garadinervi : repertori – bulletin : weekly recap

July 5-11, 2025

Jul 13, 2025

Osart Gallery, Milano: Discussion: October 30th, 1974, (typewritten text and ink on paper), 1974.

Ian Wilson, Discussion: October 30th, 1974, (typewritten text and ink on paper), 1974 [Osart Gallery, Milano. © Ian Wilson] — [© Ian Wilson]

Osart Gallery, Milano: Discussion: May 20, 2006 – Varese, (typewritten text and ink on paper), 2006.

Ian Wilson, Discussion: May 20, 2006 – Varese, (typewritten text and ink on paper), 2006 [Osart Gallery, Milano. © Ian Wilson] — [© Ian Wilson]

MoMA, New York, NY: George Maciunas, Homage to Jackson Mac Low, (typewriting and felt-tip pen on transparentized paper), 1962.

George Maciunas, Homage to Jackson Mac Low, (typewriting and felt-tip pen on transparentized paper), 1962 [MoMA, New York, NY. © George Maciunas] — [© George Maciunas]

The Complete Stein Poems, 1998–2003, Edited by Michael O'Driscoll, Foreword by Anne Tardos, The MIT Press, Cambridge, MA, 2025 (via De Villo Sloan).

Jackson Mac Low, The Complete Stein Poems, 1998–2003, Edited by Michael O'Driscoll, Foreword by Anne Tardos, The MIT Press, Cambridge, MA, 2025 — *The Complete Stein Poems, 1998–2003* (cover)

Fondazione Bonotto, Colceresa (VI): 4 Trains, Designed and printed by Rosmarie Waldrop, Burning Deck, Providence, RI, 1974, Edition of 300 signed and numbered copies.

Jackson Mac Low, 4 Trains, Designed and printed by Rosmarie Waldrop, Burning Deck, Providence, RI, 1974, Edition of 300 signed and numbered copies [Fondazione Bonotto, Colceresa (VI). Art: © Jackson Mac Low] — *4 Trains* (cover) [© Jackson Mac Low]

Fondazione Bonotto, Colceresa (VI): Representative Works: 1938-1985, Roof Books, The Segue Foundation, New York, NY, 1986.

Jackson Mac Low, Representative Works: 1938-1985, Roof Books, The Segue Foundation, New York, NY, 1986 [Fondazione Bonotto, Colceresa (VI). Art: © Jackson Mac Low] — *Representative Works: 1938-1985* (cover) [Art: © Jackson Mac Low]

Bruce Andrews

Eclipse Archive; Granary Books, New York, NY: Praxis, Designed and printed by Lyn Hejinian, «Tuumba» 18, Tuumba Press, Berkeley, CA, 1978, Edition of 450.

Granary Books, New York, NY: Divestiture — E, Leave Books, Buffalo, NY, 1993.

Bruce Andrews, Divestiture — E, Leave Books, Buffalo, NY, 1993 [Granary Books, New York, NY] — *Divestiture — E* (cover)

Eclipse Archive: Corona, Designed and printed letterpress by Rosmarie Waldop, Burning Deck, Providence, RI, 1973, Edition of 300 (reading copy pdf).

Bruce Andrews, Corona, Designed and printed letterpress by Rosmarie Waldop, Burning Deck, Providence, RI, 1973, Edition of 300 [Eclipse Archive] — *Corona* (cover)

Eclipse Archive: Vowels, Cover by Anne Sue Hirshorn [incorporating a drawing by Leon Schlossberg], 0 Press, New York, NY, 1976, Edition of 250 (reading copy pdf).

Bruce Andrews, Vowels, Cover by Anne Sue Hirshorn [incorporating a drawing by Leon Schlossberg], 0 Press, New York, NY, 1976, Edition of 250 [Eclipse Archive] — *Vowels* (cover)

Granary Books, New York, NY: Executive Summary, Back cover notes by Susan Howe and Jackson Mac Low, Potes & Poets Press, 1991.

Bruce Andrews, Executive Summary, Back cover notes by Susan Howe and Jackson Mac Low, Potes & Poets Press, Elmwood, CT, 1991 [Granary Books, New York, NY] — *Executive Summary* (cover)

Granary Books, New York, NY: Sonnets (Memento Mori), This Press, San Francisco, CA, (1978-)1980.

