garadinervi : repertori – bulletin : weekly recap

May 10-16, 2025

May 18, 2025

Appunti sugli oggetti che si trovano sul mio tavolo da lavoro, (1985), Translation by Laura Frausin Guarino, «Quaderni di prosa e di invenzione», Volume LXXXI, Edizioni Henry Beyle, Milano, 2023; Details: Arena Fedrigoni paper, typeface Garamond monotype, hand-sewn, cm 12 x 18,5.

Georges Perec, (1985), Appunti sugli oggetti che si trovano sul mio tavolo da lavoro, Laura Frausin Guarino, «Quaderni di prosa e di invenzione», Volume LXXXI, Edizioni Henry Beyle, Milano, 2023 — *Appunti sugli oggetti che si trovano sul mio tavolo da lavoro* (cover)

Carlo Emilio Gadda (i)

L'alpinismo, «Quaderni di prosa e di invenzione», Volume LXXXIII, Edizioni Henry Beyle, Milano, 2024; (2); Details: Edition of 475, Alcantara di Sicilia paper, and Lana, Mi-Teintes and Wibalin Stria papers (covers), typeface Garamond, hand-sewn, cm 12 x 18,5.

Carlo Emilio Gadda, L'alpinismo, «Quaderni di prosa e di invenzione», Volume LXXXIII, Edizioni Henry Beyle, Milano, 2024 — *L'alpinismo* (cover)

Ernest Hemingway

Lettera dall'alto mare. Sullo scrivere, Translation by Ettore Capriolo, «Quaderni di prosa e di invenzione», Volume LXXXV, Edizioni Henry Beyle, Milano, 2018, then 2025; Details: Edition of 300, Arjowiggins Conqueror paper, Hahnemühle, Mi-Teintes and Wibalin Stria papers (covers), typeface Garamond, hand-sewn, cm 12 x 18,5.

Gianfranco Baruchello, Italo Calvino

Greta Gribaudo, Calvino e Baruchello: calcolare l’integrale, «Antinomie», April 14, 2025.

Gianfranco Baruchello – GB. Recent Work, (leaflet), Cordier & Ekstrom Gallery, New York, NY, January 11 – February 5, 1966 [Art: © Gianfranco Baruchello] — [Art: © Gianfranco Baruchello]

Jean Widmer

Centre Pompidou, Paris: Architecture et construction, Nouveaux espaces culturels, des architectes dialoguent avec des écrivains, musiciens, metteurs en scène, muséologues..., Rencontres, sessions automne, Illustration by Dominique Appia, Centre Pompidou, Paris, 1986.

Centre Pompidou, Paris: Marcel Lods, 1891-1978, photographies d'architecte, Centre Pompidou, Paris, October 2, 1991 – January 6, 1992.

Jean Widmer, Marcel Lods, 1891-1978, photographies d'architecte, Centre Pompidou, Paris, October 2, 1991 – January 6, 1992 [© Centre Pompidou / ADAGP, Paris. Art: © Marcel Lods (Aéroclub Roland Garros, 1933-1936)] — [© Centre Pompidou / ADAGP, Paris. Art: © Marcel Lods (*Aéroclub Roland Garros*, 1933-1936)]

Editions du Centre Pompidou, Paris: Europan 89, Centre Pompidou, Paris, December 13, 1989 – February 12, 1990.

Jean Widmer, Europan 89: Habiter en Europe, Centre Pompidou, Paris, December 13, 1989 – February 12, 1990 [© Editions du Centre Pompidou / ADAGP, Paris] — [© Editions du Centre Pompidou / ADAGP, Paris]

Editions du Centre Pompidou, Paris: Châteaux Bordeaux, Histoire et renouveau de l'architecture viticole, Centre Pompidou, Paris, November 16, 1988 – February 20, 1989.

