and Diptychs (September 16 – November 2, 2019), Forged Rounds (September 17 – December 7, 2019), and Reverse Curve (September 17, 2019 – February 1, 2020), (adv. in «Art in America» magazine), Gagosian, New York, 2019.
Saint-Martin Bookshop, Bruxelles-Brussel: Richard Serra – 8 Drawings: Weights and Measures, Leo Castelli Gallery, New York, NY, September 23 – October 14, 1989.
![Richard Serra (center) and others installing One Ton Prop (House of Cards), 1969, for the exhibition The George Waterman Collection, Museum of Art, Rhode Island School of Design, Providence, RI, 1969 [David Zwirner Books, New York, NY. Art: © Richard Serra / ARS, New York] Richard Serra (center) and others installing One Ton Prop (House of Cards), 1969, for the exhibition The George Waterman Collection, Museum of Art, Rhode Island School of Design, Providence, RI, 1969 [David Zwirner Books, New York, NY. Art: © Richard Serra / ARS, New York]](https://substackcdn.com/image/fetch/w_1456,c_limit,f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2F374825a8-cb37-4b1e-a047-befa477a447b_1024x1280.jpeg)
![Richard Serra Drawing: A Retrospective, Edited by Gary Garrels, Bernice Rose, and Michelle White, with additional contributions by Lizzie Borden, Magdalena Dabrowski, Richard Serra, and Richard Shiff, The Menil Foundation, Houston, TX, 2011 (Internet Archive here) [Saint-Martin Bookshop, Bruxelles-Brussel. Art: © Richard Serra / ARS, New York] Richard Serra Drawing: A Retrospective, Edited by Gary Garrels, Bernice Rose, and Michelle White, with additional contributions by Lizzie Borden, Magdalena Dabrowski, Richard Serra, and Richard Shiff, The Menil Foundation, Houston, TX, 2011 (Internet Archive here) [Saint-Martin Bookshop, Bruxelles-Brussel. Art: © Richard Serra / ARS, New York]](https://substackcdn.com/image/fetch/w_1456,c_limit,f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2Ff3e532cb-dc9a-4f33-b58b-d7c6093bbd06_965x1200.jpeg)
![Richard Serra Drawing: A Retrospective, Edited by Gary Garrels, Bernice Rose, and Michelle White, with additional contributions by Lizzie Borden, Magdalena Dabrowski, Richard Serra, and Richard Shiff, The Menil Foundation, Houston, TX, 2011 (Internet Archive here) [Saint-Martin Bookshop, Bruxelles-Brussel. Art: © Richard Serra / ARS, New York]](https://substackcdn.com/image/fetch/$s_!5gMI!,w_474,c_limit,f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2Fa388d203-1b53-42ac-9105-02440b365f23_1400x1400.jpeg)
![Richard Serra Drawing: A Retrospective, Edited by Gary Garrels, Bernice Rose, and Michelle White, with additional contributions by Lizzie Borden, Magdalena Dabrowski, Richard Serra, and Richard Shiff, The Menil Foundation, Houston, TX, 2011 (Internet Archive here) [Saint-Martin Bookshop, Bruxelles-Brussel. Art: © Richard Serra / ARS, New York]](https://substackcdn.com/image/fetch/$s_!o0hf!,w_474,c_limit,f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2F984b7957-b43f-4db4-8792-6fe21800ece9_1400x1400.jpeg)
![Richard Serra Drawing: A Retrospective, Edited by Gary Garrels, Bernice Rose, and Michelle White, with additional contributions by Lizzie Borden, Magdalena Dabrowski, Richard Serra, and Richard Shiff, The Menil Foundation, Houston, TX, 2011 (Internet Archive here) [Saint-Martin Bookshop, Bruxelles-Brussel. Art: © Richard Serra / ARS, New York]](https://substackcdn.com/image/fetch/$s_!yAjj!,w_474,c_limit,f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2Fbfb95217-9796-4313-b375-b8cc0418a91c_1400x1400.jpeg)
