garadinervi : repertori – bulletin : weekly recap

July 12-18, 2025

Jul 20, 2025

Cinzia Farina, Visual Writing (i), Exhibition (i)

Keyless Vocalizations, (mixed media: gauze framed on wire, cotton thread, acetate sheets, acrylic, marker), 2024; (2); (3); (4); (5); (6); Exhibition: Calligraphy and Artist'sWritings in the Collection of Artist Books of the Library of the Academy of Fine Art of Palermo / Calligrafia e scritture d'artista nella Collezione del Libro d'artista della Biblioteca dell'Accademia di Belle Arti di Palermo, Curated by Maria Antonietta Malleo, Gabinetto dei Disegni e delle Stampe, Accademia di Belle Arti di Palermo, Palermo, July 10-30, 2025. On the occasion of Calligraphy and Artist’s Writing. An Intercultural Perspective / Calligrafia e scritture d’artista. Una prospettiva interculturale, Conference, International Workshop, and Exhibition, Scientific Direction by Maria Antonietta Malleo, Accademia di Belle Arti di Palermo, Palermo, July 7-12, 2025.

Cinzia Farina, Keyless Vocalizations, (mixed media: gauze framed on wire, cotton thread, acetate sheets, acrylic, marker), 2024 [© Cinzia Farina]

↗ Cinzia Farina

Visual Writing (ii), Exhibition (ii)

Calligraphy and Artist'sWritings in the Collection of Artist Books of the Library of the Academy of Fine Art of Palermo / Calligrafia e scritture d'artista nella Collezione del Libro d'artista della Biblioteca dell'Accademia di Belle Arti di Palermo, Curated by Maria Antonietta Malleo, Gabinetto dei Disegni e delle Stampe, Accademia di Belle Arti di Palermo, Palermo, July 10-30, 2025.

Calligraphy and Artist’s Writing. An Intercultural Perspective / Calligrafia e scritture d'artista. Una prospettiva interculturale, Conference, International Workshop, and Exhibition, Scientific Direction by Maria Antonietta Malleo, Accademia di Belle Arti di Palermo, Palermo, July 7-12, 2025.

Vija Celmins

twelvebooks, Tokyo: Vija Celmins / Gerhard Richter: Double Vision, Edited by Brigitte Kölle, Hamburger Kunsthalle, Hamburg / Verlag der Buchhandlung Walter König, Köln, 2023, pp. 82-83; (2); (3); Contributors: Juliane Au, Hubertus Butin, Johanna Hornauer, Brigitte Kölle, Vija Celmins & Gerhard Richter; Exhibition: Hamburger Kunsthalle, May 12 – August 27, 2023.

Vija Celmins, Edited by Theodora Vischer and James Lingwood, Fondation Beyeler, Riehen/Basel / Hatje Cantz Verlag, Berlin, 2025; (2); (3); Texts: Julian Bell, Jimena Canales, Teju Cole, Rachel Cusk, Marlene Dumas, Katie Farris, Robert Gober, Ilya Kaminsky, Glenn Ligon, James Lingwood, Andrew Winer; Graphic Design: Teo Schifferli.

Vija Celmins, Edited by Theodora Vischer and James Lingwood, Fondation Beyeler, Riehen/Basel / Hatje Cantz Verlag, Berlin, 2025 [Art: © Vija Celmins] — *Vija Celmins* (cover) [Art: © Vija Celmins]

From: Vija Celmins, Edited by Theodora Vischer and James Lingwood, Fondation Beyeler, Riehen/Basel / Hatje Cantz Verlag, Berlin, 2025 [Art: © Vija Celmins] — Vija Celmins (spread) [Art: © Vija Celmins]

Art Books & Ephemera; SweeneySells, Mansfield Center, CT: Vija Celmins. Works 1964-96, Text(s) by James Lingwood, Neville Wakefield, Stuart Morgan, and Richard Rhodes, Institute of Contemporary Art, London, 1996; (2); Exhibition Tour: Institute of Contemporary Art, London, November 1 – December 22, 1996; Museo Nacional Centro de Arte Reina Sofía, Madrid, January 21 – March 24, 1997; Kunstmuseum Winterthur, Winterthur, April 19 – June 15, 1997; Museum für Moderne Kunst, Frankfurt, June 20 – September 28, 1997.