Jean Widmer, Châteaux Bordeaux, Histoire et renouveau de l'architecture viticole, Centre Pompidou, Paris, November 16, 1988 – February 20, 1989 [© Editions du Centre Pompidou / ADAGP, Paris] — [© Editions du Centre Pompidou / ADAGP, Paris]

Centre Pompidou, Paris: Erik Gunnar Asplund, architecte et designer suédois, 1885-1940, Centre Pompidou, Paris, February 15 – April 17, 1989.

Jean Widmer, Erik Gunnar Asplund, architecte et designer suédois, 1885-1940, Centre Pompidou, Paris, February 15 – April 17, 1989 [© Centre Pompidou / ADAGP, Paris] — [© Centre Pompidou / ADAGP, Paris]

Carlo Emilio Gadda (ii)

Matematica e prosa, in Carlo Emilio Gadda, (1993), Scritti vari e postumi, Vol. V, [ch. Ultimi Inediti], Edited by Andrea Silvestri, Claudio Vela, Dante Isella, Paola Italia, and Giorgio Pinotti, «Garzanti Novecento», Garzanti, Milano, 2009, pp. 1154-1157.

Carlo Emilio Gadda, Matematica e prosa, in Carlo Emilio Gadda, (1993), Scritti vari e postumi, Vol. V, [ch. Ultimi Inediti], Edited by Andrea Silvestri, Claudio Vela, Dante Isella, Paola Italia, and Giorgio Pinotti, «Garzanti Novecento», Garzanti, Milano, 2009, pp. 1154-1157 — *Matematica e prosa* (p. 1154)

Mel Bochner

Art Books & Ephemera: Mel Bochner: Primer, Simon Lee Gallery, London, 2014; Exhibition: October 14 – November 14, 2014.

↗ Mel Bochner

«erres» – scènes/textes/réseaux

Saint-Martin Bookshop, Bruxelles-Brussel: No. 2, Winter 1976-1977; "Exécutions": Richard Foreman, Jean-Marie Pontévia, Jean-Paul Heraud, Patrick Garcia, Cozette de Charmoy, Serge Velay, Pierre Manuel, Jean Delord, Mathieu Benezet, Alain Lestie.

Saint-Martin Bookshop, Bruxelles-Brussel: No. 3-4, Summer/Autumn 1977; "Théâtriques": J. F. Lyotard, M. Spanin, Richard Foreman, Holderlin, P. Lacque-Labarthe, M. Deutsch, J. Kermarrec, A. Suied, A. Lestie, R. Pons.

«erres» – scènes/textes/réseaux, No. 3-4, Summer/Autumn 1977 [Saint-Martin Bookshop, Bruxelles-Brussel]

Aleksej Kručënych, Velimir Chlebnikov, Natal'ja Gončarova, Vasilij Kamenskij, Grigorij Petnikov, Aleksandr Rodčenko, David Burljuk, Vladimir Burljuk, Elena Guro, Michail Larionov, Benedikt Livshits, Vladimir Majakovskij, Militsa, Ekaterina Nizen

Christie's, London: Aleksej Kručënych – Velimir Chlebnikov – Natal'ja Gončarova (illustrator), Mirskontsa, [G.L. Kuzmin and S.D. Dolinskyi, Москва́, 1912], Edition of 220.

Aleksej Kručënych – Velimir Chlebnikov – Natal'ja Gončarova (illustrator), Mirskontsa, [G.L. Kuzmin and S.D. Dolinskyi, Москва́, 1912], Edition of 220 [Christie’s, London] — *Mirskontsa* (cover)

Christie's, London: Aleksej Kručënych – Velimir Chlebnikov – Natal'ja Gončarova (illustrator), Mirskontsa, [G.L. Kuzmin and S.D. Dolinskyi, Москва́, 1912], Edition of 220.

MoMA, New York, NY: Aleksej Kručënych – Vasilij Kamenskij, Untitled from 1918, (collage from a book with eight collages (including cover, one with letterpress), four lithographs (three with collage additions), and lithographed manuscript text), 1917, Edition of 6 known examples.

