garadinervi : repertori – bulletin : weekly recap
June 7-13, 2025
Aarati Akkapeddi, Valentina Améstica, Rujuta Rao, Audra Wolowiec, Kyung Eun You
Aarati Akkapeddi, Valentina Améstica, Rujuta Rao, Audra Wolowiec, and Kyung Eun You: ‘The Space Between Words: Other Ways of Reading’, Center for Book Arts, New York, NY, June 5 – August 30, 2025.
Sonic Poetics with Audra Wolowiec, (workshop), Center for Book Arts, New York, NY, July 28, 2025.
↗ Aarati Akkapeddi
↗ Valentina Améstica
↗ Rujuta Rao
↗ Audra Wolowiec
↗ Kyung Eun You
Center for Book Arts, New York, NY: A Dictionary Story, 2009, First Trade Edition, Produced by Arc Artist Editions.
![Sam Winston, A Dictionary Story, 2009, First Trade Edition, Produced by Arc Artist Editions [Center for Book Arts, New York, NY. © Sam Winston]](https://substackcdn.com/image/fetch/f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2F69d9efbd-f8c5-4f7d-a832-20690cc7f4f8_783x1100.jpeg "Sam Winston, A Dictionary Story, 2009, First Trade Edition, Produced by Arc Artist Editions [Center for Book Arts, New York, NY. © Sam Winston]")
![Sam Winston, A Dictionary Story, 2009, First Trade Edition, Produced by Arc Artist Editions [Center for Book Arts, New York, NY. © Sam Winston]](https://substackcdn.com/image/fetch/f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2Ff0ba87c3-25c4-4ff7-ab9c-126b39facf20_1080x1350.jpeg "Sam Winston, A Dictionary Story, 2009, First Trade Edition, Produced by Arc Artist Editions [Center for Book Arts, New York, NY. © Sam Winston]")
![Sam Winston, A Dictionary Story, 2009, First Trade Edition, Produced by Arc Artist Editions [Center for Book Arts, New York, NY. © Sam Winston]](https://substackcdn.com/image/fetch/f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2F96b33570-154a-47dc-8e73-f10b113e7b37_1080x1350.jpeg "Sam Winston, A Dictionary Story, 2009, First Trade Edition, Produced by Arc Artist Editions [Center for Book Arts, New York, NY. © Sam Winston]")
![Sam Winston, A Dictionary Story, 2009, First Trade Edition, Produced by Arc Artist Editions [Center for Book Arts, New York, NY. © Sam Winston]](https://substackcdn.com/image/fetch/f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2F84647160-c1f2-492a-a426-d3fef8524be3_1080x1350.jpeg "Sam Winston, A Dictionary Story, 2009, First Trade Edition, Produced by Arc Artist Editions [Center for Book Arts, New York, NY. © Sam Winston]")
![Sam Winston, A Dictionary Story, 2009, First Trade Edition, Produced by Arc Artist Editions [Center for Book Arts, New York, NY. © Sam Winston]](https://substackcdn.com/image/fetch/f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2F80971afb-5d2b-4d45-b050-c64635ceb7db_1071x1350.jpeg "Sam Winston, A Dictionary Story, 2009, First Trade Edition, Produced by Arc Artist Editions [Center for Book Arts, New York, NY. © Sam Winston]")
Odorata ginestra,
Contenta dei deserti.― Giacomo Leopardi, (1831, 1835, 1845), La ginestra, o il fiore del deserto (1836), I Canti, XXXIV, Edited by Alessandro Donati, «Scrittori d'Italia», Giacomo Leopardi: ‘Opere’ I, Laterza & Figli, Bari, 1917, pp. 129-138 (text)
Untitled #322, 2025.
Nikki Giovanni, b. June 7, 1943 / 2025
Between the Covers, Gloucester City, NJ: «The Ohio Review», Volume XVI, Number 1, Fall 1974, Ohio University, Athens, OH, 1974; Contributors: Nikki Giovanni, Thomas Parkinson, Richard Howard, Peter Wild, and others.
![«The Ohio Review», Volume XVI, Number 1, Fall 1974, Ohio University, Athens, OH, 1974 [Between the Covers, Gloucester City, NJ]](https://substackcdn.com/image/fetch/f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2Ffa0e8eb4-85b9-4e5f-b0ba-8f1b747c6098_1053x1600.jpeg "«The Ohio Review», Volume XVI, Number 1, Fall 1974, Ohio University, Athens, OH, 1974 [Between the Covers, Gloucester City, NJ]")
Gemini. An Extended Autobiographical Statement on My First Twenty-Five Years of Being a Black Poet, (1971), Penguin Books, New York, NY, 1977 (1972 Bobbs-Merrill edition).
Internet Archive: Truth Is On Its Way, The New York Community Choir under the direction of Benny Diggs, RRO 5001, Right-On Records, 1971; Cover Photograph: Chester Higgins Jr.
«All of Miss Giovanni's poetry appearing in this album is from her books, "BLACK FEELINGS, BLACK TALK, BLACK JUDGMENT" (Published by William Morrow and Co.) and "RE-CREATION" (Published by Broadside Press) with the exception of "MY TOWER" that is unpublished.» ― (from the back cover)
Mira Schendel, b. June 7, 1919 / 2025
AWARE: Archives of Women Artists, Research and Exhibitions, Paris: Clay Perry (photograph), Mira Schendel and Droguinhas, 1966; (2).
![Clay Perry (photograph), Mira Schendel and Droguinhas, 1966 [AWARE: Archives of Women Artists, Research and Exhibitions, Paris. Art: © Estate of Mira Schendel. Photo: © Clay Perry. Courtesy England & Co. Gallery, London]](https://substackcdn.com/image/fetch/f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2F3fa4280f-fbf7-4662-924f-8257cbad178e_1500x995.jpeg "Clay Perry (photograph), Mira Schendel and Droguinhas, 1966 [AWARE: Archives of Women Artists, Research and Exhibitions, Paris. Art: © Estate of Mira Schendel. Photo: © Clay Perry. Courtesy England & Co. Gallery, London]")
![Clay Perry (photograph), Mira Schendel and Droguinhas, 1966 [AWARE: Archives of Women Artists, Research and Exhibitions, Paris. Art: © Estate of Mira Schendel. Photo: © Clay Perry. Courtesy England & Co. Gallery, London]](https://substackcdn.com/image/fetch/f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2Fee76ea22-d90e-4858-9392-1f2b2a4cd610_1160x770.jpeg "Clay Perry (photograph), Mira Schendel and Droguinhas, 1966 [AWARE: Archives of Women Artists, Research and Exhibitions, Paris. Art: © Estate of Mira Schendel. Photo: © Clay Perry. Courtesy England & Co. Gallery, London]")
Galatea, São Paulo and Salvador; Coleção Particular, Rio de Janeiro: Droguinhas, (rice paper, variable dimensions), 1965-1966.
![Mira Schendel, Droguinhas, (rice paper, variable dimensions), 1965-1966 [Galatea, São Paulo and Salvador. Coleção Particular, Rio de Janeiro. © Estate of Mira Schendel]](https://substackcdn.com/image/fetch/f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2F52d879a4-2f1b-40fe-b98d-d19374d0c5f9_1068x1600.jpeg "Mira Schendel, Droguinhas, (rice paper, variable dimensions), 1965-1966 [Galatea, São Paulo and Salvador. Coleção Particular, Rio de Janeiro. © Estate of Mira Schendel]")
Galatea, São Paulo and Salvador: Untitled, (oil on canvas), 1964.
![Mira Schendel, Untitled, (oil on canvas), 1964 [Galatea, São Paulo and Salvador. © Estate of Mira Schendel]](https://substackcdn.com/image/fetch/f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2F6ed4eafa-9233-4429-a1ba-d58347f9ddd6_1300x1600.jpeg "Mira Schendel, Untitled, (oil on canvas), 1964 [Galatea, São Paulo and Salvador. © Estate of Mira Schendel]")
Galatea, São Paulo and Salvador: Untitled, [from the series 'Discos'], (acrylic, letraset and screws), 1971.