Vija Celmins. Works 1964-96, Institute of Contemporary Art, London, 1996 [Art Books & Ephemera. Art: © Vija Celmins] — *Vija Celmins. Works 1964-96* (cover) [Art: © Vija Celmins]

Vija Celmins. Works 1964-96, Institute of Contemporary Art, London, 1996 [SweeneySells, Mansfield Center, CT. Art: © Vija Celmins] — *Vija Celmins. Works 1964-96* [Art: © Vija Celmins]

Leonie Brandner

Zabriskie Buchladen für Kultur und Natur, Berlin: Three Becomes Two Becomes One Becomes None – cosmopiesis of mandragoras, Onomatopee, Eindhoven, 2024; Edited by Marjolein van der Loo, Designed by Elisa Piazzi, Proofreading by Georgie Brinkman, with Jesse Presse and Natasha Rijkhoff, Printed by Wilco Art Books, Amersfoort, Documentation by Emilia Martin. Plus: Half-plant, half-human – tales of the mysterious Mandrake. How Europeana.eu material contributed to Leonie Brandner’s research into the strange stories of an obscure plant, Interview with Leonie Brandner by Beth Daley, Europeana, Europeana Foundation, Den Haag, January 7, 2025.

↗ Leonie Brandner

Parimah Avani, «utsanga»

[تقویم ازموندی], «utsanga» – rivista di analisi liminale, No. 42, 2025.

[تقویم اوگین تالکا], «utsanga» – rivista di analisi liminale, No. 42, 2025.

[تقویم کوهستان نکاتنو], «utsanga» – rivista di analisi liminale, No. 42, 2025.

[طرح-پشت جلد کتاب جادونامه-ی آنتالوس], «utsanga» – rivista di analisi liminale, No. 42, 2025.

↗ Parimah Avani

Bruce Nauman

The Art Institute of Chicago, Chicago, IL: Human Nature/Life Death, (neon tubing with clear glass tubing suspension frames), 1983.

The Doris and Donald Fisher Collection at the San Francisco Museum of Modern Art, SFMOMA, San Francisco, CA: Life Death/Knows Doesn't Know, (neon tubing with clear glass tubing suspension frames), 1983.

Bruce Nauman, Life Death/Knows Doesn’t Know, (neon tubing with clear glass tubing suspension frames), 1983 [The Doris and Donald Fisher Collection at the San Francisco Museum of Modern Art, SFMOMA, San Francisco, CA. © Bruce Nauman / ARS, New York] — [© Bruce Nauman / ARS, New York]

MoMA, New York, NY: Perfect Door/Perfect Odor/Perfect Rodo, (neon tubing and wire with glass tubing suspension frames, three parts), 1972.

Bruce Nauman, Perfect Door/Perfect Odor/Perfect Rodo, (neon tubing and wire with glass tubing suspension frames, three parts), 1972 [MoMA, New York, NY. © Bruce Nauman / ARS, New York] — [© Bruce Nauman / ARS, New York]

Tate, London: One Hundred Live and Die, (neon and fluorescent tubes, custom made; light source visible; control system), 1984.

Bruce Nauman, One Hundred Live and Die, (neon and fluorescent tubes, custom made; light source visible; control system), 1984 [Tate, London. Collection Benesse Holdings, Inc./Benesse House Museum, Naoshima. © Bruce Nauman / ARS, New York and DACS, London, Courtesy Sperone Westwater, New York] — [Collection Benesse Holdings, Inc./Benesse House Museum, Naoshima. © Bruce Nauman / ARS, New York and DACS, London, Courtesy Sperone Westwater, New York]

Tate and National Galleries of Scotland: Violins Violence Silence, (neon tubing with clear glass tubing suspension frame), 1981-1982.