Aleksej Kručënych – Vasilij Kamenskij, Untitled from 1918, (collage from a book with eight collages (including cover, one with letterpress), four lithographs (three with collage additions), and lithographed manuscript text), 1917, Edition of 6 known examples [MoMA, New York, NY] — [MoMA, New York, NY]

The Art Institute of Chicago, Chicago, IL: Velimir Chlebnikov – Aleksej Kručënych – Grigorij Petnikov – Aleksandr Rodčenko, Zaumniki, (book with fabric and paper collaged elements on gray-blue paper cover), 1921–1922.

Velimir Chlebnikov – Aleksej Kručënych – Grigorij Petnikov – Aleksandr Rodčenko, Zaumniki, (book with fabric and paper collaged elements on gray-blue paper cover), 1921-1922 [The Art Institute of Chicago, Chicago, IL] — [The Art Institute of Chicago, Chicago, IL]

MoMA, New York, NY; Christie's, London: Various Artists with David Burljuk, Vladimir Burljuk, Natal'ja Gončarova, Elena Guro, Michail Larionov, Sadok sudei II [David Burljuk, Elena Guro, Velimir Chlebnikov, Aleksej Kručënych, Benedikt Livshits, Vladimir Majakovskij, Militsa, Ekaterina Nizen], (illustrated book with 15 letterpress illustrations and wallpaper cover with collage additions), Zhuravl', Sankt-Peterburg, 1913, Printed by Nash Vek, Edition of 800.

Various Artists with David Burljuk, Vladimir Burljuk, Natal'ja Gončarova, Elena Guro, Michail Larionov, Sadok sudei II, (illustrated book with 15 letterpress illustrations and wallpaper cover with collage additions), Zhuravl’, Sankt-Peterburg, 1913, Printed by Nash Vek, Edition of 800 [MoMA, New York, NY. Christie’s, London] — [MoMA, New York, NY. Christie’s, London]

Christie's, London: Velimir Chlebnikov, Compositional fragments for ‘Vila i leshy’, n.p., n.d. [ca. 1912].

Velimir Chlebnikov, Compositional fragments for ‘Vila i leshy’, n.p., n.d. [ca. 1912] [Christie’s, London] — *Compositional fragments for ‘Vila i leshy’* — 1 / 4

John Brown, b. May 9, 1800 / 2025

Internet Archive; Library of Congress, Washington, D.C.: Richard J. Hinton, John Brown and his men. With some account of the roads they traveled to reach Harper's Ferry, (frontispiece), Funk & Wagnalls Company, New York, NY and London, ca. 1894, Revised Edition.

Richard J. Hinton, John Brown and his men. With some account of the roads they traveled to reach Harper’s Ferry, (frontispiece), Funk & Wagnalls Company, New York, NY and London, ca. 1894, Revised Edition [Internet Archive. Library of Congress, Washington, D.C.] — *John Brown and his men. With some account of the roads they traveled to reach Harper’s Ferry* (frontispiece)

Jonas Bader, Cyrill Heinen, Atelier HKB, School

Typographic Poster Design Inspiration: Jonas Bader – Cyrill Heinen / [internship at] Atelier HKB, To-Do: HKB Diplomkampagne 24, HKB Viskom, HKB Bern, 2024.

Jonas Bader – Cyrill Heinen / [internship at] Atelier HKB, To-Do: HKB Diplomkampagne 24, HKB Viskom, HKB Bern, 2024 [Typographic Poster Design Inspiration]

Dick Higgins (i)

konkretpoesi; Fondazione Bonotto, Colceresa (VI): glasslass (for karen, barton vermont, july 17th 1970), (two color print on grey cardboard), Published by the artist, Barton, VT, 1970.