Bruce Andrews, Sonnets (Memento Mori), This Press, San Francisco, CA, (1978-)1980 [Granary Books, New York, NY] — *Sonnets (Memento Mori)* (cover)

Anne-James Chaton, Andy Moor, Yannis Kyriakides

Handmade Series Vol. 03 Tailles, Unsounds Records, 2025; Texts and Voice: Anne-James Chaton / Guitar: Andy Moor / Electronics: Yannis Kyriakides; Collection Design: Isabelle Vigier.

Akhira Sano

D-R, (Vinyl – 200 Limited Edition / hand numbered, CD – 150 Limited Edition / hand-numbered & sealed, Digital album), laaps 045, laaps, 2025; Sounds, arrangements, and mixed by Akhira Sano; Artwork: Jenni Toivonen; Design: Sprflxgrfzm.

↗ Akhira Sano

Hatis Noit

Aura Reworks, (Limited Edition Translucent Vinyl, Digital album), LC 15952 ERATP162, Erased Tapes Records, 2025; Photographer: Yuki Tsukishima; Artwork: Özge Cöne; Design: Robert Raths.

↗ Hatis Noit

Mitsuo Katsui

Design Reviewed, Bradford; Counter-Print, Ifold, West Sussex: Mitsuo Katsui 1954-2013, ggg Books 10, Ginza Graphic Gallery, GGG, Tokyo, 1993 (then 2014).

AGI – Alliance Graphique Internationale, Baden: visionary ∞ scape, 2004; (2).

Mitsuo Katsui, visionary ∞ scape, 2004 [AGI – Alliance Graphique Internationale, Baden] — (poster)

Design Reviewed, Bradford: IDEA magazine, 174, 1982, Cover design by Mitsuo Katsui.

↗ IDEA magazine

AGI – Alliance Graphique Internationale, Baden; Museum für Gestaltung Zürich: [華 (Hana)], Morisawa & Company Ltd., Osaka, 1993.

Mitsuo Katsui, [華 (Hana)], Morisawa & Company Ltd., Osaka, 1993 [AGI – Alliance Graphique Internationale, Baden. Museum für Gestaltung Zürich] — (poster)

AGI – Alliance Graphique Internationale, Baden: The Blessing of Light, Ginza Graphic Gallery, GGG, Tokyo, 1993; (2); (3); (4).

Mitsuo Katsui, The Blessing of Light, Ginza Graphic Gallery, GGG, Tokyo, 1993 [AGI – Alliance Graphique Internationale, Baden] — (poster)

Museum für Gestaltung Zürich: Product design in Japan, Rikuyo-sha Publishing Inc., Tokyo, 1990.

Mitsuo Katsui, Product design in Japan, Rikuyo-sha Publishing Inc., Tokyo, 1990 [Museum für Gestaltung Zürich] — (poster)

Design Reviewed, Bradford: «Design», No. 112, 1968, Cover design by Mitsuo Katsui.

«Design», No. 112, 1968, Cover design by Mitsuo Katsui [Design Reviewed, Bradford] — (cover)

Design Reviewed, Bradford: «Design», No. 111, 1968, Cover design by Mitsuo Katsui.

«Design», No. 111, 1968, Cover design by Mitsuo Katsui [Design Reviewed, Bradford] — (cover)

Design Reviewed, Bradford: «Design», No. 113, 1968, Cover design by Mitsuo Katsui.

«Design», No. 113, 1968, Cover design by Mitsuo Katsui [Design Reviewed, Bradford] — (cover)

Franca Sonnino

Book of the Sky, 2023; Exhibition: Franca Sonnino_The Thinking Hands, Curated by Paolo Cortese and Francesco Romano Petillo, gramma_epsilon, Athens. June 19 – November 8, 2025.

gramma_epsilon, Athens: Libro di autunno, (metal wire and spool thread), 2023.

Franca Sonnino, Libro di autunno, (metal wire and spool thread), 2023 [gramma_epsilon, Athens. © Franca Sonnino] — [© Franca Sonnino]

gramma_epsilon, Athens: Pebble Mosaic, (iron and cotton thread) 1990.

↗ Franca Sonnino

Maria Lai

SpazioB**K, Milano: Maria Lai. Tenendo per mano l'ombra, Edited by Elena Pontiggia, 5 Continents Editions, Milano, 2024.

Maria Lai. Legarsi alla montagna, with photographs by Piero Berengo Gardin, Elena Pontiggia, 5 Continents Editions, Milano, 2021, co-published with Fondazione Maria Lai.