![Mira Schendel, Untitled, [from the series ‘Discos’], (acrylic, letraset and screws), 1971 [Galatea, São Paulo and Salvador. Art: © Estate of Mira Schendel. Photo: © Ding Musa]](https://substackcdn.com/image/fetch/f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2Fcd058a29-09e5-4685-8e85-6201250648ce_1251x1600.jpeg "Mira Schendel, Untitled, [from the series ‘Discos’], (acrylic, letraset and screws), 1971 [Galatea, São Paulo and Salvador. Art: © Estate of Mira Schendel. Photo: © Ding Musa]")
![Mira Schendel, Untitled, [from the series ‘Discos’], (acrylic, letraset and screws), 1971 [Galatea, São Paulo and Salvador. Art: © Estate of Mira Schendel. Photo: © Ding Musa]](https://substackcdn.com/image/fetch/f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2Fd4a05b4b-fcaa-4399-9874-27bfdec389e2_1068x1600.jpeg "Mira Schendel, Untitled, [from the series ‘Discos’], (acrylic, letraset and screws), 1971 [Galatea, São Paulo and Salvador. Art: © Estate of Mira Schendel. Photo: © Ding Musa]")
![Mira Schendel, Untitled, [from the series ‘Discos’], (acrylic, letraset and screws), 1971 [Galatea, São Paulo and Salvador. Art: © Estate of Mira Schendel. Photo: © Ding Musa]](https://substackcdn.com/image/fetch/f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2F6d55dc08-1d7c-4e72-8faa-f4244693bc35_1068x1600.jpeg "Mira Schendel, Untitled, [from the series ‘Discos’], (acrylic, letraset and screws), 1971 [Galatea, São Paulo and Salvador. Art: © Estate of Mira Schendel. Photo: © Ding Musa]")
![Mira Schendel, Untitled, [from the series ‘Discos’], (acrylic, letraset and screws), 1971 [Galatea, São Paulo and Salvador. Art: © Estate of Mira Schendel. Photo: © Ding Musa]](https://substackcdn.com/image/fetch/f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2Fda4d2ab8-ca05-4d1c-a65c-8f2ab48b851f_1068x1600.jpeg "Mira Schendel, Untitled, [from the series ‘Discos’], (acrylic, letraset and screws), 1971 [Galatea, São Paulo and Salvador. Art: © Estate of Mira Schendel. Photo: © Ding Musa]")
Galatea, São Paulo and Salvador: Caderno com 13 páginas, (letraset on paper), n.d. [ca. early 1970s.
![Mira Schendel, Caderno com 13 páginas, (letraset on paper), n.d. [early 1970s] [Galatea, São Paulo and Salvador. © Estate of Mira Schendel]](https://substackcdn.com/image/fetch/f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2F44f9b6cf-8bde-48e9-addc-e1201181f60a_1600x1600.jpeg "Mira Schendel, Caderno com 13 páginas, (letraset on paper), n.d. [early 1970s] [Galatea, São Paulo and Salvador. © Estate of Mira Schendel]")
![Mira Schendel, Caderno com 13 páginas, (letraset on paper), n.d. [early 1970s] [Galatea, São Paulo and Salvador. © Estate of Mira Schendel]](https://substackcdn.com/image/fetch/f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2F0ae6310f-95e1-4562-af0d-e5fa85bf4c8a_1600x949.jpeg "Mira Schendel, Caderno com 13 páginas, (letraset on paper), n.d. [early 1970s] [Galatea, São Paulo and Salvador. © Estate of Mira Schendel]")
![Mira Schendel, Caderno com 13 páginas, (letraset on paper), n.d. [early 1970s] [Galatea, São Paulo and Salvador. © Estate of Mira Schendel]](https://substackcdn.com/image/fetch/f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2F4b4f3d2e-9d27-4268-b83e-ddea635aeb73_1600x1306.jpeg "Mira Schendel, Caderno com 13 páginas, (letraset on paper), n.d. [early 1970s] [Galatea, São Paulo and Salvador. © Estate of Mira Schendel]")
Rituals of Recursion, (website, letterpress, performance), 2024; Exhibition: Aarati Akkapeddi: ‘Rituals of Recursion’, Curated by Chaitanya Harshita Nedunuri Kahn, Spill 180, Brooklyn, NY, January 11-25, 2025; Group Exhibition: The Space Between Words: Other Ways of Reading, Curated by Camilo Otero, Center for Book Arts, New York, NY, June 5 – August 30, 2025.
«I developed a computer program that allows me to translate text into Kolam designs. Kolam (in Tamil) or Muggu (Telugu) is a traditional art form from South India. Kolams are auspicious drawings on the floor (usually at the threshold of the home) using rice flour. Kolams are traditionally made by women and created before sunrise. They comprise mathematically complex patterns that feature continuous intertwined lines.
To encode text into Kolam designs, I first translate each character into eight-digit binary codes (made from only 0s and 1s). I then use an algorithm to map this translation onto a diamond-shaped matrix of dots. The algorithm moves top to bottom and left to right, drawing loops on each dot that correspond with either 0 or 1 according to the binary code translation of the text. The algorithm connects these loops, making sure to never connect loops associated with “0” to those associated with “1”. The center of the matrix contains blank padding space, allowing the entire pattern to be distributed evenly on the matrix, preserving the perfect square/diamond shape.
I started working with kolams because I wanted to translate my grandmother’s name, Swarajyalaxmi, into a kolam as part of a reclamation of a mourning ritual after her passing in 2022. My family mourned my grandmother by invoking three generations following a patriarchal line (my grandmother, her mother-in-law, and her mother-in-law’s mother-in-law). In contrast, I worked matrilineally, creating three kolams representing Swarajyalaxmi, Kameswaramma (her mother), and Rajyalaxmi (her grandmother). I draw the kolams signifying their names while simultaneously playing audio from an interview with her a month before she passed away at age 101. The audio shows how my grandmother’s name signifies independence in the colonial context, and the interview also highlights her resilience in the face of patriarchal oppressions such as being married at age twelve.
In this series, I expand on this work by incorporating letterpress printed works created using a set of 3D-printed kolam monotype blocks. There are kolams for my grandmother, her mother, and her grandmother but I also include letterpress prints that extend the process beyond familial connections. There are kolams commissioned by friends honoring their loved ones, kolams honoring martyrs, specific places, and some that feature messages of resilience and resistance. In these works, I see the act of translation as a ritual of reverence. invited all to spend time with each kolam and decode its meaning using kolam.codes. On this website, visitors could also encrypt new kolams.»
At Center for Book Arts
At Spill 180
Performance at Spill 180
«In addition to the artwork, the Spill 180 exhibition also featured a “reading nook” with a zine of Telugu poetry curated by The Telugu Archive (Sai Priya Kodidala). The poems touch on themes of patriarchy, resistance, and the ways women have shared histories through mediums outside of traditional academia (i.e. song, clothing, kolam/muggulu). Sai Priya Kodidala is an independent writer and researcher from Hyderabad, India focusing on the intersection of Telugu literature, politics, history and art. The Telugu Archive traces the rich socio-political history of resistance, civil rights and revolutionary politics.
You can view the zine online here.»
Reading Nook at Spill 180
From the exhibition Aarati Akkapeddi: ‘Rituals of Recursion’, Curated by Chaitanya Harshita Nedunuri Kahn, Spill 180, Brooklyn, NY, January 11-25, 2025.
Translating Text into Kolam Prints with Aarati Akkapeddi, (workshop), Center for Book Arts, New York, NY, August 1825, 2025; (2); (3); (4).
Swarajyalaxmi, (performance, banana leaf, audio), 2023.
kolam.codes, (encryption tool).
«Kolam (in Tamil) or Muggu (Telugu) is a traditional art form from South India. Kolams are auspicious drawings on the floor (usually at the threshold of the home) using rice flour. Kolams are traditionally made by women and created before sunrise. They comprise mathematically complex patterns that feature continuous intertwined lines. The drawings are notably ephemeral. They are disturbed throughout the day by wind and footsteps or as insects consume the tiny grains of flour.
There are many variations of Kolam designs but there is one essential property: they must use continuous curves in which there are no breaks and the beginning and end-point are the same. Many Kolams also feature a grid of dots that follows the Fibonacci sequence. Not all Kolams are symmetrical but many use principles of recursion and repetition.
I developed a computer program that allows me to translate text into Kolam designs. I first started working with kolams because I wanted to translate my paternal grandmother’s name, Swarajyalaxmi into a kolam as part of my mourning ritual after her passing in 2022. kolam.codes is an extension of that work, allowing others to translate names or text of their choosing into kolam designs.
To encode text into Kolam designs, I first translate each character into an eight-digit binary code (made from only 0s and 1s). I then map this code onto my starting grid of dots (moving left to right and top to bottom). I use the center of the grid as extra space to work with a grid that may contain more dots than characters. Using this grid as a basis, the algorithm then fills in the sections with looping components, making sure to never connect dots associated with “0” to those associated with “1”.»
Textiles for Palestine. Exhibition, Workshops, Stalls, Fundraiser, Praxis N16 Studios, London, July 6, 2025. All profits will be split between Thamra, PRCS, and The Tatreez Institute.