Dick Higgins, glasslass (for karen, barton vermont, july 17th 1970), (two color print on grey cardboard), Published by the artist, Barton, VT, 1970 [konkretpoesi. Fondazione Bonotto, Colceresa (VI). © Dick Higgins]

Alison Knowles, Dick Higgins (ii), Something Else Press

Call It Something Else. Something Else Press, Inc. (1963-1974), Museo Nacional Centro de Arte Reina Sofía, Madrid, 2023 (pdf); Exhibition: curated by Alice Centamore and Christian Xatrec, September 27, 2023 – January 22, 2024, in collaboration with BIENALSUR.

I stumbled home to Alison Knowles, and announced that we had found a press […]
“Really,” she said. “What’s it called?”
I didn’t know. I said something […] like “Shirtsleeves Press.”
“That’s no good,” she said. “Call it something else.”

Jayne Cortez

Spoken Word Archive, London: Jayne Cortez with The Trevor Watts Quartet, Seven Dials Club, London, March 27, 1986, Organised by Apples & Snakes Poetry Collective (CC BY-NC-ND 4.0).

Spoken Word Archive, London: Apples & Snakes present Jayne Cortez: 'Everywhere Drums', National Tour, September 27 – October 11, 1990 (CC BY-NC-ND 4.0).

Apples & Snakes present Jayne Cortez: ‘Everywhere Drums’, National Tour, September 27 – October 11, 1990 [Spoken Word Archive, London (CC BY-NC-ND 4.0)] — *Jayne Cortez: ‘Everywhere Drums’* (flyer, poster)

Reparations Club, Los Angeles, CA: Firespitter. The Collected Poems of Jayne Cortez, Edited by Margaret Busby, Nightboat Books, Brooklyn, NY, 2025.

Firespitter. The Collected Poems of Jayne Cortez, Edited by Margaret Busby, Nightboat Books, Brooklyn, NY, 2025 [Reparations Club, Los Angeles, CA] — *Firespitter. The Collected Poems of Jayne Cortez* (cover)

Barbara Bloom

BOOKS at, Amsterdam: Barbara Bloom – Ben Lerner, Gold Custody, Mack Books, London, 2021.

Barbara Bloom – Ben Lerner, Gold Custody, Mack Books, London, 2021 [BOOKS at, Amsterdam. Art: © Barbara Bloom, Ben Lerner] — [© Barbara Bloom, Ben Lerner]

MoMA, New York, NY (gift of John Baldessari): Goethe’s Corridor, 1977, (photolithograph), Printed 2015.

Barbara Bloom, Goethe’s Corridor, 1977, (photolithograph), Printed 2015 [MoMA, New York, NY; gift of John Baldessari. © Barbara Bloom] — [© Barbara Bloom]

MoMA, New York, NY (gift of John Baldessari): Best of Vermeer, 1991, (photolithograph), Printed 2015.

Barbara Bloom, Best of Vermeer, 1991, (photolithograph), Printed 2015 [MoMA, New York, NY; gift of John Baldessari. © Barbara Bloom] — [© Barbara Bloom]

Capitain Petzel, Berlin: Nabokov's Collection, (wood standing desk, butterfly case with digital prints, pins), 2020, Edition of 2.

Barbara Bloom, Nabokov’s Collection, (wood standing desk, butterfly case with digital prints, pins), 2020, Edition of 2 [Capitain Petzel, Berlin. © Barbara Bloom] — [© Barbara Bloom]

Capitain Petzel, Berlin: Austen's Pins, (digitally printed and pencil marked page with pins, acrylic glass display, wooden pedestal), 2020, Edition of 2.

Barbara Bloom, Austen’s Pins, (digitally printed and pencil marked page with pins, acrylic glass display, wooden pedestal), 2020, Edition of 2 [Capitain Petzel, Berlin. © Barbara Bloom] — [© Barbara Bloom]

Capitain Petzel, Berlin: Andy's Doodles, (display, digitally printed and pen-marked book), 2020, Edition of 2.