Maria Lai. Legarsi alla montagna, with photographs by Piero Berengo Gardin, Edited by Elena Pontiggia, 5 Continents Editions, Milano, 2021, co-published with Fondazione Maria Lai — *Maria Lai. Legarsi alla montagna* (cover) [Art: © Archivio e Fondazione Maria Lai, Lanusei (NU)]

Elena Pontiggia, Il nastro, la montagna. Maria Lai pioniera dell'arte relazionale, «Antinomie», September 6, 2021.

Maria Lai, Legarsi alla montagna, Ulassai (NU), 1981 [© Archivio e Fondazione Maria Lai, Lanusei (NU)] — Maria Lai, *Legarsi alla montagna*, Ulassai (NU), 1981 [© Archivio e Fondazione Maria Lai, Lanusei (NU)]

↗ Archivio – Fondazione Maria Lai

Margaret Walker, b. July 7, 1915 / 2025

Yale University Library, Beinecke Rare Book and Manuscript Library, New Haven, CT: Carl Van Vechten (photograph), Margaret Walker, [New York?], November 27, 1942.

Margaret Walker, [New York?], November 27, 1942, Photograph by Carl Van Vechten. Carl Van Vechten Papers Relating to African American Arts and Letters (JWJ MSS 1050), Series IV: Photographs, 1932-1964. Yale University Library, Beinecke Rare Book and Manuscript Library, New Haven, CT — [Carl Van Vechten Papers Relating to African American Arts and Letters (JWJ MSS 1050), Series IV: Photographs, 1932-1964. Yale University Library, Beinecke Rare Book and Manuscript Library, New Haven, CT]

Margaret Walker Center, Jackson State University, Jackson, MS: Margaret Walker.

Margaret Walker [Margaret Walker Center, Jackson State University, Jackson, MS] — [Margaret Walker Center, Jackson State University, Jackson, MS]

Black Women Radicals: The Poetry of Margaret Walker Read by Margaret Walker, Design by Ronald Clyne, FL 9795, Folkways Records, 1975.

The Poetry of Margaret Walker Read by Margaret Walker, (Vinyl/LP), Design by Ronald Clyne, FL 9795, Folkways Records, 1975 [Black Women Radicals] — *The Poetry of Margaret Walker Read by Margaret Walker* (Vinyl/LP, cover)

Music, Typography

Musica incisa. Casa Ricordi e l'arte tipografica musicale / Engraving Music. Casa Ricordi and the Art of Music Printing, Edited by Carlo Lanfossi, Archivio Storico Ricordi / Tipoteca Italiana Fondazione, «Musica», Antiga Edizioni, Crocetta del Montello (TV), 2025; Essays: Veronica Bassini, Sandro Berra, Maria Pia Ferraris, and Salvatore Siragusa.

Edmund de Waal

Perdendosi, Twelve black and white photographs by Norman McBeath, Text by Edmund de Waal, Hazel Press, [Cambridgeshire], 2022.

Archives / Peter van Beveren Library, Den Haag: An Archive, Ivorypress, Madrid, 2025.

Edmund de Waal, An Archive, Ivorypress, Madrid, 2025 [Archives / Peter van Beveren Library, Den Haag] — *An Archive* (cover)

«Graphisme en France»

«Graphisme en France», No. 31: Futur souhaitable, Centre national des arts plastiques, Paris, 2025 (pdf); Direction: Béatrice Salmon; Editorial Direction and Coordination: Véronique Marrier; Texts: Florence Cortat Roller, Roxane Jubert, Nolwenn Maudet, Mark van Wageningen (translated by Bénédicte Eustache); Design: Sarah Salomé Deléta, with the support of Jules Durand.

«Graphisme en France», No. 31: Futur souhaitable, Centre national des arts plastiques, Paris, 2025 (pdf here) — [© Centre national des arts plastiques / Sarah Salomé Delétain / Jocelyn Cottencin]

Claus Bremer

konkretpoesi: Anlaesse, Luchterhand, Neuwied & Berlin, 1970.

Rutger Zuydervelt

Fractal Meat On A Spongy Bone w/ Rutger Zuydervelt, with Graham Dunning, NTS Radio, July 8, 2025.