![Richard Serra Drawing: A Retrospective, Edited by Gary Garrels, Bernice Rose, and Michelle White, with additional contributions by Lizzie Borden, Magdalena Dabrowski, Richard Serra, and Richard Shiff, The Menil Foundation, Houston, TX, 2011 (Internet Archive here) [Saint-Martin Bookshop, Bruxelles-Brussel. Art: © Richard Serra / ARS, New York]](https://substackcdn.com/image/fetch/$s_!QhoK!,w_474,c_limit,f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2F65c28c82-0e62-4ac9-81e4-92d721afc80b_1400x1400.jpeg)
![Richard Serra Drawing: A Retrospective, Edited by Gary Garrels, Bernice Rose, and Michelle White, with additional contributions by Lizzie Borden, Magdalena Dabrowski, Richard Serra, and Richard Shiff, The Menil Foundation, Houston, TX, 2011 (Internet Archive here) [Saint-Martin Bookshop, Bruxelles-Brussel. Art: © Richard Serra / ARS, New York]](https://substackcdn.com/image/fetch/$s_!01ho!,w_474,c_limit,f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2F45ddb074-e0b0-423c-961b-e0b163fa9f6a_1400x1400.jpeg)
![Richard Serra Drawing: A Retrospective, Edited by Gary Garrels, Bernice Rose, and Michelle White, with additional contributions by Lizzie Borden, Magdalena Dabrowski, Richard Serra, and Richard Shiff, The Menil Foundation, Houston, TX, 2011 (Internet Archive here) [Saint-Martin Bookshop, Bruxelles-Brussel. Art: © Richard Serra / ARS, New York]](https://substackcdn.com/image/fetch/$s_!cEMd!,w_474,c_limit,f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2F95b90db1-b0bb-484d-bf8f-f6668e43c3cd_1400x1400.jpeg)
![Richard Serra Drawing: A Retrospective, Edited by Gary Garrels, Bernice Rose, and Michelle White, with additional contributions by Lizzie Borden, Magdalena Dabrowski, Richard Serra, and Richard Shiff, The Menil Foundation, Houston, TX, 2011 (Internet Archive here) [Saint-Martin Bookshop, Bruxelles-Brussel. Art: © Richard Serra / ARS, New York]](https://substackcdn.com/image/fetch/$s_!Mhsa!,w_474,c_limit,f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2F9dfe58ce-11da-4519-b84d-cde8d4efc8b5_1400x1400.jpeg)
![Richard Serra Drawing: A Retrospective, Edited by Gary Garrels, Bernice Rose, and Michelle White, with additional contributions by Lizzie Borden, Magdalena Dabrowski, Richard Serra, and Richard Shiff, The Menil Foundation, Houston, TX, 2011 (Internet Archive here) [Saint-Martin Bookshop, Bruxelles-Brussel. Art: © Richard Serra / ARS, New York]](https://substackcdn.com/image/fetch/$s_!0v-b!,w_474,c_limit,f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2F3d56d22c-9bae-4bb0-811e-7b35af8a5ad5_1400x1400.jpeg)
![Richard Serra Drawing: A Retrospective, Edited by Gary Garrels, Bernice Rose, and Michelle White, with additional contributions by Lizzie Borden, Magdalena Dabrowski, Richard Serra, and Richard Shiff, The Menil Foundation, Houston, TX, 2011 (Internet Archive here) [Saint-Martin Bookshop, Bruxelles-Brussel. Art: © Richard Serra / ARS, New York]](https://substackcdn.com/image/fetch/$s_!8xLI!,w_474,c_limit,f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2F592071f3-7337-4db1-bc6c-068fc5d05b6b_1400x1400.jpeg)