STORIA DELL'ARTE ITALIANA VOL.1 (n.020), (rubber stamp, pencil, ballpoint pen, fountain pen, and fluorescent highlighter on school book), 2024; (2); (3).
![Gianpaolo Pagni, STORIA DELL'ARTE ITALIANA VOL.1 (n.020), (rubber stamp, pencil, ballpoint pen, fountain pen, and fluorescent highlighter on school book), 2024 [© Gianpaolo Pagni]](https://substackcdn.com/image/fetch/w_720,c_limit,f_webp,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2F19080df2-f2d8-4cd2-bfff-7626aefda65b_992x1240.jpeg)
![Gianpaolo Pagni, STORIA DELL'ARTE ITALIANA VOL.1 (n.020), (rubber stamp, pencil, ballpoint pen, fountain pen, and fluorescent highlighter on school book), 2024 [© Gianpaolo Pagni]](https://substackcdn.com/image/fetch/w_720,c_limit,f_webp,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2Fb129be3f-6ea5-41da-9723-676e3143b20c_992x1240.jpeg)
![Gianpaolo Pagni, STORIA DELL'ARTE ITALIANA VOL.1 (n.020), (rubber stamp, pencil, ballpoint pen, fountain pen, and fluorescent highlighter on school book), 2024 [© Gianpaolo Pagni]](https://substackcdn.com/image/fetch/f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2Feff3c7fe-4cee-4e3e-a501-88b0de32837e_750x536.png "Gianpaolo Pagni, STORIA DELL'ARTE ITALIANA VOL.1 (n.020), (rubber stamp, pencil, ballpoint pen, fountain pen, and fluorescent highlighter on school book), 2024 [© Gianpaolo Pagni]")
![Gianpaolo Pagni, STORIA DELL'ARTE ITALIANA VOL.1 (n.020), (rubber stamp, pencil, ballpoint pen, fountain pen, and fluorescent highlighter on school book), 2024 [© Gianpaolo Pagni]](https://substackcdn.com/image/fetch/w_720,c_limit,f_webp,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2F439e21b6-4256-4ab7-bf94-08db984a7289_794x992.jpeg)
![Gianpaolo Pagni, STORIA DELL'ARTE ITALIANA VOL.1 (n.020), (rubber stamp, pencil, ballpoint pen, fountain pen, and fluorescent highlighter on school book), 2024 [© Gianpaolo Pagni]](https://substackcdn.com/image/fetch/w_720,c_limit,f_webp,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2F6a7cd3e2-ec77-4195-b394-6ae4e8cac08b_794x992.jpeg)
![Gianpaolo Pagni, STORIA DELL'ARTE ITALIANA VOL.1 (n.020), (rubber stamp, pencil, ballpoint pen, fountain pen, and fluorescent highlighter on school book), 2024 [© Gianpaolo Pagni]](https://substackcdn.com/image/fetch/w_720,c_limit,f_webp,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2Fabe9a88e-eac0-4933-8f3c-7e5d6b45cf6b_1080x1350.jpeg)
![Gianpaolo Pagni, STORIA DELL'ARTE ITALIANA VOL.1 (n.020), (rubber stamp, pencil, ballpoint pen, fountain pen, and fluorescent highlighter on school book), 2024 [© Gianpaolo Pagni]](https://substackcdn.com/image/fetch/w_720,c_limit,f_webp,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2Fb718d17f-c0c1-4f9d-95e0-da8acf717eb5_1080x1350.jpeg)
Good Luck Gallery, Kalispell, MT: Ancient Lands Scattered, (ink and colored pencil on antique "Miles City, Custer County, State of Montana, record of official ballots" ledger sheet (dated 1937)), 2023.
![Terran Last Gun, Ancient Lands Scattered, (ink and colored pencil on antique “Miles City, Custer County, State of Montana, record of official ballots” ledger sheet (dated 1937)), 2023 [Good Luck Gallery, Kalispell, MT. © Terran Last Gun]](https://substackcdn.com/image/fetch/f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2Fbdddaabf-ff0c-4f9c-819e-bfbe763be5c0_734x900.jpeg "Terran Last Gun, Ancient Lands Scattered, (ink and colored pencil on antique “Miles City, Custer County, State of Montana, record of official ballots” ledger sheet (dated 1937)), 2023 [Good Luck Gallery, Kalispell, MT. © Terran Last Gun]")
Good Luck Gallery, Kalispell, MT: Geological Anomaly Shape, (ink and colored pencil on "Miles City, Custer County, State of Montana, record of official ballots" ledger sheet (dated 1939); Watermark: White Feather Bond), 2023.
![Terran Last Gun, Geological Anomaly Shape, (ink and colored pencil on “Miles City, Custer County, State of Montana, record of official ballots” ledger sheet (dated 1939); Watermark: White Feather Bond), 2023 [Good Luck Gallery, Kalispell, MT. © Terran Last Gun]](https://substackcdn.com/image/fetch/f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2F32c4bbed-07fd-4d9f-b066-ded7ae35ad93_785x960.jpeg "Terran Last Gun, Geological Anomaly Shape, (ink and colored pencil on “Miles City, Custer County, State of Montana, record of official ballots” ledger sheet (dated 1939); Watermark: White Feather Bond), 2023 [Good Luck Gallery, Kalispell, MT. © Terran Last Gun]")
Good Luck Gallery, Kalispell, MT: Ancient Lands Scattered, (ink and colored pencil on antique "Miles City, Custer County, State of Montana, record of official ballots" ledger sheet (dated 1937)), 2023.
![Terran Last Gun, Ancient Lands Scattered, (ink and colored pencil on antique “Miles City, Custer County, State of Montana, record of official ballots” ledger sheet (dated 1937)), 2023 [Good Luck Gallery, Kalispell, MT. © Terran Last Gun]](https://substackcdn.com/image/fetch/f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2F450b2601-3a17-429f-915f-115857fdb5f0_790x960.jpeg "Terran Last Gun, Ancient Lands Scattered, (ink and colored pencil on antique “Miles City, Custer County, State of Montana, record of official ballots” ledger sheet (dated 1937)), 2023 [Good Luck Gallery, Kalispell, MT. © Terran Last Gun]")
Good Luck Gallery, Kalispell, MT: Activating Ancient Knowledge For The Future, (ink and colored pencil on antique “cattle records” ledger sheet (dated 1903); Watermark: Odin), 2025; Exhibition: Terran Last Gun, Good Luck Gallery, Kalispell, MT, June 13 – August 18, 2025.
![Terran Last Gun, Activating Ancient Knowledge For The Future, (ink and colored pencil on antique “cattle records” ledger sheet (dated 1903); Watermark: Odin), 2025 [Good Luck Gallery, Kalispell, MT. © Terran Last Gun]](https://substackcdn.com/image/fetch/f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2Fb4cbe3b6-d75f-4410-b3a9-e0eb2fcd49db_824x1323.jpeg "Terran Last Gun, Activating Ancient Knowledge For The Future, (ink and colored pencil on antique “cattle records” ledger sheet (dated 1903); Watermark: Odin), 2025 [Good Luck Gallery, Kalispell, MT. © Terran Last Gun]")
Terran Last Gun, Good Luck Gallery, Kalispell, MT, June 13 – August 18, 2025.
![Terran Last Gun, Good Luck Gallery, Kalispell, MT, June 13 – August 18, 2025 [Art: © Terran Last Gun]](https://substackcdn.com/image/fetch/f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2Fe8c43793-22a6-4774-8293-c635e4671679_1080x1350.jpeg "Terran Last Gun, Good Luck Gallery, Kalispell, MT, June 13 – August 18, 2025 [Art: © Terran Last Gun]")
Francesco Candeloro. Cime nel tempo, (exhibition views), Curated by Giorgio Verzotti, A arte Invernizzi, Milano, May 22 – July 15, 2025.