Art Development and Work Collective

The François Abou Salem Collection, The Palestinian Museum Digital Archive, The Palestinian Museum, Birzeit: The Palestinian Art Festival, a Poster Published by the Art Development and Work Collective in al-Quds, 1970 (on the way of Radio alHara راديو الحارة).

«A colour poster published by the Art Development and Work Collective to promote the four-day Palestinian Art Festival and its performances at the Umariya School's hall. The Collective was one of the first initiatives to support the Palestinian popular theatre.»

The Palestinian Art Festival, a Poster Published by the Art Development and Work Collective in al-Quds, 1970 [The François Abou Salem Collection, The Palestinian Museum Digital Archive, The Palestinian Museum, Birzeit] — (poster)

June Jordan, b. July 9, 1936 / 2025

Between the Covers, Gloucester City, NJ: New Days. Poems of Exile and Return 1970-1972, Emerson Hall Publishers, New York, NY, 1973, Advance uncorrected proofs [published 1974].

June Jordan, New Days. Poems of Exile and Return 1970-1972, Emerson Hall Publishers, New York, NY, 1973, Advance uncorrected proofs [published 1974] [Between the Covers, Gloucester City, NJ] — *New Days. Poems of Exile and Return 1970-1972* (cover)

Between the Covers, Gloucester City, NJ: Some Changes, E. P. Dutton & Co., New York, NY, 1971.

June Jordan, Some Changes, E. P. Dutton & Co., New York, NY, 1971 [Between the Covers, Gloucester City, NJ] — *Some Changes* (cover)

Internet Archive; Reparations.club, Los Angeles, CA: Poetry for the People. A Revolutionary Blueprint, Edited by Lauren Muller and the Poetry for the People Collective, Routledge, New York, NY, 1995; with Shanti Bright, Gary Chandler, Ananda Esteva, Sean Lewis, Stephanie Rose, Shelly Smith, Shelly Teves, Rubén Antonio Villalobos, Pamela Wilson.

June Jordan, Poetry for the People. A Revolutionary Blueprint, Edited by Lauren Muller and the Poetry for the People Collective, Routledge, New York, NY, 1995; w/ Shanti Bright, Gary Chandler, Ananda Esteva, Sean Lewis, Stephanie Rose, Shelly Smith, Shelly Teves, Rubén Antonio Villalobos, Pamela Wilson — *Poetry for the People. A Revolutionary Blueprint* (cover)

Ileana Nachescu

Black Women Radicals: The National Alliance of Black Feminists. A History, University of Illinois Press, Champaign, IL, 2025.

↗ Ileana Nachescu

Visual Poetry (i)

«slowforward»: Originali / Originals. I manoscritti dei poeti "d'oggi" e le poetiche verbo-visuali in Italia, Edited by Giovanna Lambroni and David Speranzi, Giunti Editore, Firenze, 2025; Feat.: Vincenzo Accame, Paolo Albani, Ignazio Apolloni, Davide Argnani, Mirella Bentivoglio, Franco Beltrametti, Tomaso Binga, Ugo Carrega, Luciano Caruso, Luciano Cattania, Franco Cavallo, Carlo Marcello Conti, Corrado Costa, Gio Ferri, Giovanni Fontana, Massimo Grillandi, Marcello Landi, Arrigo Lora Totino, Nino Majellaro, Lucia Marcucci, Eugenio Miccini, Giulia Niccolai, Luciano Ori, Luca Maria Patella, Giancarlo Pavanello, Michele Perfetti, Lamberto Pignotti, Antonio Porta, Giovanni R. Ricci, Antonio Russo, Roberto Sanesi, Sarenco, Carlo Alberto Sitta, Adriano Spatola, Gianni Toti, Franco Verdi, William Xerra, Simona Weller; Exhibition: Curated by Giovanna Lambroni and David Speranzi, Biblioteca nazionale centrale di Firenze, Sala Dante, Firenze, May 8 – July 29, 2025.

Originali / Originals. I manoscritti dei poeti “d'oggi” e le poetiche verbo-visuali in Italia, Edited by Giovanna Lambroni and David Speranzi, Giunti Editore, Milano, 2025 [«slowforward»] — *Originali / Originals. I manoscritti dei poeti “d'oggi” e le poetiche verbo-visuali in Italia* (cover)

Ugo Carrega, Stelio Maria Martini, Eugenio Miccini, Lamberto Pignotti (i), Sarenco, Visual Poetry (ii)

Fondazione Bonotto, Colceresa (VI)]: Poesia visiva 1963-1988. 5 Maestri: Ugo Carrega, Stelio Maria Martini, Eugenio Miccini, Lamberto Pignotti, Sarenco, Edizioni Cooperativa "La Favorita", Verona / Henri Veyrier, Paris, 1988; Exhibitions: Galleria d'Arte Moderna e contemporanea, Verona, 1988; Museo Mediceo, Firenze, 1989; Castel dell'Ovo, Napoli, 1989.