![Richard Serra: Forged Steel, Texts by Richard Serra and Richard Shiff, Designed by McCall Associates, David Zwirner Books, New York, NY / Steidl, Göttingen, 2016 [Saint-Martin Bookshop, Bruxelles-Brussel. Art: © Richard Serra / ARS, New York] Richard Serra: Forged Steel, Texts by Richard Serra and Richard Shiff, Designed by McCall Associates, David Zwirner Books, New York, NY / Steidl, Göttingen, 2016 [Saint-Martin Bookshop, Bruxelles-Brussel. Art: © Richard Serra / ARS, New York]](https://substackcdn.com/image/fetch/w_1456,c_limit,f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2F0ed4cda6-8669-449d-b881-25f2c8d7e26f_1041x1280.jpeg)
![Richard Serra: Forged Steel, Texts by Richard Serra and Richard Shiff, Designed by McCall Associates, David Zwirner Books, New York, NY / Steidl, Göttingen, 2016 [Saint-Martin Bookshop, Bruxelles-Brussel. Art: © Richard Serra / ARS, New York]](https://substackcdn.com/image/fetch/$s_!Mldd!,w_474,c_limit,f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2Feb1dab39-85a0-4f79-95e7-f9b99e4cdabb_1400x1400.jpeg)
![Richard Serra: Forged Steel, Texts by Richard Serra and Richard Shiff, Designed by McCall Associates, David Zwirner Books, New York, NY / Steidl, Göttingen, 2016 [Saint-Martin Bookshop, Bruxelles-Brussel. Art: © Richard Serra / ARS, New York]](https://substackcdn.com/image/fetch/$s_!CcZb!,w_474,c_limit,f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2Fd94f25a8-a4a0-4ca4-9181-de0c91bdc930_1400x1400.jpeg)
![Richard Serra: Forged Steel, Texts by Richard Serra and Richard Shiff, Designed by McCall Associates, David Zwirner Books, New York, NY / Steidl, Göttingen, 2016 [Saint-Martin Bookshop, Bruxelles-Brussel. Art: © Richard Serra / ARS, New York]](https://substackcdn.com/image/fetch/$s_!MZyP!,w_474,c_limit,f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2Fde6738cb-f7d4-438d-8da3-0d4c88dd8be5_1400x1400.jpeg)
![Richard Serra: Forged Steel, Texts by Richard Serra and Richard Shiff, Designed by McCall Associates, David Zwirner Books, New York, NY / Steidl, Göttingen, 2016 [Saint-Martin Bookshop, Bruxelles-Brussel. Art: © Richard Serra / ARS, New York]](https://substackcdn.com/image/fetch/$s_!lTBV!,w_474,c_limit,f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2Fe7814313-8c89-41c3-b790-0b44e1a0d11c_1400x1400.jpeg)
![Richard Serra: Forged Steel, Texts by Richard Serra and Richard Shiff, Designed by McCall Associates, David Zwirner Books, New York, NY / Steidl, Göttingen, 2016 [Saint-Martin Bookshop, Bruxelles-Brussel. Art: © Richard Serra / ARS, New York]](https://substackcdn.com/image/fetch/$s_!FFrv!,w_474,c_limit,f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2F56379292-6c73-4f92-ae23-25d7374975be_1400x1400.jpeg)
![Richard Serra: Forged Steel, Texts by Richard Serra and Richard Shiff, Designed by McCall Associates, David Zwirner Books, New York, NY / Steidl, Göttingen, 2016 [Saint-Martin Bookshop, Bruxelles-Brussel. Art: © Richard Serra / ARS, New York]](https://substackcdn.com/image/fetch/$s_!7tbS!,w_474,c_limit,f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2F5e123698-f753-424f-8b3e-ccf20935a05b_1400x1400.jpeg)
![Richard Serra: Forged Steel, Texts by Richard Serra and Richard Shiff, Designed by McCall Associates, David Zwirner Books, New York, NY / Steidl, Göttingen, 2016 [Saint-Martin Bookshop, Bruxelles-Brussel. Art: © Richard Serra / ARS, New York]](https://substackcdn.com/image/fetch/$s_!Yujb!,w_474,c_limit,f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2Faa95e1f2-1343-4ab2-82b1-a4a96e7ad1b4_1400x1400.jpeg)