Bruce Nauman, Violins Violence Silence, (neon tubing with clear glass tubing suspension frame), 1981-1982 [Tate and National Galleries of Scotland. Lent by Anthony d'Offay 2010. © Bruce Nauman / ARS, New York and DACS, London] — [© Bruce Nauman / ARS, New York and DACS, London]

MoMA, New York, NY: Human/Need/Desire, (neon tubing and wire with glass tubing suspension frames), 1983.

Bruce Nauman, Human/Need/Desire, (neon tubing and wire with glass tubing suspension frames), 1983 [MoMA, New York, NY. © Bruce Nauman / ARS, New York] — [© Bruce Nauman / ARS, New York]

The Art Institute of Chicago, Chicago, IL: White Anger, Red Danger, Yellow Peril, Black Death, (acrylic, pastel, pencil, and collage on paper), 1984.

Bruce Nauman, White Anger, Red Danger, Yellow Peril, Black Death, (acrylic, pastel, pencil, and collage on paper), 1984 [The Art Institute of Chicago, Chicago, IL. © Bruce Nauman / ARS, New York] — [© Bruce Nauman / ARS, New York]

MoMA, New York, NY: Read/Reap, (colored chalks, pencil, and masking tape on cut-and-pasted papers), 1983.

Bruce Nauman, Read/Reap, (colored chalks, pencil, and masking tape on cut-and-pasted papers), 1983 [MoMA, New York, NY. © Bruce Nauman / ARS, New York] — [© Bruce Nauman / ARS, New York]

Art, Typography (i)

Baseline Store; Center for Book Arts, New York, NY: Breaking the Rules: The Printed Face of the European Avant Garde 1900-1937, Edited by Stephen Bury, Designed by Andrew Shoolbred and Gregory Taylor, The British Library, London, 2007.

Breaking the Rules: The Printed Face of the European Avant Garde 1900-1937, Edited by Stephen Bury, Designed by Andrew Shoolbred, and Gregory Taylor, The British Library, London, 2007 [Baseline Store. Center for Book Arts, New York, NY] — *Breaking the Rules: The Printed Face of the European Avant Garde 1900-1937* (cover)]

Letraset, Typography (ii)

Baseline Store; The Print Arkive: Letraset Graphic design handbook, Designed by HSAG London, Esselte Letraset Ltd, Stockholm / Dymo Corporation, Berkeley, CA, 1984.

Letraset Graphic design handbook, Designed by HSAG London, Esselte Letraset Ltd., Stockholm / Dymo Corporation, Berkeley, CA, 1984 [Baseline Store. The Print Arkive] — *Letraset Graphic design handbook* (cover)

John Cage, Merce Cunningham, Jasper Johns, Robert Rauschenberg, Cy Twombly

Fünf Freunde: John Cage, Merce Cunningham, Jasper Johns, Robert Rauschenberg, Cy Twombly / Five Friends: John Cage, Merce Cunningham, Jasper Johns, Robert Rauschenberg, Cy Twombly, Edited by Yilmaz Dziewior, Achim Hochdörfer, and Arthur Fink, Museum Brandhorst, München – Museum Ludwig, Köln,⁠ Schirmer/Mosel Verlag, München, 2025; Contributors: Ilka Becker, Daniel M. Callahan, Yilmaz Dziewior, Trajal Harrell, Achim Hochdörfer, Helen Hsu, Anna Huber, Alex Kitnick, Laura Kuhn, Nick Mauss, Carrie Jaurès Noland, Kerstin Renerig, Kenneth E. Silver, Deborah Solomon, Leonore Spemann; Exhibition: Fünf Freunde: John Cage, Merce Cunningham, Jasper Johns, Robert Rauschenberg, Cy Twombly, (key visual, web-version), Curated by Achim Hochdörfer, Yilmaz Dziewior with Arthur Fink and Anna Huber, Graphic Design by PARAT.cc, Museum Brandhorst, München, April 10 – August 17, 2025, In cooperation with Museum Ludwig⁠.