![Francesco Candeloro. Cime nel tempo, (exhibition views), Curated by Giorgio Verzotti, A arte Invernizzi, Milano, May 22 – July 15, 2025 [Art: © Francesco Candeloro. Photos: © Bruno Bani]](https://substackcdn.com/image/fetch/f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2Fb1439c15-a6c0-49b3-8350-18ebd80f0e5b_1271x1600.jpeg "Francesco Candeloro. Cime nel tempo, (exhibition views), Curated by Giorgio Verzotti, A arte Invernizzi, Milano, May 22 – July 15, 2025 [Art: © Francesco Candeloro. Photos: © Bruno Bani]")
![Francesco Candeloro. Cime nel tempo, (exhibition views), Curated by Giorgio Verzotti, A arte Invernizzi, Milano, May 22 – July 15, 2025 [Art: © Francesco Candeloro. Photos: © Bruno Bani]](https://substackcdn.com/image/fetch/f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2F9aaf6675-095d-406f-84cb-e258c626b792_2048x1536.jpeg "Francesco Candeloro. Cime nel tempo, (exhibition views), Curated by Giorgio Verzotti, A arte Invernizzi, Milano, May 22 – July 15, 2025 [Art: © Francesco Candeloro. Photos: © Bruno Bani]")
![Francesco Candeloro. Cime nel tempo, (exhibition views), Curated by Giorgio Verzotti, A arte Invernizzi, Milano, May 22 – July 15, 2025 [Art: © Francesco Candeloro. Photos: © Bruno Bani]](https://substackcdn.com/image/fetch/f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2Fed35ec3e-ad43-4e6c-9a62-4b458812da70_2048x1536.jpeg "Francesco Candeloro. Cime nel tempo, (exhibition views), Curated by Giorgio Verzotti, A arte Invernizzi, Milano, May 22 – July 15, 2025 [Art: © Francesco Candeloro. Photos: © Bruno Bani]")
Zeer, 2025; Exhibition: Fathi Hassan: Akkij, Richard Saltoun Gallery, Roma, June 12 – August 1, 2025.
![Fathi Hassan: Akkij, Richard Saltoun Gallery, Roma, June 12 – August 1, 2025 [Art: © Fathi Hassan (Zeer, 2025)]](https://substackcdn.com/image/fetch/f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2Ff7d286d8-3372-4581-b50a-f43eeed96baf_1190x1500.jpeg "Fathi Hassan: Akkij, Richard Saltoun Gallery, Roma, June 12 – August 1, 2025 [Art: © Fathi Hassan (Zeer, 2025)]")
Hassan Massoudy (حسن المسعود)
Les Écritures du Monde, collection Hassan Massoudy, Musée Champollion, Figeac (Lot), [2013].
![Les Écritures du Monde, collection Hassan Massoudy, Musée Champollion, Figeac (Lot), [2013] [© Hassan Massoudy (حسن المسعود). Photo: T. Estadieu/ Méravilles photos]](https://substackcdn.com/image/fetch/f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2Fbe0f38dc-b09a-46c8-9d9c-5381091bf847_1080x1350.png "Les Écritures du Monde, collection Hassan Massoudy, Musée Champollion, Figeac (Lot), [2013] [© Hassan Massoudy (حسن المسعود). Photo: T. Estadieu/ Méravilles photos]")
Les Écritures du Monde, collection Hassan Massoudy, Musée Champollion, Figeac (Lot), [2014].
![Les Écritures du Monde, collection Hassan Massoudy, Musée Champollion, Figeac (Lot), [2014] [© Hassan Massoudy (حسن المسعود). Photo: T. Estadieu/ Méravilles photos]](https://substackcdn.com/image/fetch/f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2Fbb649024-2729-4226-be58-9c58748cacd8_1167x1600.jpeg "Les Écritures du Monde, collection Hassan Massoudy, Musée Champollion, Figeac (Lot), [2014] [© Hassan Massoudy (حسن المسعود). Photo: T. Estadieu/ Méravilles photos]")
Les Écritures du Monde, collection Hassan Massoudy, Musée Champollion, Figeac (Lot), [2005].
![Les Écritures du Monde, collection Hassan Massoudy, Musée Champollion, Figeac (Lot), [2005] [© Hassan Massoudy (حسن المسعود). Photo: T. Estadieu/ Méravilles photos]](https://substackcdn.com/image/fetch/f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2F4a82e268-5274-4414-9f63-10944f24f05c_1080x1350.jpeg "Les Écritures du Monde, collection Hassan Massoudy, Musée Champollion, Figeac (Lot), [2005] [© Hassan Massoudy (حسن المسعود). Photo: T. Estadieu/ Méravilles photos]")
Les Écritures du Monde, collection Hassan Massoudy, Musée Champollion, Figeac (Lot), [2007].
![Les Écritures du Monde, collection Hassan Massoudy, Musée Champollion, Figeac (Lot), [2007] [© Hassan Massoudy (حسن المسعود). Photo: T. Estadieu/ Méravilles photos]](https://substackcdn.com/image/fetch/f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2F0bc74719-4a4d-4c14-bfd0-6989cbfc0711_1080x1350.png "Les Écritures du Monde, collection Hassan Massoudy, Musée Champollion, Figeac (Lot), [2007] [© Hassan Massoudy (حسن المسعود). Photo: T. Estadieu/ Méravilles photos]")
Les Écritures du Monde, collection Hassan Massoudy, Musée Champollion, Figeac (Lot).
![Les Écritures du Monde, collection Hassan Massoudy, Musée Champollion, Figeac (Lot) [© Hassan Massoudy (حسن المسعود). Photo: T. Estadieu/ Méravilles photos]](https://substackcdn.com/image/fetch/f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2F6d806792-8581-4ea5-86be-1f7d371436c1_1066x1350.png "Les Écritures du Monde, collection Hassan Massoudy, Musée Champollion, Figeac (Lot) [© Hassan Massoudy (حسن المسعود). Photo: T. Estadieu/ Méravilles photos]")
Hassan Massoudy. Le chorégraphe des lettres, Musée Champollion, Figeac (Lot), July 5 – November 2, 2025.
↗ Hassan Massoudy (حسن المسعود)
Dóra Maurer, June 11, 1937 / 2025
White Cube, London: IXEK 25B, (acrylic on canvas and wood), 2022.
Nels Cline, Consentrik Quartet, (2xVinyl/LP, CD, Digital album, Poster), feat. Ingrid Laubrock, Chris Lightcap, and Tom Rainey, Blue Note Records, 2025; Nels Cline: electric guitars, acoustic guitars, effects, production, additional mixing / Chris Lightcap: acoustic bass, effects / Ingrid Laubrock: tenor saxophones, soprano saxophones / Tom Rainey: drums; Cover Painting: Hiroki Katayama ('Magata Jinja'); Package Design: Todd Gallopo; Photography: Nathan West.
From the exhibition Brice Marden: Works on Paper, Gagosian, Paris, June 14 – August 2, 2025, Organized in collaboration with the Estate of Brice Marden: 15 x 15 12, (Kremer inks and Kremer white shellac ink on Arches paper; 20 x 15 in), 2015-2017; 15 x 15 12, (detail), (Kremer inks and Kremer white shellac ink on Arches paper; 20 x 15 in), 2015-2017; 15 x 15 6, (Kremer inks and Kremer white shellac ink on Arches paper; 20 x 15 in), 2015-2017; Brice Marden working in his Nevis, West Indies studio, 2023; Brice Marden, Portrait.