![Richard Serra: Forged Steel, Texts by Richard Serra and Richard Shiff, Designed by McCall Associates, David Zwirner Books, New York, NY / Steidl, Göttingen, 2016 [Saint-Martin Bookshop, Bruxelles-Brussel. Art: © Richard Serra / ARS, New York]](https://substackcdn.com/image/fetch/$s_!kYSm!,w_474,c_limit,f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2F7bfb1ff9-98c0-4919-b87e-273a8044157c_1400x1400.jpeg)
![Richard Serra: Forged Steel, Texts by Richard Serra and Richard Shiff, Designed by McCall Associates, David Zwirner Books, New York, NY / Steidl, Göttingen, 2016 [Saint-Martin Bookshop, Bruxelles-Brussel. Art: © Richard Serra / ARS, New York]](https://substackcdn.com/image/fetch/$s_!YsYY!,w_474,c_limit,f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2Fdc913c1f-10ef-4706-9ff4-195dc93db2ab_1400x1400.jpeg)
![Richard Serra, Edited by Ernst-Gerhard Güse, with contributions by Yves-Alain Bois, Douglas Crimp, Richard Serra & Armin Zweite, Translation by Michael Robinson and John Shepley, Rizzoli, New York, NY, 1988 [Galerie m, Bochum / Verlag Gerd Hatje, Stuttgart, 1987] [Saint-Martin Bookshop, Bruxelles-Brussel. Art: © Richard Serra / ARS, New York] Richard Serra, Edited by Ernst-Gerhard Güse, with contributions by Yves-Alain Bois, Douglas Crimp, Richard Serra & Armin Zweite, Translation by Michael Robinson and John Shepley, Rizzoli, New York, NY, 1988 [Galerie m, Bochum / Verlag Gerd Hatje, Stuttgart, 1987] [Saint-Martin Bookshop, Bruxelles-Brussel. Art: © Richard Serra / ARS, New York]](https://substackcdn.com/image/fetch/w_1456,c_limit,f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2Ffdf7985f-fd4c-41e4-8a1f-b1445a146586_1220x1400.jpeg)
![Richard Serra, Edited by Ernst-Gerhard Güse, with contributions by Yves-Alain Bois, Douglas Crimp, Richard Serra & Armin Zweite, Translation by Michael Robinson and John Shepley, Rizzoli, New York, NY, 1988 [Galerie m, Bochum / Verlag Gerd Hatje, Stuttgart, 1987] [Saint-Martin Bookshop, Bruxelles-Brussel. Art: © Richard Serra / ARS, New York]](https://substackcdn.com/image/fetch/$s_!yM4F!,w_474,c_limit,f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2F6a81cb76-10b8-4c1e-b964-951190f934ed_1400x1400.jpeg)
![Richard Serra, Edited by Ernst-Gerhard Güse, with contributions by Yves-Alain Bois, Douglas Crimp, Richard Serra & Armin Zweite, Translation by Michael Robinson and John Shepley, Rizzoli, New York, NY, 1988 [Galerie m, Bochum / Verlag Gerd Hatje, Stuttgart, 1987] [Saint-Martin Bookshop, Bruxelles-Brussel. Art: © Richard Serra / ARS, New York]](https://substackcdn.com/image/fetch/$s_!4Vas!,w_474,c_limit,f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2F3cd4b6b3-4009-49ef-b63b-d467cafb5699_1400x1400.jpeg)
![Richard Serra, Edited by Ernst-Gerhard Güse, with contributions by Yves-Alain Bois, Douglas Crimp, Richard Serra & Armin Zweite, Translation by Michael Robinson and John Shepley, Rizzoli, New York, NY, 1988 [Galerie m, Bochum / Verlag Gerd Hatje, Stuttgart, 1987] [Saint-Martin Bookshop, Bruxelles-Brussel. Art: © Richard Serra / ARS, New York]](https://substackcdn.com/image/fetch/$s_!LAtM!,w_474,c_limit,f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2F7c559e7b-b7b6-4ff4-8c96-a84f4a98bdb1_1400x1400.jpeg)