Barbara Bloom, Andy’s Doodles, (display, digitally printed and pen-marked book), 2020, Edition of 2 [Capitain Petzel, Berlin. © Barbara Bloom]

Giorgiana Masi, Roma, May 12, 1977

A Giorgiana Masi, 19 anni,
uccisa il 12 maggio 1977
dalla violenza del regime

… se la rivoluzione d'ottobre
fosse stata di maggio,
se tu vivessi ancora,
se io non fossi impotente
di fronte al tuo assassinio,
se la mia penna fosse un'arma vincente,
se la mia paura esplodesse nelle piazze,
coraggio nato dalla rabbia strozzata in gola,
se l'averti conosciuta diventasse la nostra forza,
se i fiori che abbiamo regalato alla tua coraggiosa vita
nella nostra morte diventassero ghirlande
della lotta di noi tutte, donne,
se…
non sarebbero le parole a cercare d'affermare la vita
ma la vita stessa, senza aggiungere altro.

Filmando in città, (1977, documentary, b/w, 30min; still), Lotta Continua, Roma, 1977 (vimeo, youtube) [Archivio Audiovisivo del Movimento Operaio e Democratico / Archivi AAMOD]

Maryam Mirzakhani (مریم میرزاخانی), b. May 12, 1977 / 2025

Maryam Mirzakhani/Stanford University [npr]

Otl Aicher, b. May 13, 1922 / 2025

From otl aicher / rotis, Photographs by Timm Rautert, Edited by Ute Eskildsen and Gerhard Steidl, Texts by Otl Aicher, Oliver Klimpel, Timm Rautert, Dan Reynolds, Steidl, Göttingen, 2021; (2); (3).

Flat & Bound, at Integral Lars Müller GmbH, Zürich; Museum für Gestaltung Zürich: Kurs: Der moderne Mensch und die Griechen, Freitags, Ulmer Volkshochschule, Ulm, ca. 1952.

Otl Aicher, Kurs: Der moderne Mensch und die Griechen, Freitags, Ulmer Volkshochschule, Ulm, ca. 1952 [Flat & Bound, at Integral Lars Müller GmbH, Zürich. Museum für Gestaltung Zürich] — (poster)

Flat & Bound, at Integral Lars Müller GmbH, Zürich; Museum für Gestaltung Zürich: Der ferne Osten 1840-1940, Kurs Mittwochs, Januar 1952, Ulmer Volkshochschule, Ulm, 1952.

Otl Aicher, Der ferne Osten 1840-1940, Kurs Mittwochs, Januar 1952, Ulmer Volkshochschule, Ulm, 1952 [Flat & Bound, at Integral Lars Müller GmbH, Zürich. Museum für Gestaltung Zürich] — (poster)

Flat & Bound, at Integral Lars Müller GmbH, Zürich; Museum für Gestaltung Zürich: Asien im Aufruhr, Vortrag Prof. Liepmann Oxford, 21. Mai, 1952 Rathaussaal, Ulmer Volkshochschule, Ulm, 1952.

Otl Aicher, Asien im Aufruhr, Vortrag Prof. Liepmann Oxford, 21. Mai, 1952 Rathaussaal, Ulmer Volkshochschule, Ulm, 1952 [Flat & Bound, at Integral Lars Müller GmbH, Zürich. Museum für Gestaltung Zürich] — (poster)

Flat & Bound, at Integral Lars Müller GmbH, Zürich; Museum für Gestaltung Zürich: Umwälzungen in der Physik, Kurs freitags, November 1952, Ulmer Volkshochschule, Ulm, 1952.

Otl Aicher, Umwälzungen in der Physik, Kurs freitags, November 1952, Ulmer Volkshochschule, Ulm, 1952 [Flat & Bound, at Integral Lars Müller GmbH, Zürich. Museum für Gestaltung Zürich] — (poster)

Flat & Bound, at Integral Lars Müller GmbH, Zürich; Museum für Gestaltung Zürich: Europäische Metropolen, Donnerstagvorträge im Februar 1957, Ulmer Volkshochschule, Ulm, 1957.