![Brice Marden, 15 x 15 12, (Kremer inks and Kremer white shellac ink on Arches paper; 20 x 15 in), 2015-2017 [© 2025 Estate of Brice Marden / ARS, New York. Photo: Maris Hutchinson. Courtesy the Estate of Brice Marden and Gagosian]. Exhibition: Brice Marden: Works on Paper, Gagosian, Paris, June 14 – August 2, 2025](https://substackcdn.com/image/fetch/f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2F863a50b4-697a-4b6c-be45-ba29d007a2d9_1214x1600.jpeg "Brice Marden, 15 x 15 12, (Kremer inks and Kremer white shellac ink on Arches paper; 20 x 15 in), 2015-2017 [© 2025 Estate of Brice Marden / ARS, New York. Photo: Maris Hutchinson. Courtesy the Estate of Brice Marden and Gagosian]. Exhibition: Brice Marden: Works on Paper, Gagosian, Paris, June 14 – August 2, 2025")
![Brice Marden, 15 x 15 12, (detail), (Kremer inks and Kremer white shellac ink on Arches paper; 20 x 15 in), 2015-2017 [© 2025 Estate of Brice Marden / ARS, New York. Photo: Maris Hutchinson. Courtesy the Estate of Brice Marden and Gagosian]. Exhibition: Brice Marden: Works on Paper, Gagosian, Paris, June 14 – August 2, 2025](https://substackcdn.com/image/fetch/f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2F549f47af-f965-4b9a-ba7d-319adb10e8f9_1112x1400.jpeg "Brice Marden, 15 x 15 12, (detail), (Kremer inks and Kremer white shellac ink on Arches paper; 20 x 15 in), 2015-2017 [© 2025 Estate of Brice Marden / ARS, New York. Photo: Maris Hutchinson. Courtesy the Estate of Brice Marden and Gagosian]. Exhibition: Brice Marden: Works on Paper, Gagosian, Paris, June 14 – August 2, 2025")
![Brice Marden, 15 x 15 6, (Kremer inks and Kremer white shellac ink on Arches paper; 20 x 15 in), 2015-2017 [© 2025 Estate of Brice Marden / ARS, New York. Photo: Maris Hutchinson. Courtesy the Estate of Brice Marden and Gagosian]. Exhibition: Brice Marden: Works on Paper, Gagosian, Paris, June 14 – August 2, 2025](https://substackcdn.com/image/fetch/f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2Fefb3f493-2258-49c0-9799-d8ec47c235aa_1211x1600.jpeg "Brice Marden, 15 x 15 6, (Kremer inks and Kremer white shellac ink on Arches paper; 20 x 15 in), 2015-2017 [© 2025 Estate of Brice Marden / ARS, New York. Photo: Maris Hutchinson. Courtesy the Estate of Brice Marden and Gagosian]. Exhibition: Brice Marden: Works on Paper, Gagosian, Paris, June 14 – August 2, 2025")
![Brice Marden working in his Nevis, West Indies studio, 2023 [© 2025 Estate of Brice Marden / ARS, New York. Photo: Mirabelle Marden. Courtesy Mirabelle Marden and Gagosian]. Exhibition: Brice Marden: Works on Paper, Gagosian, Paris, June 14 – August 2, 2025](https://substackcdn.com/image/fetch/f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2F1232ad41-a5d0-46a0-822e-f2bf46815e1a_1600x1060.jpeg "Brice Marden working in his Nevis, West Indies studio, 2023 [© 2025 Estate of Brice Marden / ARS, New York. Photo: Mirabelle Marden. Courtesy Mirabelle Marden and Gagosian]. Exhibition: Brice Marden: Works on Paper, Gagosian, Paris, June 14 – August 2, 2025")
![Brice Marden, Portrait [© 2025 Estate of Brice Marden / ARS, New York. Photo: Mirabelle Marden. Courtesy Mirabelle Marden and Gagosian]. Exhibition: Brice Marden: Works on Paper, Gagosian, Paris, June 14 – August 2, 2025](https://substackcdn.com/image/fetch/f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2F8527912b-eea2-4393-9a1d-bb3aa5833d76_1600x1060.jpeg "Brice Marden, Portrait [© 2025 Estate of Brice Marden / ARS, New York. Photo: Mirabelle Marden. Courtesy Mirabelle Marden and Gagosian]. Exhibition: Brice Marden: Works on Paper, Gagosian, Paris, June 14 – August 2, 2025")
Günther Uecker (1930-2025)
♥
Zero Foundation, Düsseldorf: Maren Heyne (photograph), Günther Uecker in 1965 in his studio at Hüttenstraße 104, Düsseldorf.
![Günther Uecker in 1965 in his studio at Hüttenstraße 104, Düsseldorf [Zero Foundation, Düsseldorf. Art: © Günther Uecker. Photo: © Maren Heyne]](https://substackcdn.com/image/fetch/f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2Fba2e0e41-76dd-42f1-921f-db6f1200969c_1197x1200.jpeg "Günther Uecker in 1965 in his studio at Hüttenstraße 104, Düsseldorf [Zero Foundation, Düsseldorf. Art: © Günther Uecker. Photo: © Maren Heyne]")
«Frieze»: Günther Uecker Studio, Düsseldorf, 2019.
![Günther Uecker Studio, Düsseldorf, 2019 [«Frieze». Lévy Gorvy, New York, NY. Art: © Estate of Günther Uecker / ARS, New York / VG Bild-Kunst, Bonn. Photo: © Ivo Faber]](https://substackcdn.com/image/fetch/f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2F520127f3-5913-40a6-ba10-0ea21fb46959_900x600.jpeg "Günther Uecker Studio, Düsseldorf, 2019 [«Frieze». Lévy Gorvy, New York, NY. Art: © Estate of Günther Uecker / ARS, New York / VG Bild-Kunst, Bonn. Photo: © Ivo Faber]")
«Frieze»: Günther Uecker, Doppelspirale "Both", (nails and white paint on canvas on wood), 2019; Exhibition: Günther Uecker: Notations, Lévy Gorvy, New York, NY, November 7, 2019 – January 25, 2020.
![Günther Uecker, Doppelspirale “Both”, (nails and white paint on canvas on wood), 2019 [«Frieze». © Estate of Günther Uecker / ARS, New York / VG Bild-Kunst, Bonn. Photo: © Ivo Faber]](https://substackcdn.com/image/fetch/f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2Fc573101d-d1f1-4553-8f00-5afcd2a9f3bd_900x1125.jpeg "Günther Uecker, Doppelspirale “Both”, (nails and white paint on canvas on wood), 2019 [«Frieze». © Estate of Günther Uecker / ARS, New York / VG Bild-Kunst, Bonn. Photo: © Ivo Faber]")
«Frieze»: Schauer, (nails and white paint on canvas on wood), 2019; Exhibition: Günther Uecker: Notations, Lévy Gorvy, New York, NY, November 7, 2019 – January 25, 2020.
![Günther Uecker, Schauer, (nails and white paint on canvas on wood), 2019 [«Frieze». © Estate of Günther Uecker / ARS, New York / VG Bild-Kunst, Bonn. Photo: © Ivo Faber]](https://substackcdn.com/image/fetch/f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2F8a6d9b8d-7c3b-4e62-93a3-6524dc0ca6b7_900x1124.jpeg "Günther Uecker, Schauer, (nails and white paint on canvas on wood), 2019 [«Frieze». © Estate of Günther Uecker / ARS, New York / VG Bild-Kunst, Bonn. Photo: © Ivo Faber]")
«The Brooklyn Rail»: Action Libyan Desert, 1977: Where Two Lines Meet is a Point, That's Where I Drive My Nail In; Exhibition: Günther Uecker: Notations, Lévy Gorvy, New York, NY, November 7, 2019 – January 25, 2020.
![Günther Uecker, Action Libyan Desert, 1977: Where Two Lines Meet is a Point, That’s Where I Drive My Nail In [«The Brooklyn Rail». Lévy Gorvy, New York, NY. © Estate of Günther Uecker / ARS, New York / VG Bild-Kunst, Bonn. © Wilfried Kaute]](https://substackcdn.com/image/fetch/f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2F14716f89-50bd-4599-b634-2189fc50d123_1080x846.jpeg "Günther Uecker, Action Libyan Desert, 1977: Where Two Lines Meet is a Point, That’s Where I Drive My Nail In [«The Brooklyn Rail». Lévy Gorvy, New York, NY. © Estate of Günther Uecker / ARS, New York / VG Bild-Kunst, Bonn. © Wilfried Kaute]")
Günther Uecker: Notations, Interview by Hans Ulrich Obrist, Poetry by Günther Uecker, Lévy Gorvy, New York, NY, 2019; Cover Art: Günther Uecker, Action Libyan Desert, 1977: Where Two Lines Meet is a Point, That's Where I Drive My Nail In; Exhibition: Günther Uecker: Notations, Lévy Gorvy, New York, NY, November 7, 2019 – January 25, 2020.
Anni Albers, b. June 12, 1899 / 2025
Zentrum Paul Klee, Bern: Anni Albers, (gelatin silver print), ca. 1912-1922; Photographer: unknown.
![Anni Albers, (gelatin silver print), ca. 1912-1922. Photographer: unknown [Zentrum Paul Klee, Bern. © The Josef and Anni Albers Foundation / ARS, New York]](https://substackcdn.com/image/fetch/f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2F9010b76d-9c8a-4840-b515-22ccd106d341_1080x1350.jpeg "Anni Albers, (gelatin silver print), ca. 1912-1922. Photographer: unknown [Zentrum Paul Klee, Bern. © The Josef and Anni Albers Foundation / ARS, New York]")
↗ The Josef and Anni Albers Foundation
Art Books & Ephemera: Gottfried Jäger – Fotografien der Fotografie. Generative Systeme 1960-2020, (invitation card), Museum im Kulturspeicher Würzburg, Würzburg, June 17 – September 10, 2023.