Five Friends: John Cage, Merce Cunningham, Jasper Johns, Robert Rauschenberg, Cy Twombly, Edited by Yilmaz Dziewior, Achim Hochdörfer, and Arthur Fink, Museum Brandhorst, München – Museum Ludwig, Köln,⁠ Schirmer/Mosel Verlag, München, 2025 — *Five Friends: John Cage, Merce Cunningham, Jasper Johns, Robert Rauschenberg, Cy Twombly* (cover)

Pat Steir

The Art Institute of Chicago, Chicago, IL: Between the Lines, (color lithograph on ivory wove paper), 1974.

The Art Institute of Chicago, Chicago, IL: Wish # 2-Breadfruit, (color lithograph on ivory wove paper), 1974.

Pat Steir, Wish # 2-Breadfruit, (color lithograph on ivory wove paper), 1974 [The Art Institute of Chicago, Chicago, IL. © Pat Steir] — [© Pat Steir]

The Art Institute of Chicago, Chicago, IL: Wish #3-Transformation, (color lithograph on ivory wove paper), 1974.

Pat Steir, Wish #3-Transformation, (color lithograph on ivory wove paper), 1974 [The Art Institute of Chicago, Chicago, IL. © Pat Steir] — [© Pat Steir]

The Art Institute of Chicago, Chicago, IL: Roll me a Rainbow, (color lithograph on white wove paper), 1974.

Pat Steir, Roll me a Rainbow, (color lithograph on white wove paper), 1974 [The Art Institute of Chicago, Chicago, IL. © Pat Steir] — [© Pat Steir]

The Art Institute of Chicago, Chicago, IL: Wish # 1, (color lithograph on ivory wove paper), 1974.

Pat Steir, Wish # 1, (color lithograph on ivory wove paper), 1974 [The Art Institute of Chicago, Chicago, IL. © Pat Steir] — [© Pat Steir]

MoMA, New York, NY: Introduction from Burial Mound Series, (one engraving and etching from a portfolio of six engraving and drypoints and one engraving and etching), 1976, Edition of 35.

Pat Steir, Introduction from Burial Mound Series, (one engraving and etching from a portfolio of six engraving and drypoints and one engraving and etching), 1976, Edition of 35 [MoMA, New York, NY. © Pat Steir] — [© Pat Steir]

MoMA, New York, NY: Little Line from Burial Mound Series, (one engraving and etching from a portfolio of six engraving and drypoints and one engraving and etching), 1976, Edition of 35.

Pat Steir, Little Line from Burial Mound Series, (one engraving and drypoint from a portfolio of six engraving and drypoints and one engraving and etching), 1976, Edition of 35 [MoMA, New York, NY. © Pat Steir] — [© Pat Steir]

MoMA, New York, NY: Being from Burial Mound Series, (one engraving and etching from a portfolio of six engraving and drypoints and one engraving and etching), 1976, Edition of 35.

Pat Steir, Being from Burial Mound Series, (one engraving and drypoint from a portfolio of six engraving and drypoints and one engraving and etching), 1976, Edition of 35 [MoMA, New York, NY. © Pat Steir] — [© Pat Steir]

MoMA, New York, NY: Black and White Series of Four, (pencil, crayon, and charcoal on paper), [1975].

Pat Steir, Black and White Series of Four, (pencil, crayon, and charcoal on paper), [1975] [MoMA, New York, NY. © Pat Steir] — [© Pat Steir]

Installation view of 'Pat Steir', State University of New York, Oneonta, NY, 1975 with collaged digital elements (2025); Exhibition: Pat Steir: 'Mirage 1975', Hauser & Wirth, New York, NY, July 9 – August 15, 2025.

Pat Steir: ‘Mirage 1975’, Hauser & Wirth, New York, NY, July 9 – August 15, 2025 [Art: © Pat Steir] — [© Pat Steir]

When I Think of Venice, (Color spit bite and sugar lift aquatints with aquatint, drypoint and hard ground, and soft ground etching), Crown Point Press, Oakland, CA, 1980, Printed by Hidekatsu Takada, Edition of 35, plus ten artist's proofs.