![Richard Serra, Edited by Ernst-Gerhard Güse, with contributions by Yves-Alain Bois, Douglas Crimp, Richard Serra & Armin Zweite, Translation by Michael Robinson and John Shepley, Rizzoli, New York, NY, 1988 [Galerie m, Bochum / Verlag Gerd Hatje, Stuttgart, 1987] [Saint-Martin Bookshop, Bruxelles-Brussel. Art: © Richard Serra / ARS, New York]](https://substackcdn.com/image/fetch/$s_!0iGs!,w_474,c_limit,f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2F987ee461-7e14-4e95-a997-f79f582b17ce_1400x1400.jpeg)
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![Richard Serra, Edited by Ernst-Gerhard Güse, with contributions by Yves-Alain Bois, Douglas Crimp, Richard Serra & Armin Zweite, Translation by Michael Robinson and John Shepley, Rizzoli, New York, NY, 1988 [Galerie m, Bochum / Verlag Gerd Hatje, Stuttgart, 1987] [Saint-Martin Bookshop, Bruxelles-Brussel. Art: © Richard Serra / ARS, New York]](https://substackcdn.com/image/fetch/$s_!5L3X!,w_474,c_limit,f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2F8537b2c5-c692-408a-91b4-808546ddec27_1400x1400.jpeg)
![Richard Serra, Edited by Ernst-Gerhard Güse, with contributions by Yves-Alain Bois, Douglas Crimp, Richard Serra & Armin Zweite, Translation by Michael Robinson and John Shepley, Rizzoli, New York, NY, 1988 [Galerie m, Bochum / Verlag Gerd Hatje, Stuttgart, 1987] [Saint-Martin Bookshop, Bruxelles-Brussel. Art: © Richard Serra / ARS, New York]](https://substackcdn.com/image/fetch/$s_!ESsQ!,w_474,c_limit,f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2F82f00f61-fd19-459f-88b9-b0de37856f29_1400x1400.jpeg)
![Richard Serra, Edited by Ernst-Gerhard Güse, with contributions by Yves-Alain Bois, Douglas Crimp, Richard Serra & Armin Zweite, Translation by Michael Robinson and John Shepley, Rizzoli, New York, NY, 1988 [Galerie m, Bochum / Verlag Gerd Hatje, Stuttgart, 1987] [Saint-Martin Bookshop, Bruxelles-Brussel. Art: © Richard Serra / ARS, New York]](https://substackcdn.com/image/fetch/$s_!7I94!,w_474,c_limit,f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2F108d74b8-23e9-4494-833a-7ef5fa2a1ef8_1400x1400.jpeg)
![Richard Serra: Early Work, Text by Hal Foster, Designed by McCall Associates, David Zwirner, New York, NY / Steidl, Göttingen, 2014 [Art: © Richard Serra / ARS, New York] Richard Serra: Early Work, Text by Hal Foster, Designed by McCall Associates, David Zwirner, New York, NY / Steidl, Göttingen, 2014 [Art: © Richard Serra / ARS, New York]](https://substackcdn.com/image/fetch/w_1456,c_limit,f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2F445acee7-bdea-40c6-908a-3646f0f6ad80_1291x1600.jpeg)
![Richard Serra: Early Work, Text by Hal Foster, Designed by McCall Associates, David Zwirner, New York, NY / Steidl, Göttingen, 2014 [Art: © Richard Serra / ARS, New York]](https://substackcdn.com/image/fetch/$s_!OlaU!,w_474,c_limit,f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2Ffe7ec44f-ad1c-46b3-b320-5d40a7be788a_3840x2560.jpeg)
![Richard Serra: Early Work, Text by Hal Foster, Designed by McCall Associates, David Zwirner, New York, NY / Steidl, Göttingen, 2014 [Art: © Richard Serra / ARS, New York]](https://substackcdn.com/image/fetch/$s_!ZQ1C!,w_474,c_limit,f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2F752f3cbb-a2ab-43ea-b393-caf13245abfc_2000x1333.jpeg)