![Gottfried Jäger – Fotografien der Fotografie. Generative Systeme 1960-2020, (invitation card), Museum im Kulturspeicher Würzburg, Würzburg, June 17 – September 10, 2023 [Art Books & Ephemera. © Gottfried Jäger]](https://substackcdn.com/image/fetch/f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2F492701f1-c52c-440d-8f94-cf850fbc3051_772x1100.jpeg "Gottfried Jäger – Fotografien der Fotografie. Generative Systeme 1960-2020, (invitation card), Museum im Kulturspeicher Würzburg, Würzburg, June 17 – September 10, 2023 [Art Books & Ephemera. © Gottfried Jäger]")
![Gottfried Jäger – Fotografien der Fotografie. Generative Systeme 1960-2020, (invitation card), Museum im Kulturspeicher Würzburg, Würzburg, June 17 – September 10, 2023 [Art Books & Ephemera. © Gottfried Jäger]](https://substackcdn.com/image/fetch/f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2Fb5bdab7d-3f3a-4102-8599-891e6226332f_1080x1350.jpeg "Gottfried Jäger – Fotografien der Fotografie. Generative Systeme 1960-2020, (invitation card), Museum im Kulturspeicher Würzburg, Würzburg, June 17 – September 10, 2023 [Art Books & Ephemera. © Gottfried Jäger]")
![Gottfried Jäger – Fotografien der Fotografie. Generative Systeme 1960-2020, (invitation card), Museum im Kulturspeicher Würzburg, Würzburg, June 17 – September 10, 2023 [Art Books & Ephemera. © Gottfried Jäger]](https://substackcdn.com/image/fetch/f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2F655fadfd-2c1c-437a-bd32-0e847b3cb1d4_1080x1350.jpeg "Gottfried Jäger – Fotografien der Fotografie. Generative Systeme 1960-2020, (invitation card), Museum im Kulturspeicher Würzburg, Würzburg, June 17 – September 10, 2023 [Art Books & Ephemera. © Gottfried Jäger]")
Art Books & Ephemera: Richard Serra: Solids, (adv. in «Artforum» magazine), Gagosian, New York, NY, November 4 – December 20, 2008.
![Richard Serra: Solids, (adv. in «Artforum» magazine), Gagosian, New York, NY, November 4 – December 20, 2008 [Art Books & Ephemera. © Estate of Richard Serra / ARS, New York]](https://substackcdn.com/image/fetch/f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2F24cb4020-99f8-4171-9966-2dcb900261a1_1080x1080.jpeg "Richard Serra: Solids, (adv. in «Artforum» magazine), Gagosian, New York, NY, November 4 – December 20, 2008 [Art Books & Ephemera. © Estate of Richard Serra / ARS, New York]")
Richard Serra: Triptychs and Diptychs, Forged Rounds, Reverse Curve, Gagosian, 2020; Contributor: Julian Rose; Designer: McCall Associates; Printer: Verona Libri, Verona; Exhibitions: Richard Serra: Triptychs and Diptychs, Gagosian, New York, NY, September 16 – November 2, 2019 / Richard Serra: Forged Rounds, Gagosian, New York, NY, September 17 – December 7, 2019, Extended through January 11, 2020 / Richard Serra: Reverse Curve, Gagosian, New York, NY, September 17, 2019 – February 1, 2020.
Gagosian, New York, NY: Richard Serra and Hal Foster: Conversations about Sculpture, Yale University Press, New Haven, CT, 2018; Contributors: Hal Foster, Richard Serra; Designer: McCall Associates; Printer: Verona Libri, Verona.
![Richard Serra and Hal Foster: Conversations about Sculpture, Yale University Press, New Haven, CT, 2018 [Gagosian, New York, NY. Art: © Estate of Richard Serra / ARS, New York]](https://substackcdn.com/image/fetch/f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2Ffc0d3558-8309-404d-8aab-fbc10f513285_1002x1400.jpeg "Richard Serra and Hal Foster: Conversations about Sculpture, Yale University Press, New Haven, CT, 2018 [Gagosian, New York, NY. Art: © Estate of Richard Serra / ARS, New York]")
![Richard Serra and Hal Foster: Conversations about Sculpture, Yale University Press, New Haven, CT, 2018 [Gagosian, New York, NY. Art: © Estate of Richard Serra / ARS, New York]](https://substackcdn.com/image/fetch/w_720,c_limit,f_webp,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2F8f77b241-9d9a-409f-8361-0f7c5e57457f_1801x1800.jpeg)
![Richard Serra and Hal Foster: Conversations about Sculpture, Yale University Press, New Haven, CT, 2018 [Gagosian, New York, NY. Art: © Estate of Richard Serra / ARS, New York]](https://substackcdn.com/image/fetch/w_720,c_limit,f_webp,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2F2410e6c9-e7a8-4b5b-83a6-8bb2c729a89b_1801x1800.jpeg)
![Richard Serra and Hal Foster: Conversations about Sculpture, Yale University Press, New Haven, CT, 2018 [Gagosian, New York, NY. Art: © Estate of Richard Serra / ARS, New York]](https://substackcdn.com/image/fetch/w_720,c_limit,f_webp,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2F5639c7e4-687b-4850-94e5-3d1f003c354d_1800x1800.jpeg)
![Richard Serra and Hal Foster: Conversations about Sculpture, Yale University Press, New Haven, CT, 2018 [Gagosian, New York, NY. Art: © Estate of Richard Serra / ARS, New York]](https://substackcdn.com/image/fetch/w_720,c_limit,f_webp,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2Fec988c48-f36e-47d6-aa69-116319f43097_1801x1800.jpeg)
Living, Looking, Making: Sculpture by Giacometti, Fontana, Twombly, Serra, Gagosian, New York, NY, 2007; Contributors: Lucio Fontana, Mark Francis, Alberto Giacometti, Richard Serra; Designer: Kelsey Blackwell; Printer: Meridian Printing, East Greenwich, RI; Exhibition: Gagosian, London, March 26 – May 19, 2007.
Pietro Cascella, Piero Dorazio, Gino Marotta, Fabio Mauri, Gastone Novelli, Achille Perilli, Mimmo Rotella, Giulio Turcato, Gruppo Crack
Archivio Gastone Novelli, Roma: Il Gruppo Crack, Edited by Laura Cherubini, Galleria Gracis, Milano / Manfredi Edizioni, Imola (BO), 2025; Contributors: Laura Cherubini, Francesco Guzzetti, Cesare Vivaldi (anastatic reprint of the text for the Gruppo Crack’s first and only exhibition at Galleria Il Canale, Venezia, 1960); Exhibition: Il Gruppo Crack: Pietro Cascella, Piero Dorazio, Gino Marotta, Fabio Mauri, Gastone Novelli, Achille Perilli, Mimmo Rotella, Giulio Turcato, Curated by Laura Cherubini, Galleria Gracis, Milano, March 20 – June 20, 2025.
![Il Gruppo Crack, Edited by Laura Cherubini, Galleria Gracis, Milano / Manfredi Edizioni, Imola (BO), 2025 [Archivio Gastone Novelli, Roma]](https://substackcdn.com/image/fetch/f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2F0fdac443-ab99-4948-9a62-2a2769d2113f_1000x851.jpeg "Il Gruppo Crack, Edited by Laura Cherubini, Galleria Gracis, Milano / Manfredi Edizioni, Imola (BO), 2025 [Archivio Gastone Novelli, Roma]")
Krakow Witkin Gallery, Boston, MN: Leo, (ink, acrylic, and graphite on pigment print of a drawing by the artist), 2018.
![Victoria Burge, Leo, (detail), (ink, acrylic, and graphite on pigment print of a drawing by the artist), 2018 [Krakow Witkin Gallery, Boston. © Victoria Burge]](https://substackcdn.com/image/fetch/f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2F4e1a584f-1b3e-46fd-9ec7-5593cbf586b6_1200x969.jpeg "Victoria Burge, Leo, (detail), (ink, acrylic, and graphite on pigment print of a drawing by the artist), 2018 [Krakow Witkin Gallery, Boston. © Victoria Burge]")
![Victoria Burge, Leo, (detail), (ink, acrylic, and graphite on pigment print of a drawing by the artist), 2018 [Krakow Witkin Gallery, Boston. © Victoria Burge]](https://substackcdn.com/image/fetch/f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2Fdae0518f-cd5c-4384-bfa5-a381173b3082_1200x824.jpeg "Victoria Burge, Leo, (detail), (ink, acrylic, and graphite on pigment print of a drawing by the artist), 2018 [Krakow Witkin Gallery, Boston. © Victoria Burge]")
![Victoria Burge, Leo, (detail), (ink, acrylic, and graphite on pigment print of a drawing by the artist), 2018 [Krakow Witkin Gallery, Boston. © Victoria Burge]](https://substackcdn.com/image/fetch/f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2F1f8a08fa-7aa9-4b8d-9992-ba4542b8b728_1200x855.jpeg "Victoria Burge, Leo, (detail), (ink, acrylic, and graphite on pigment print of a drawing by the artist), 2018 [Krakow Witkin Gallery, Boston. © Victoria Burge]")
![Victoria Burge, Leo, (ink, acrylic, and graphite on pigment print of a drawing by the artist), 2018 [Krakow Witkin Gallery, Boston. © Victoria Burge]](https://substackcdn.com/image/fetch/f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2F311ecde9-1e5b-47b5-bca6-ef2ed7a86bcf_2000x1128.jpeg "Victoria Burge, Leo, (ink, acrylic, and graphite on pigment print of a drawing by the artist), 2018 [Krakow Witkin Gallery, Boston. © Victoria Burge]")
![Victoria Burge, Leo, (ink, acrylic, and graphite on pigment print of a drawing by the artist), 2018 [Krakow Witkin Gallery, Boston. © Victoria Burge]](https://substackcdn.com/image/fetch/f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2F79c2a433-9800-4133-8ddb-a46b7d67b9d5_1600x1149.jpeg "Victoria Burge, Leo, (ink, acrylic, and graphite on pigment print of a drawing by the artist), 2018 [Krakow Witkin Gallery, Boston. © Victoria Burge]")
Krakow Witkin Gallery, Boston, MA: Untitled, (acrylic and pencil on star chart from the Atlas Eclipticalis), 2016.