Otl Aicher, Umwälzungen in der Physik, Kurs freitags, November 1952, (poster, detail), Ulmer Volkshochschule, Ulm, 1952 [Flat & Bound, at Integral Lars Müller GmbH, Zürich. Museum für Gestaltung Zürich]

Francesco Candeloro

A arte Invernizzi, Milano: Linee riflesse 64, (plexiglass, découpage and marker on paper and acetate), 2016; Exhibition: Francesco Candeloro. Luoghi Misure Variazioni, Curated by Francesco Tedeschi, A arte Invernizzi, Milano, September 24 – November 10, 2020.

A arte Invernizzi, Milano: Linee volo, (plexiglass, découpage and marker on paper and acetate), 2019.

Francesco Candeloro, Linee volo, (plexiglass, découpage and marker on paper and acetate), 2019 [A arte Invernizzi, Milano. © Francesco Candeloro / A arte Invernizzi]

A arte Invernizzi, Milano: Linee a quattro mani, (plexiglass, découpage and marker on paper and acetate), 2019.

Francesco Candeloro, Linee a quattro mani, (plexiglass, découpage and marker on paper and acetate), 2019 [A arte Invernizzi, Milano. © Francesco Candeloro / A arte Invernizzi] — [© Francesco Candeloro / A arte Invernizzi]

A arte Invernizzi, Milano: Linee loto meditative linee, (plexiglass, découpage and marker on paper and acetate), 2020.

Francesco Candeloro, Linee loto meditative linee, (plexiglass, découpage and marker on paper and acetate), 2020 [A arte Invernizzi, Milano. © Francesco Candeloro / A arte Invernizzi] — [© Francesco Candeloro / A arte Invernizzi]

A arte Invernizzi, Milano: Linee fuori forma, (plexiglass, découpage and marker on paper and acetate), 2020.

Francesco Candeloro, Linee fuori forma, (plexiglass, découpage and marker on paper and acetate), 2020 [A arte Invernizzi, Milano. © Francesco Candeloro / A arte Invernizzi] — [© Francesco Candeloro / A arte Invernizzi]

Francesco Candeloro. Luoghi Misure Variazioni, Text by Francesco Tedeschi, Graphic design by Tiziana Invernizzi, Translation by Simon Turner, Photographs by Bruno Bani, Lorenzo Ceretta, and Mattia Mognetti, Video by Francesco Castellani, A arte Invernizzi, Milano, 2020 (pdf).

Francesco Candeloro. Luoghi Misure Variazioni, A arte Invernizzi, Milano, 2020 [© Francesco Candeloro / A arte Invernizzi]

Francesco Candeloro. Cime nel tempo, Curated by Giorgio Verzotti, A arte Invernizzi, Milano, May 22 – July 15, 2025.

↗ Francesco Candeloro

Dieter Roth

Zucker Art Books, Alford, MA: from kinderbuch (Children’s Book), (28 pages, 4 colour letterpress, geometric shapes with hand cut and die cut holes, spiral binding), Forlag ed, Reykjavik, 1957, Edition of approx. 25 signed copies, plus approx. 75 unsigned copies; (2); (3).

Mario Avagliano, Marco Palmieri

Mario Avagliano – Marco Palmieri, Le vite spezzate delle Fosse Ardeatine. Le storie delle 335 vittime dell'eccidio simbolo della Resistenza, «Passaggi Einaudi», Einaudi, Torino, 2024.

George Abraham, Noor Hindi

Pilsen Community Books, Chicago, IL (paperback, hardcover): Heaven Looks Like Us. Palestinian Poetry, Edited by George Abraham and Noor Hindi, Haymarket Books, Chicago, IL, 2025.