![Richard Serra: Early Work, Text by Hal Foster, Designed by McCall Associates, David Zwirner, New York, NY / Steidl, Göttingen, 2014 [Art: © Richard Serra / ARS, New York]](https://substackcdn.com/image/fetch/$s_!XlcY!,w_474,c_limit,f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2Fe5e4f9b9-3263-4de9-aa3e-357c5103ea8d_2000x1333.jpeg)
![Richard Serra: Early Work, Text by Hal Foster, Designed by McCall Associates, David Zwirner, New York, NY / Steidl, Göttingen, 2014 [Art: © Richard Serra / ARS, New York]](https://substackcdn.com/image/fetch/$s_!Gjtw!,w_474,c_limit,f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2F4ebc918b-b861-4062-8917-32302d2c9863_2000x1333.jpeg)
![Richard Serra: Early Work, Text by Hal Foster, Designed by McCall Associates, David Zwirner, New York, NY / Steidl, Göttingen, 2014 [Art: © Richard Serra / ARS, New York]](https://substackcdn.com/image/fetch/$s_!g5kR!,w_474,c_limit,f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2Fe343aa13-dc70-4513-9c4b-d968c99f2504_2000x1333.jpeg)
![Richard Serra: Early Work, Text by Hal Foster, Designed by McCall Associates, David Zwirner, New York, NY / Steidl, Göttingen, 2014 [Art: © Richard Serra / ARS, New York]](https://substackcdn.com/image/fetch/$s_!fk1K!,w_474,c_limit,f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2F96b1997f-024b-44ac-9b4c-3dba9c989aa9_2000x1333.jpeg)
![Richard Serra: Early Work, Text by Hal Foster, Designed by McCall Associates, David Zwirner, New York, NY / Steidl, Göttingen, 2014 [Art: © Richard Serra / ARS, New York]](https://substackcdn.com/image/fetch/$s_!gJtR!,w_474,c_limit,f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2Fa8a14c52-4a68-419b-becd-07687cf24644_2000x1333.jpeg)
![Richard Serra: Early Work, Text by Hal Foster, Designed by McCall Associates, David Zwirner, New York, NY / Steidl, Göttingen, 2014 [Art: © Richard Serra / ARS, New York]](https://substackcdn.com/image/fetch/$s_!du4K!,w_474,c_limit,f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2F0052182d-0706-4988-a7bd-c2edde67592a_2000x1333.jpeg)
![Richard Serra: Early Work, Text by Hal Foster, Designed by McCall Associates, David Zwirner, New York, NY / Steidl, Göttingen, 2014 [Art: © Richard Serra / ARS, New York]](https://substackcdn.com/image/fetch/$s_!ftfo!,w_474,c_limit,f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2F5b69a027-738e-411c-b802-60b21d16939d_2000x1333.jpeg)
![Richard Serra: Triptychs and Diptychs (September 16 – November 2, 2019), Forged Rounds (September 17 – December 7, 2019), and Reverse Curve (September 17, 2019 – February 1, 2020), (adv. in «Art in America» magazine), Gagosian, New York, 2019 [Art Books & Ephemera. Art: © Richard Serra / ARS, New York. Photo: Silke von Berswordt] Richard Serra: Triptychs and Diptychs (September 16 – November 2, 2019), Forged Rounds (September 17 – December 7, 2019), and Reverse Curve (September 17, 2019 – February 1, 2020), (adv. in «Art in America» magazine), Gagosian, New York, 2019 [Art Books & Ephemera. Art: © Richard Serra / ARS, New York. Photo: Silke von Berswordt]](https://substackcdn.com/image/fetch/w_1456,c_limit,f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2F079a8298-a3bc-409b-bebd-43c485120743_742x900.jpeg)