Pat Steir, When I Think of Venice, (color spit bite and sugar lift aquatints with aquatint, drypoint and hard ground and soft ground etching), Crown Point Press, Oakland, CA, 1980, Printed by Hidekatsu Takada, Edition of 35, plus ten artist’s proofs [© Pat Steir] — [© Pat Steir]

Crown Point Press Archive, Fine Arts Museums of San Francisco, San Francisco, CA: Working proof 2A for When I Think of Venice, (color aquatint, spit bite aquatint, sugar lift aquatint, and etching), Crown Point Press, Oakland, CA, 1980.

Pat Steir, Working proof 2A for When I Think of Venice, (color aquatint, spit bite aquatint, sugar lift aquatint, and etching), Crown Point Press, Oakland, CA, 1980 [Fine Arts Museums of San Francisco, San Francisco, CA. Crown Point Press Archive, gift of Crown Point Press. © Pat Steir] — [© Pat Steir]

Cecilia Vicuña

Materia prima, Fondo de Cultura Económica (FCE), Santiago, 2025.

Lehmann Maupin, New York: Cielo bajo (Precarios), (wood, paint), ca. 2017.

Cecilia Vicuña, Cielo bajo (Precarios), (wood, paint), ca. 2017 [Lehmann Maupin, New York. © Cecilia Vicuña] — [© Cecilia Vicuña]

Lehmann Maupin, New York: Huso de piedra (Precarios), (bamboo, thread, stone), ca. 2017.

Cecilia Vicuña, Huso de piedra (Precarios), (bamboo, thread, stone), ca. 2017 [Lehmann Maupin, New York. © Cecilia Vicuña] — [© Cecilia Vicuña]

Cecilia Vicuña: About to Happen, (installation view), Institute of Contemporary Art, University of Pennsylvania, Philadelphia, PA, February 1 – March 31, 2019; Exhibition co-organized by Andrea Andersson (The Helis Foundation Chief Curator of the Contemporary Arts Center, New Orleans, LA), Julia Bryan-Wilson (Professor at the University of California, Berkeley, CA), and Meg Onli (ICA, University of Pennsylvania, Philadelphia, PA); (2); (3); (4), (5).

From: Cecilia Vicuña: About to Happen, (installation view), Institute of Contemporary Art, University of Pennsylvania, Philadelphia, PA, February 1 – March 31, 2019 [© Cecilia Vicuña] — [© Cecilia Vicuña]

Institute of Contemporary Art, University of Pennsylvania, Philadelphia, PA: Precarios, (site-specific installation: 110-112 found-object sculptures: stone, shells, glass, wood, plastic, thread, debris; Presented in field of sand and along the wall on small shelves made of wood; dimensions variable), (installation view), Contemporary Arts Center, New Orleans, LA, March 16 – June 18, 2017.

Cecilia Vicuña, Precarios, (site-specific installation: 110-112 found-object sculptures: stone, shells, glass, wood, plastic, thread, debris; presented in field of sand and along the wall on small shelves made of wood; dimensions variable), from Cecilia Vicuña: About to Happen, (installation view), Contemporary Arts Center, New Orleans, LA, March 16 – June 18, 2017 [© Cecilia Vicuña. Photo: Alex Marks] — [© Cecilia Vicuña. Photo: Alex Marks]

Cecilia Vicuña: About to Happen, Essays by Andrea Andersson, Lucy Lippard and Macarena Gómez-Barris, Interview by Julia Bryan-Wilson, Designed by Natalie Kraft, Contemporary Arts Center, New Orleans, LA / Siglio Press, South Egremont, MA, 2017; Exhibition: Cecilia Vicuña: About to Happen, Contemporary Arts Center, New Orleans, LA, March 16 – June 18, 2017.