Heaven Looks Like Us. Palestinian Poetry, Edited by George Abraham and Noor Hindi, Haymarket Books, Chicago, IL, 2025 [Pilsen Community Books, Chicago, IL] — *Heaven Looks Like Us. Palestinian Poetry* (cover)

Plus: Heaven Looks Like Us: Palestinian Poetry, Virtual Launch Event, a virtual reading in commemoration of Nakba Day, May 15, 2025. Readers include: Rasha A. LDA A, Dina Abdulhadi, Leena Aboutaleb, George Abraham, Rimona Afana, Fadia Antabli, Summer Awad, Asmaa' Azaizeh, Farah Barqawi, Sarona Bedwan, Carolina Ebeid, Olivia Elias, Summer Farah, Layla Azmi Goushey, Maen Hammad, Noor Hindi, Lenna Jawdat, Emily Khilfeh, N Mankinem, Angie Mazakis, Hajer Mirwali, Sara Saleh, Hind Shoufani, Jen Siraganian, Rewa Zeinati, Omar Zahzah. The event is sponsored by Haymarket Books. Donations to this event will go to The Middle East Children's Alliance (MECA).

Sarah Aziza (سارة عزيزة)

Pilsen Community Books, Chicago, IL: The Hollow Half. A Memoir of Bodies and Borders, Catapult, Brooklyn, NY, 2025.

↗ Sarah Aziza

Victor Guégan

Après la typographie Imprimerie industrielle et avant-gardes, Design by deValence, B42-227, Éditions B42, Montreuil, 2025.

↗ Victor Guégan

Jost Hochuli

Jost Hochuli: Typobiographie, 60 ans de travaux, Designed by Jost Hochuli, Translation by Emmanuel Faure, B42-194, Éditions B42, Paris, 2023.

↗ Jost Hochuli

Robert Bringhurst

The Elements of Typographic Style, (1992, 1996), Hartley & Marks, Publishers, Vancouver, 2004, 3rd Edition.

Gli elementi dello stile tipografico, (1992, 1996), Italian edition edited by Lucio Passerini, Edizioni Sylvestre Bonnard, Milano, 2001.

Robert Bringhurst, (1992, 1996), Gli elementi dello stile tipografico, Italian edition edited by Lucio Passerini, Edizioni Sylvestre Bonnard, Milano, 2001 — *Gli elementi dello stile tipografico* (cover)

What Is Reading for?, Cary Graphic Arts Press – Rochester Institute of Technology / RIT Press, Rochester, NY, 2011.

Some Reflections on Reading and Writing, Culture and Nature, & Sorting Things Out, Cary Graphic Arts Press – Rochester Institute of Technology / RIT Press, Rochester, NY, 2016.

Robert Bringhurst, Some Reflections on Reading and Writing, Culture and Nature, & Sorting Things Out, Cary Graphic Arts Press – Rochester Institute of Technology / RIT Press, Rochester, NY, 2016 — *Some Reflections on Reading and Writing, Culture and Nature, & Sorting Things Out* (cover)

Cesare Pavese

Internet Archive: Foreword in Dialoghi con Leucò, Einaudi, Torino, 1947.

Internet Archive: Foreword in Dialogues with Leucò, (1947), Translated by William Arrowsmith and D. S. Carne-Ross, Designed by Quentin Fiore, University of Michigan Press, Ann Arbor, MI, 1965.

Cesare Pavese, (1947), Foreword in Dialogues with Leucò, Translated by William Arrowsmith and D. S. Carne-Ross, Designed by Quentin Fiore, University of Michigan Press, Ann Arbor, MI, 1965 — (Foreword)

20 febbraio. (Prefazione ai dialoghetti), in Il mestiere di vivere (Diario 1935-1950), (1952), «Nuovi Coralli» 59, Einaudi, Torino, 1999, pp. 281-282.