Poesia visiva 1963-1988. 5 Maestri: Ugo Carrega, Stelio Maria Martini, Eugenio Miccini, Lamberto Pignotti, Sarenco, Edizioni Cooperativa “La Favorita”, Verona / Henri Veyrier, Paris, 1988 [Fondazione Bonotto, Colceresa (VI)] — *Poesia visiva 1963-1988. 5 Maestri: Ugo Carrega, Stelio Maria Martini, Eugenio Miccini, Lamberto Pignotti, Sarenco* (cover)

Lamberto Pignotti (ii), Visual Poetry (iii)

«Finestre sull'Arte»: Untitled, (collage with handwritten interventions), ca. 1960-1970.

Lamberto Pignotti, Untitled, (collage with handwritten interventions), ca. 1960-1970 [«Finestre sull'Arte». Private Collection. © Lamberto Pignotti] — [Private Collection. © Lamberto Pignotti]

Fondazione Bonotto, Colceresa (VI): Verso libero e indipendente, (tapestry), 2018, Designed by the artist and realized by Bonotto S.p.a., two versions (Red and Copper).

↗ Lamberto Pignotti

Franco Verdi, Visual Poetry (iv)

«Finestre sull'Arte»: Untitled, (collage with manuscript interventions), 1977-1979.

Franco Verdi, Untitled, (collage with manuscript interventions), 1977-1979 [«Finestre sull'Arte». Biblioteca nazionale centrale di Firenze, Fondo Pignotti. © Franco Verdi] — [Biblioteca nazionale centrale di Firenze, Fondo Pignotti. © Franco Verdi]

Archivio di Nuova Scrittura, Museion, Bolzano-Bozen: «pulsione dei suoni del / linguaggio su banda / verticale», (mixed media on paper), Lotta Poetica, Illasi (VR), 1984.

Franco Verdi, «pulsione dei suoni del / linguaggio su banda / verticale», (mixed media on paper), Lotta Poetica, Illasi (VR), 1984 [Archivio di Nuova Scrittura, Museion, Bolzano-Bozen. Beni culturali in Alto Adige, Provincia Autonoma di Bolzano – Alto Adige. © Franco Verdi. Photo: Antonio Maniscalco] — [© Franco Verdi. Photo: Antonio Maniscalco]

Archivio di Nuova Scrittura, Museion, Bolzano-Bozen: «pulsione / dei suoni del / linguaggio / su banda / orizzontale», (mixed media on paper), Lotta Poetica, Illasi (VR), 1984.

Franco Verdi, «pulsione / dei suoni del / linguaggio / su banda / orizzontale», (mixed media on paper), Lotta Poetica, Illasi (VR), 1984 [Archivio di Nuova Scrittura, Museion, Bolzano-Bozen. Beni culturali in Alto Adige, Provincia Autonoma di Bolzano – Alto Adige. © Franco Verdi. Photo: Gardaphoto] — [© Franco Verdi. Photo: Gardaphoto]

Archivio di Nuova Scrittura, Museion, Bolzano-Bozen: «si potrebbe...», (mixed media on paper), Lotta Poetica, Illasi (VR), 1984.

Franco Verdi, «si potrebbe…», (mixed media on paper), Lotta Poetica, Illasi (VR), 1984 [Archivio di Nuova Scrittura, Museion, Bolzano-Bozen. Beni culturali in Alto Adige, Provincia Autonoma di Bolzano – Alto Adige. © Franco Verdi. Photo: Gardaphoto] — [© Franco Verdi. Photo: Gardaphoto]

Archivio di Nuova Scrittura, Museion, Bolzano-Bozen: Untitled, (mixed media on paper), Lotta Poetica, Illasi (VR), 1984.