![Richard Serra – 8 Drawings: Weights and Measures, Leo Castelli Gallery, New York, NY, September 23 – October 14, 1989 [Saint-Martin Bookshop, Bruxelles-Brussel. © Richard Serra] Richard Serra – 8 Drawings: Weights and Measures, Leo Castelli Gallery, New York, NY, September 23 – October 14, 1989 [Saint-Martin Bookshop, Bruxelles-Brussel. © Richard Serra]](https://substackcdn.com/image/fetch/w_1456,c_limit,f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2F4b6ab672-dcfd-411c-9e85-beb0a1a0536d_1280x959.jpeg)
![Richard Serra – 8 Drawings: Weights and Measures, Leo Castelli Gallery, New York, NY, September 23 – October 14, 1989 [Saint-Martin Bookshop, Bruxelles-Brussel. © Richard Serra]](https://substackcdn.com/image/fetch/$s_!Fb79!,w_720,c_limit,f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2F179b0b0f-6254-433c-96f6-5aa442673059_1400x1400.jpeg)
![Richard Serra – 8 Drawings: Weights and Measures, Leo Castelli Gallery, New York, NY, September 23 – October 14, 1989 [Saint-Martin Bookshop, Bruxelles-Brussel. © Richard Serra]](https://substackcdn.com/image/fetch/$s_!MJN7!,w_720,c_limit,f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2F372e7cb4-35b8-40bb-adbf-b5ccc8763852_1400x1400.jpeg)
![Richard Serra – 8 Drawings: Weights and Measures, Leo Castelli Gallery, New York, NY, September 23 – October 14, 1989 [Saint-Martin Bookshop, Bruxelles-Brussel. © Richard Serra]](https://substackcdn.com/image/fetch/$s_!d-x6!,w_720,c_limit,f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2Fc661071c-851f-422e-91d4-8893aabc117e_1400x1400.jpeg)
![Richard Serra – 8 Drawings: Weights and Measures, Leo Castelli Gallery, New York, NY, September 23 – October 14, 1989 [Saint-Martin Bookshop, Bruxelles-Brussel. © Richard Serra]](https://substackcdn.com/image/fetch/$s_!2whU!,w_720,c_limit,f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2F790f3014-fe92-461f-a29b-97962a6c5071_1400x1400.jpeg)
Richard Hamilton, Nokkoist (Bear’s Heart), «PICPUS»
Richard Hamilton, Maps of Palestine, (digital print on canvas; detail), 2011, «PICPUS», No. 32 – Spring 2024, (back cover), Edited by Charles Asprey and Simon Grant, Design by Studio Ard (now Studio Ardworks) – Chuard & Nørregaard. Plus: Richard Hamilton, Maps of Palestine, 2011, photo by Al-Madani/Flickr from the 4th Moscow Biennale, September 22 – October 30, 2011. Plus: Serpentine Map Marathon 2010: Richard Hamilton & Eyal Weizman – Political Plastic (video) (Uploaded on Jun 1, 2011).
Nokkoist (Bear’s Heart), Cheyenne Warriors on Horseback, (detail) ca. 1876, «PICPUS», No. 32 – Spring 2024, (cover), Edited by Charles Asprey and Simon Grant, Design by Studio Ard (now Studio Ardworks) – Chuard & Nørregaard.
«A year ago, we decided to shutter UbuWeb. Not really shutter it, per se, but instead to consider it complete. After nearly 30 years, it felt right. But now, with the political changes in America and elsewhere around the world, we have decided to restart our archiving and regrow Ubu. In a moment when our collective memory is being systematically eradicated, archiving reemerges as a strong form of resistance, a way of preserving crucial, subversive, and marginalized forms of expression. We encourage you to do the same. All rivers lead to the same ocean: find your form of resistance, no matter how small, and go hard. It's now or never. Together we can prevent the annihilation of the memory of the world.»
― UbuWeb (Founded 1996)
One Day, Everyone Will Have Always Been Against This, Canongate Books, Edinburgh and London, 2025.