Cesare Pavese, (1952), Febbriaio 1946. 20 febbraio. (Prefazione ai dialoghetti), in Il mestiere di vivere (Diario 1935-1950), «Nuovi Coralli» 59, Einaudi, Torino, 1999, pp. 281-282 — (p. 281)

Egidija Čiricaitė

Egidija Čiricaitė on Visual Poetry, Artist Books, and the Verse Verso Symposium + Verse Verso: Visual Poetry and Artist Books, The Warburg Institute, University of London, School of Advanced Study, London, May 30, 2025.

Bruno Pfäffli, Atelier Frutiger

midcenturyclassical: Premier Panorama De Musique Concrete, (Vinyl/LP), DUC 8, Ducretet Thomson, 1964.

midcenturyclassical: Deuxième Panorama De Musique Concrete, (Vinyl/LP), DUC 9, Ducretet Thomson, 1964.

Bruno Pfäffli / Atelier Frutiger, Deuxième Panorama De Musique Concrete, (Vinyl/LP),DUC 9, Ducretet Thomson, 1964 [midcenturyclassical] — (cover)

Vito Acconci

midcenturyclassical: Vito Acconci: Photoworks, Videos et Films Super 8 — 1969-1972, (cassette, box set), Sous-sol, 1988.

Exhibition: Vito Acconci. Travaux photos, vidéos, films super 8 — 1969-1972, Sous-sol, École superieure d'art visuel, Département de l'instruction publique, Genève, November 16 – December 16, 1988, Conceived and realised by the students at Sous-sol (Edgar Acevedo, Francis Baudevin, Luc Berthet, Claude Cortinovis, Mauro Fanetti, Catherine Pier Favre, Nicole Ferrero, Anne Frei, Francesca Gabbiani, Benedicto Garcia, Catherine Grangier, Catherine Higginson, Barbara Rose, Muriel Rosset, Nathalie Tison, Ellen Versluis, Nathalie Wetzel); Photography: Bill Beckley, Kathy Dillon, Elisabeth Jackson, Richards Jarden, Georg Rehsteiner, Ealan Wingate; Graphic Design: Muriel Rosset.

Alec Finlay

Not Sealions but Lions by the Sea, Broken Sleep Books, Llandysul, 2025.

The Walkative Revolution, Guillemot Press, Cornwall, 2025, made with Sirio Color, Materica and Arena papers.

↗ Alec Finlay

Al Taylor

Leo de Goede Books: Al Taylor (Puddles), Essay by Klaus Kertess, David Nolan Gallery, New York, NY, 1992; Exhibition: Al Taylor: Puddles, Drawings and Sculptures, David Nolan Gallery, New York, NY, March 7 – April 11, 1992.

Alfredo Carracedo

Grupo Joven: Alfredo Carracedo en la sombra de la abstracción – Roundtable: Tráficos y conversaciones en torno al arte y el diseño, With Silvia Gurfein, Enrique Longinotti, Cinthia Kazez, and Bruno Tortolano, Moderated by Sibila Gálvez, Galería Towpyha, San Telmo, Buenos Aires, May 23, 2025.

Adolf Flückiger

typoswiss; Museum für Gestaltung Zürich: Schweizerische Ausstellung angewandter Kunst, Kunstmuseum Bern, 1957; Exhibition: October 5 – November 24, 1957.

Alan Green

Art Books & Ephemera: Alan Green: Selected Works from 1972-2003, Text by David Juda, Annely Juda Fine Art, London, 2014; Exhibition: October 30 – December 17, 2014.

Extra: Readings

Gaston Bachelard, (1940, 1966), La filosofia del non. Saggio di una filosofia del nuovo spirito scientifico, Edited, translated, and with a Foreword, by Giuseppe Quaranta, «Temi del nostro tempo», Armando Editore, Roma, 1998.

Note: about the journal, “how” has priority over “what” in a synchronic and diachronic process, and following the chains of posts is the best way to “read” and "de-scribe" it—in the bulletin, for summary reasons, the posts are aggregated by names and sources.

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