Cecilia Vicuña: About to Happen, Contemporary Arts Center, New Orleans, LA / Siglio Press, South Egremont, MA, 2017 [Art: © Cecilia Vicuña] — *Cecilia Vicuña: About to Happen* (cover) [Art: © Cecilia Vicuña]

From: Cecilia Vicuña: About to Happen, Contemporary Arts Center, New Orleans, LA / Siglio Press, South Egremont, MA, 2017 [Art: © Cecilia Vicuña] — Cecilia Vicuña: About to Happen (spread) [Art: © Cecilia Vicuña]

↗ Cecilia Vicuña

Saul Williams, Carlos Niño, Carlos Niño & Friends

Saul Williams meets Carlos Niño & Friends at TreePeople, (Limited “Forest Edition” Color Vinyl, Classic Black vinyl LP, CD, Digital album), IARC0102, International Anthem, 2025; Saul Williams: voice, words, shaker / Carlos Niño: bells, chimes, cymbals, surdo bass drum, floor tom drum, gong, Mexican ceramic aerophones, percussion, rattles, shakers, voice, whistles, … / Nate Mercereau: guitar synthesizer, live sampling with midi guitar, sample sources / Aaron Shaw: flute, soprano saxophone with pedals, tenor saxophone / Andres Renteria: bells, congas, Egyptian rattle drum, hand drums, percussion / Maia The Artiste: flute, vibraphone, voice / Francesca Heart: computer, conch shell, sound design / Kamasi Washington: tenor saxophone / *aja monet: voice, poetry (on 4.); Produced by Carlos Niño; Concert Presented by Noah Klein and Living Earth LA; Concert Sound by Adrian Garcia-Romano; Recorded by Ken Barrientos at TreePeople, Los Angeles, CA, Wednesday, December 18, 2024; Front & Back Cover Photos: Todd Weaver; Insert Photos: Sam Lee, Adam Corey Thomas, and Hop Nguyen; Liner Notes: Mama Claudia Udy, Haize Hawke, Noah Klein, Sham-e-Ali Nayeem, Def Sound, and Dee Barnes; Design: Aaron Lowell Denton.

«An unadulterated opening statement intoned by Saul Williams three times, as he joins Carlos Niño & Friends in sound ceremony underneath oak and black walnut trees in Coldwater Canyon Park, Los Angeles, on December 18, 2024.»

Saul Williams – Carlos Niño & Friends, Saul Williams meets Carlos Niño & Friends at TreePeople, (Limited “Forest Edition” Color Vinyl, Classic Black vinyl LP, CD, Digital album), IARC0102, International Anthem, 2025

Guru / The G.U.R.U. (Keith Edward Elam), b. July 17, 1961 / 2025

Guru's Jazzmatazz: Streetsoul (2000). Cover Photograph: © Thierry Le Goues — *Guru's Jazzmatazz: Streetsoul* (2000); Cover Photograph: © Thierry Le Goues

sofi

hypergloss, (Digital album), PANG34, Superpang, 2025; Music by sofi (Sofia Zaiceva); Cello by Lumi Mannermaa; Artwork by Linus Åberg; Photography by Aino Ahola.

AZE, (Cassette, Digital album), RFRMMC016, Riforma, 2024; Music by sofi (Sofia Zaiceva); Mastered by Giuseppe Ielasi; Artwork by Linus Åberg.

↗ sofi

SUMAC, Moor Mother

SUMAC and Moor Mother, The Film, (Opaque Yellow 2xLP, CD, Digital album), THRILL 629, Thrill Jockey, 2025; All lyrics and titles by Moor Mother; Moor Mother: vocals, synths, effects / Nick Yacyshyn: drums, percussion, synths / Aaron Turner: guitar, vocals, electronics / Brian Cook: bass; Kyle Kidd: additonal vocals on ‘Scene 3’ / Sovei: additional vocals on 'Scene 4’ / Candice Hoyes: additional vocals on 'Hard Truth’; Recorded at Studio Litho, Seattle, WA, December 2023; Mixed at Antisleep Audio, Oakland, CA, October 2024; Additional recording by Moor Mother, N. Yacyshyn and A. Turner; Mastered by Matthew Barnhart, Chicago Mastering, Chicago, IL, October 2024; Cover concept based on photograph: Moor Mother; Cover painting, additional artwork and design: A. Turner.