![Victoria Burge, Untitled, (acrylic and pencil on star chart from the Atlas Eclipticalis), 2016 [Krakow Witkin Gallery, Boston. © Victoria Burge]](https://substackcdn.com/image/fetch/f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2F9bf28cc3-2d89-4544-9215-647bcd7ad1bf_1600x1209.jpeg "Victoria Burge, Untitled, (acrylic and pencil on star chart from the Atlas Eclipticalis), 2016 [Krakow Witkin Gallery, Boston. © Victoria Burge]")
![Victoria Burge, Untitled, (detail), (acrylic and pencil on star chart from the Atlas Eclipticalis), 2016 [Krakow Witkin Gallery, Boston. © Victoria Burge]](https://substackcdn.com/image/fetch/f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2F615afc04-8e40-4ee5-9f93-afabb84d5b40_1600x1066.jpeg "Victoria Burge, Untitled, (detail), (acrylic and pencil on star chart from the Atlas Eclipticalis), 2016 [Krakow Witkin Gallery, Boston. © Victoria Burge]")
![Victoria Burge, Untitled, (acrylic and pencil on star chart from the Atlas Eclipticalis), 2016 [Krakow Witkin Gallery, Boston. © Victoria Burge]](https://substackcdn.com/image/fetch/f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2F6934c642-16f6-45fd-8ea6-deba7dc2936e_2000x1600.jpeg "Victoria Burge, Untitled, (acrylic and pencil on star chart from the Atlas Eclipticalis), 2016 [Krakow Witkin Gallery, Boston. © Victoria Burge]")
Krakow Witkin Gallery, Boston, MA: Figure B, (ink and typewritten ink on paper), 2022.
![Victoria Burge, Figure B, (ink and typewritten ink on paper), 2022 [Krakow Witkin Gallery, Boston. © Victoria Burge]](https://substackcdn.com/image/fetch/f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2Faa502e5f-0c27-4744-aa6a-4c606c36f8e9_1625x2000.jpeg "Victoria Burge, Figure B, (ink and typewritten ink on paper), 2022 [Krakow Witkin Gallery, Boston. © Victoria Burge]")
Krakow Witkin Gallery, Boston, MA: Cassimere II (fig.62), (ink and typewritten ink on paper), 2022.
![Victoria Burge, Cassimere II (fig.62), (ink and typewritten ink on paper), 2022 [Krakow Witkin Gallery, Boston. © Victoria Burge]](https://substackcdn.com/image/fetch/f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2Fe19dd0e1-f401-416a-a6f7-427f886a8b75_785x1100.jpeg "Victoria Burge, Cassimere II (fig.62), (ink and typewritten ink on paper), 2022 [Krakow Witkin Gallery, Boston. © Victoria Burge]")
![Victoria Burge, Cassimere II (fig.62), (ink and typewritten ink on paper), 2022 [Krakow Witkin Gallery, Boston. © Victoria Burge]](https://substackcdn.com/image/fetch/f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2Fd1645474-5e79-4ed8-aa24-0f1786899df7_1298x1600.jpeg "Victoria Burge, Cassimere II (fig.62), (ink and typewritten ink on paper), 2022 [Krakow Witkin Gallery, Boston. © Victoria Burge]")
Krakow Witkin Gallery, Boston, MA: Graphs & Grids, (typewritten ink on paper in 11 parts, accompanied by an enclosure of binder's board with foil stamp in two parts and a paper folder; installation dimensions are variable), 2023.
![Victoria Burge, Graphs & Grids, (typewritten ink on paper in 11 parts, accompanied by an enclosure of binder’s board with foil stamp in two parts and a paper folder; installation dimensions are variable), 2023 [Krakow Witkin Gallery, Boston. © Victoria Burge]](https://substackcdn.com/image/fetch/f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2Fc55507a0-b405-4339-ad08-3fa47fa1b45f_2000x954.jpeg "Victoria Burge, Graphs & Grids, (typewritten ink on paper in 11 parts, accompanied by an enclosure of binder’s board with foil stamp in two parts and a paper folder; installation dimensions are variable), 2023 [Krakow Witkin Gallery, Boston. © Victoria Burge]")
![Victoria Burge, Graphs & Grids, (detail), (typewritten ink on paper in 11 parts, accompanied by an enclosure of binder’s board with foil stamp in two parts and a paper folder; installation dimensions are variable), 2023 [Krakow Witkin Gallery, Boston, MA. © Victoria Burge]](https://substackcdn.com/image/fetch/f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2F342511b2-3227-42cf-8d86-cdf56df99a16_1400x919.jpeg "Victoria Burge, Graphs & Grids, (detail), (typewritten ink on paper in 11 parts, accompanied by an enclosure of binder’s board with foil stamp in two parts and a paper folder; installation dimensions are variable), 2023 [Krakow Witkin Gallery, Boston, MA. © Victoria Burge]")
![Victoria Burge, Graphs & Grids, (detail), (typewritten ink on paper in 11 parts, accompanied by an enclosure of binder’s board with foil stamp in two parts and a paper folder; installation dimensions are variable), 2023 [Krakow Witkin Gallery, Boston, MA. © Victoria Burge]](https://substackcdn.com/image/fetch/f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2F1f91dad9-8830-47b4-a7ae-20954d30b1be_1400x1090.jpeg "Victoria Burge, Graphs & Grids, (detail), (typewritten ink on paper in 11 parts, accompanied by an enclosure of binder’s board with foil stamp in two parts and a paper folder; installation dimensions are variable), 2023 [Krakow Witkin Gallery, Boston, MA. © Victoria Burge]")
![Victoria Burge, Graphs & Grids, (detail), (typewritten ink on paper in 11 parts, accompanied by an enclosure of binder’s board with foil stamp in two parts and a paper folder; installation dimensions are variable), 2023 [Krakow Witkin Gallery, Boston, MA. © Victoria Burge]](https://substackcdn.com/image/fetch/f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2F14c0dc4b-336f-4675-be9c-0d4877465163_1008x1400.jpeg "Victoria Burge, Graphs & Grids, (detail), (typewritten ink on paper in 11 parts, accompanied by an enclosure of binder’s board with foil stamp in two parts and a paper folder; installation dimensions are variable), 2023 [Krakow Witkin Gallery, Boston, MA. © Victoria Burge]")
![Victoria Burge, Graphs & Grids, (detail), (typewritten ink on paper in 11 parts, accompanied by an enclosure of binder’s board with foil stamp in two parts and a paper folder; installation dimensions are variable), 2023 [Krakow Witkin Gallery, Boston, MA. © Victoria Burge]](https://substackcdn.com/image/fetch/f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2F4f595c99-4f4d-4fb1-8da3-8467bae77b6b_1047x1400.jpeg "Victoria Burge, Graphs & Grids, (detail), (typewritten ink on paper in 11 parts, accompanied by an enclosure of binder’s board with foil stamp in two parts and a paper folder; installation dimensions are variable), 2023 [Krakow Witkin Gallery, Boston, MA. © Victoria Burge]")
![Victoria Burge, Graphs & Grids, (detail), (typewritten ink on paper in 11 parts, accompanied by an enclosure of binder’s board with foil stamp in two parts and a paper folder; installation dimensions are variable), 2023 [Krakow Witkin Gallery, Boston, MA. © Victoria Burge]](https://substackcdn.com/image/fetch/f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2F08368508-1b4d-4366-96a8-8c1d88d46228_1415x1400.jpeg "Victoria Burge, Graphs & Grids, (detail), (typewritten ink on paper in 11 parts, accompanied by an enclosure of binder’s board with foil stamp in two parts and a paper folder; installation dimensions are variable), 2023 [Krakow Witkin Gallery, Boston, MA. © Victoria Burge]")
![Victoria Burge, Graphs & Grids, (detail), (typewritten ink on paper in 11 parts, accompanied by an enclosure of binder’s board with foil stamp in two parts and a paper folder; installation dimensions are variable), 2023 [Krakow Witkin Gallery, Boston, MA. © Victoria Burge]](https://substackcdn.com/image/fetch/f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2Fc14e7bc8-1665-416d-af41-6604157dd772_1400x1145.jpeg "Victoria Burge, Graphs & Grids, (detail), (typewritten ink on paper in 11 parts, accompanied by an enclosure of binder’s board with foil stamp in two parts and a paper folder; installation dimensions are variable), 2023 [Krakow Witkin Gallery, Boston, MA. © Victoria Burge]")