Franco Verdi, Untitled, (mixed media on paper), Lotta Poetica, Illasi (VR), 1984 [Archivio di Nuova Scrittura, Museion, Bolzano-Bozen. Beni culturali in Alto Adige, Provincia Autonoma di Bolzano – Alto Adige. © Franco Verdi. Photo: Gardaphoto] — [© Franco Verdi. Photo: Gardaphoto]

Archivio di Nuova Scrittura, Museion, Bolzano-Bozen: «e il / naufragar / m'è dolce / in questo mare», (mixed media on paper), Lotta Poetica, Illasi (VR), 1984.

Franco Verdi, «e il / naufragar / m'è dolce / in questo mare», (mixed media on paper), Lotta Poetica, Illasi (VR), 1984 [Archivio di Nuova Scrittura, Museion, Bolzano-Bozen. Beni culturali in Alto Adige, Provincia Autonoma di Bolzano – Alto Adige. © Franco Verdi. Photo: Antonio Maniscalco] — [© Franco Verdi. Photo: Antonio Maniscalco]

Archivio di Nuova Scrittura, Museion, Bolzano-Bozen: Gobius (tavola tre), (mixed media on paper), 1975.

Franco Verdi, Gobius (tavola tre), (mixed media on paper), 1975 [Archivio di Nuova Scrittura, Museion, Bolzano-Bozen. Beni culturali in Alto Adige, Provincia Autonoma di Bolzano – Alto Adige. © Franco Verdi. Photo: Antonio Maniscalco] — [© Franco Verdi. Photo: Antonio Maniscalco]

Mart, Museo di arte moderna e contemporanea di Trento e Rovereto: Principiamenti, (tempera on cardboard), 1966.

Franco Verdi, Principiamenti, (tempera on cardboard), 1966 [Mart, Museo di arte moderna e contemporanea di Trento e Rovereto. © Franco Verdi. Photo: © Archivio Fotografico e Mediateca] — [© Franco Verdi. Photo: © Archivio Fotografico e Mediateca]

Paolo Brunati Urani, Visual Poetry (iv)

Fondazione Bonotto, Colceresa (VI): La formazione del testo, (layout: mixed media on paper; reprint: ink-jet on cloth), 2008.

Paolo Brunati Urani, La formazione del testo, (layout: mixed media on paper; reprint: ink-jet on cloth), 2008 [Fondazione Bonotto, Colceresa (VI). Art: © Paolo Brunati Urani] — [© Paolo Brunati Urani]

Fondazione Bonotto, Colceresa (VI): Sviluppo integrale della teoria della richiesta di perdono per i crimini del genere umano dai poeti, dai santi, dai navigatori, (layout: digital print on paper; reprint: ink-jet on cloth), Edited for Art & Industry by Luigi Bonotto, 2008.

Paolo Brunati Urani, Sviluppo integrale della teoria della richiesta di perdono per i crimini del genere umano dai poeti, dai santi, dai navigatori, (layout: digital print on paper; reprint: ink-jet on cloth), Edited for Art & Industry by Luigi Bonotto, 2008 [Fondazione Bonotto, Colceresa (VI). Art: © Paolo Brunati Urani] — [© Paolo Brunati Urani]

Fondazione Bonotto, Colceresa (VI): Mappatura del segno, (mixed media on paper), 2009.

Paolo Brunati Urani, Mappatura del segno, (mixed media on paper), 2009 [Fondazione Bonotto, Colceresa (VI). Art: © Paolo Brunati Urani] — [© Paolo Brunati Urani]

Fondazione Bonotto, Colceresa (VI): Laminette Metamorfiche nuove, (mixed media on cloth), 1999.

Paolo Brunati Urani, Laminette Metamorfiche nuove, (mixed media on cloth), 1999 [Fondazione Bonotto, Colceresa (VI). Art: © Paolo Brunati Urani] — [© Paolo Brunati Urani]

herman de vries, b. July 11, 1931 / 2025

[portrait herman de vries, 2024; photo: © Wolfgang Aull]

Galerie Sturm & Schober, Wien: Untitled, (artefact mounted on background), 2021.

herman de vries, Untitled, (artefact mounted on background), 2021 [Galerie Sturm & Schober, Wien. © herman de vries] — [© herman de vries]

BorzoGallery, Amsterdam: untitled (18.3.18-19.3.18), (colored crayon on paper), 2018.

↗ herman de vries

Note: Regarding the journal, “how” has priority over “what” in both synchronic and diachronic processes, and following the chains of posts is the best way to “read” and "de-scribe" it. In the bulletin, for summary reasons, the posts are aggregated by name and source.

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