SUMAC and Moor Mother, The Film, (Opaque Yellow 2xLP, CD, Digital album), THRILL 629, Thrill Jockey, 2025 [© Moor Mother, SUMAC] — [© Moor Mother, SUMAC]

Fatima Bhutto, Sonia Faleiro

Gaza: The Story of a Genocide, Edited by Fatima Bhutto and Sonia Faleiro, Verso, London, and New York, NY, 2025; Contributors: Joe Sacco, Mona Chalabi, Hiba Abu Nada, Mosab Abu Toha, susan abulhawa, Laila Al-Arian, Tareq Baconi, Eman Basher, Omar Barghouti, Yara Eid, Huda J. Fakhreddine, Dr. Tanya Haj-Hassan, Yara Hawari, Maryam Iqbal, Nina Lakhani, Ahmed Masoud, Lina Mounzer, Malaka Shwaikh, Shareef Sarhan, Mary Turfah, and more; Cover Design: Chantal Jahchan.

All royalties from this book are being donated to UNRWA.

PROTOTYPE

PROTOTYPE 7, Edited by Jess Chandler, Prototype Publishing, London, 2025.

Nhã Thuyên

Don’t Hide the Madness, Translated by Kaitlin Rees, Ugly Duckling Presse, Brooklyn, NY, 2025.

↗ Nhã Thuyên

Basie Allen

Palm-Lined with Potience, (2022), Ugly Duckling Presse, Brooklyn, NY, 2025, 2nd Edition.

↗ Basie Allen

Ugly Duckling Presse

Your UDP Guide to Summer Reading, Ugly Duckling Presse, Brooklyn, NY, 2025.

Mirtha Dermisache, Sergio Chejfec

Mirtha Dermisache, ‘Book Nº 8’, 1970 – Sergio Chejfec, 'The Month of the Flies’, Translated by Rebekah Smith and Silvina López Medin, Ugly Duckling Presse, Brooklyn, NY, 2024.

Center for Book Arts

Center for Book Arts, New York, NY: The Future of the Workplace, (altered book), [artist and date unknown].

François Morellet, Gerhard von Graevenitz

Art Books & Ephemera: Moving Spirits: Morellet & von Graevenitz, Introduction by Serge Lemoine, Sperone Westwater, New York, NY / The Mayor Gallery, London, 2012.

Moving Spirits: Morellet & von Graevenitz, Introduction by Serge Lemoine, Sperone Westwater, New York, NY / The Mayor Gallery, London, 2012 [Art Books & Ephemera. Art: © François Morellet, Gerhard von Graevenitz]

Extra: Readings

Nuto Revelli, (1962), La guerra dei poveri, «ET Scrittori», Einaudi, Torino, 2014.

Nuto Revelli, (1977), Il mondo dei vinti. Testimonianze di vita contadina. La pianura. La collina. La montagna. Le Langhe., «ET Scrittori», Einaudi, Torino, 2016.

Nuto Revelli, Il popolo che manca, Edited by Antonella Tarpino, «Frontiere Einaudi», Einaudi, Torino, 2013.

Extra: Listenings

Siavash Amini, Caligo, (CD, Digital album), RM4249, Room40, 2025.

Giovanni Di Domenico, Musica Per Insiemi, (Vinyl/LP, Digital album), BS067, Black Sweat Records, 2021.

Ariel Kalma, French Archives Vol. III, (4xLP Box Set, Digital album), BS078, Black Sweat Records, 2023.

Support ⌘

Index

Remembering

Carlo Giuliani, Roma, March 14, 1978 – Genova, July 20, 2001

Note: Regarding the journal, “how” has priority over “what” in both synchronic and diachronic processes, and following the chains of posts is the best way to “read” and "de-scribe" it. In the bulletin, for summary reasons, the posts are aggregated by name and source.

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