![Victoria Burge, Graphs & Grids, (detail), (typewritten ink on paper in 11 parts, accompanied by an enclosure of binder’s board with foil stamp in two parts and a paper folder; installation dimensions are variable), 2023 [Krakow Witkin Gallery, Boston, MA. © Victoria Burge]](https://substackcdn.com/image/fetch/f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2Fed786fc8-841b-42ce-a99d-d710326bcb8c_1122x1400.jpeg "Victoria Burge, Graphs & Grids, (detail), (typewritten ink on paper in 11 parts, accompanied by an enclosure of binder’s board with foil stamp in two parts and a paper folder; installation dimensions are variable), 2023 [Krakow Witkin Gallery, Boston, MA. © Victoria Burge]")
![Victoria Burge, Graphs & Grids, (detail), (typewritten ink on paper in 11 parts, accompanied by an enclosure of binder’s board with foil stamp in two parts and a paper folder; installation dimensions are variable), 2023 [Krakow Witkin Gallery, Boston, MA. © Victoria Burge]](https://substackcdn.com/image/fetch/f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2F3bd4b041-a620-45c4-884d-5518133bf6b5_1400x969.jpeg "Victoria Burge, Graphs & Grids, (detail), (typewritten ink on paper in 11 parts, accompanied by an enclosure of binder’s board with foil stamp in two parts and a paper folder; installation dimensions are variable), 2023 [Krakow Witkin Gallery, Boston, MA. © Victoria Burge]")
![Victoria Burge, Graphs & Grids, (detail), (typewritten ink on paper in 11 parts, accompanied by an enclosure of binder’s board with foil stamp in two parts and a paper folder; installation dimensions are variable), 2023 [Krakow Witkin Gallery, Boston, MA. © Victoria Burge]](https://substackcdn.com/image/fetch/f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2Fd401c9da-353b-49b1-8b7f-331bae643bea_1270x1400.jpeg "Victoria Burge, Graphs & Grids, (detail), (typewritten ink on paper in 11 parts, accompanied by an enclosure of binder’s board with foil stamp in two parts and a paper folder; installation dimensions are variable), 2023 [Krakow Witkin Gallery, Boston, MA. © Victoria Burge]")
![Victoria Burge, Graphs & Grids, (detail), (typewritten ink on paper in 11 parts, accompanied by an enclosure of binder’s board with foil stamp in two parts and a paper folder; installation dimensions are variable), 2023 [Krakow Witkin Gallery, Boston, MA. © Victoria Burge]](https://substackcdn.com/image/fetch/f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2Fcdb2c943-4b14-41a2-a240-32ad27409ef6_1307x1400.jpeg "Victoria Burge, Graphs & Grids, (detail), (typewritten ink on paper in 11 parts, accompanied by an enclosure of binder’s board with foil stamp in two parts and a paper folder; installation dimensions are variable), 2023 [Krakow Witkin Gallery, Boston, MA. © Victoria Burge]")
![Victoria Burge, Graphs & Grids, (detail), (typewritten ink on paper in 11 parts, accompanied by an enclosure of binder’s board with foil stamp in two parts and a paper folder; installation dimensions are variable), 2023 [Krakow Witkin Gallery, Boston, MA. © Victoria Burge]](https://substackcdn.com/image/fetch/f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2F2e704152-1a8b-4c8e-a401-44f7e35a1535_1400x891.jpeg "Victoria Burge, Graphs & Grids, (detail), (typewritten ink on paper in 11 parts, accompanied by an enclosure of binder’s board with foil stamp in two parts and a paper folder; installation dimensions are variable), 2023 [Krakow Witkin Gallery, Boston, MA. © Victoria Burge]")
![Victoria Burge, Graphs & Grids, (typewritten ink on paper in 11 parts, accompanied by an enclosure of binder’s board with foil stamp in two parts and a paper folder; installation dimensions are variable), 2023 [Krakow Witkin Gallery, Boston, MA. © Victoria Burge]](https://substackcdn.com/image/fetch/f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2F00703450-8d9a-44aa-a4ec-a97f69e45486_1600x816.jpeg "Victoria Burge, Graphs & Grids, (typewritten ink on paper in 11 parts, accompanied by an enclosure of binder’s board with foil stamp in two parts and a paper folder; installation dimensions are variable), 2023 [Krakow Witkin Gallery, Boston, MA. © Victoria Burge]")
Krakow Witkin Gallery, Boston, MA: Atlas, (typewritten ink, pencil, and ink on paper), 2024.
![Victoria Burge, Atlas, (typewritten ink, pencil, and ink on paper), 2024 [Krakow Witkin Gallery, Boston. © Victoria Burge]](https://substackcdn.com/image/fetch/f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2Ff51d6670-0714-4796-817b-20a789c8bf93_1400x1000.jpeg "Victoria Burge, Atlas, (typewritten ink, pencil, and ink on paper), 2024 [Krakow Witkin Gallery, Boston. © Victoria Burge]")
![Victoria Burge, Atlas, (typewritten ink, pencil, and ink on paper), 2024 [Krakow Witkin Gallery, Boston. © Victoria Burge]](https://substackcdn.com/image/fetch/f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2Fb41906db-6bb9-497f-b58d-a86e6fbf8170_1400x1104.jpeg "Victoria Burge, Atlas, (typewritten ink, pencil, and ink on paper), 2024 [Krakow Witkin Gallery, Boston. © Victoria Burge]")
Stereoscopic Illustration, Stereoscopic Photography
Ursus Books & Gallery, New York, NY: S. Gurevich, Ob'emnaia pechatnaia illiustratsiia. Teoriia i praktika, Iskusstvo, Moskva, 1959; (2); (3).
![From: S. Gurevich, Ob'emnaia pechatnaia illiustratsiia. Teoriia i praktika, Iskusstvo, Moskva, 1959 [Ursus Books & Gallery, New York, NY]](https://substackcdn.com/image/fetch/f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2F7e6d9961-db0a-4ed5-8ad5-d2398f6864c8_1200x787.jpeg "From: S. Gurevich, Ob'emnaia pechatnaia illiustratsiia. Teoriia i praktika, Iskusstvo, Moskva, 1959 [Ursus Books & Gallery, New York, NY]")
![From: S. Gurevich, Ob'emnaia pechatnaia illiustratsiia. Teoriia i praktika, Iskusstvo, Moskva, 1959 [Ursus Books & Gallery, New York, NY]](https://substackcdn.com/image/fetch/f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2F8ef1edb6-3d06-4993-9d8a-15abf6773a65_1200x787.jpeg "From: S. Gurevich, Ob'emnaia pechatnaia illiustratsiia. Teoriia i praktika, Iskusstvo, Moskva, 1959 [Ursus Books & Gallery, New York, NY]")
![From: S. Gurevich, Ob'emnaia pechatnaia illiustratsiia. Teoriia i praktika, Iskusstvo, Moskva, 1959 [Ursus Books & Gallery, New York, NY]](https://substackcdn.com/image/fetch/f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2F42703a40-cd1d-47f5-b7ea-fa30f1d3523e_1200x787.jpeg "From: S. Gurevich, Ob'emnaia pechatnaia illiustratsiia. Teoriia i praktika, Iskusstvo, Moskva, 1959 [Ursus Books & Gallery, New York, NY]")
Extra: Readings
Silky Shah, Unbuild Walls. Why Immigrant Justice Needs Abolition, Haymarket Books, Chicago, IL, 2024. Plus: Detention Watch Network.
Extra: Listenings
Gaetano Liguori / Giulio Stocchi / Demetrio Stratos, (1978), La Cantata Rossa Per Tall El Zaatar, Black Sweat Records, 2025.
Sage Francis, Personal Journals, (2xLP Vinyl, CD, Limited Edition Cassette, Digital album), Strange Famous Records, 2002-2024.
Note: Regarding the journal, “how” has priority over “what” in both synchronic and diachronic processes, and following the chains of posts is the best way to “read” and "de-scribe" it. In the bulletin, for summary reasons, the posts are aggregated by name and source.
garadinervi : repertori
ragione e storia
www: garadinervi-repertori.blog
bulletin: garadinervi.substack.com
e-mail: garadinervi@proton.me