Palestine Festival of Literature: One Day, Everyone Will Have Always Been Against This, Knopf Doubleday, New York, NY, 2025.

![Omar El Akkad, One Day, Everyone Will Have Always Been Against This, Knopf Doubleday, New York, NY, 2025 [Palestine Festival of Literature] Omar El Akkad, One Day, Everyone Will Have Always Been Against This, Knopf Doubleday, New York, NY, 2025 [Palestine Festival of Literature]](https://substackcdn.com/image/fetch/w_1456,c_limit,f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2F7f83ffd7-c1e7-475c-9c48-922c77dec306_1177x1800.png)
Map: Exploring The World, Phaidon Editors, with an introduction by John Hessler, Phaidon Press, London, 2015. Plus: The Art of the Map – Richard Hamilton.
Map: Exploring The World, Phaidon Editors, with an introduction by John Hessler, Phaidon Press, London, (2015-)2020.















Rainforest V (variation 1), (twenty objects, sound, dimensions variable), 1973/2015, Conceived by David Tudor, realized by Composers Inside Electronics Inc. (John Driscoll, Phil Edelstein, and Matt Rogalsky); from David Tudor and Composers Inside Electronics Inc.: 'Rainforest V (variation 1)', (installation view), MoMA, New York, NY, October 21, 2019 – January 5, 2020. Plus: Ana Janevski – Martha Joseph, The Evolution of David Tudor's 'Rainforest' A pair of MoMA curators share a brief history of the work, MoMA, New York, NY, October 15, 2019.
![Rainforest V (variation 1), (twenty objects, sound, dimensions variable), 1973/2015, Conceived by David Tudor, realized by Composers Inside Electronics Inc. (John Driscoll, Phil Edelstein, and Matt Rogalsky); from David Tudor and Composers Inside Electronics Inc.: ‘Rainforest V (variation 1)’, (installation view), MoMA, New York, NY, October 21, 2019 – January 5, 2020 [Committee on Media and Performance Art Funds. © David Tudor and Composers Inside Electronics Inc.. Image: © The Museum of Modern Art. Photo: Heidi Bohnenkamp] Rainforest V (variation 1), (twenty objects, sound, dimensions variable), 1973/2015, Conceived by David Tudor, realized by Composers Inside Electronics Inc. (John Driscoll, Phil Edelstein, and Matt Rogalsky); from David Tudor and Composers Inside Electronics Inc.: ‘Rainforest V (variation 1)’, (installation view), MoMA, New York, NY, October 21, 2019 – January 5, 2020 [Committee on Media and Performance Art Funds. © David Tudor and Composers Inside Electronics Inc.. Image: © The Museum of Modern Art. Photo: Heidi Bohnenkamp]](https://substackcdn.com/image/fetch/w_1456,c_limit,f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2F5310ab87-df5f-4e86-a5ec-d09b14e43eeb_2000x1125.jpeg)
Adriano Spatola, Mario Diacono
diagonale/librogalleria, Roma: [manifesto (classificazione/classificatore)], no date.
Extra: Readings
Compendium of the Lichens and Associated Fungi of Alaska, Edited by Toby Spribille, Alan M. Fryday, Celia J. Hampton-Miller, Teuvo Ahti, Karen Dillman, Göran Thor, Tor Tonsberg, Dave Schirokauer, «Bibliotheca Linchenologica» 112, J. Cramer in Borntraeger Science Publishers, Stuttgart, 2023 (pdf) [CC BY-NC 4.0].
Note: about the journal, “how” has priority over “what” in a synchronic and diachronic process, and following the chains of posts is the best way to “read” and "de-scribe" it—in the bulletin, for summary reasons, the posts are aggregated by names and sources.
State bene.
garadinervi : repertori
ragione e storia
www: garadinervi-repertori.blog
bulletin: garadinervi.substack.com
e-mail: garadinervi@proton.me