garadinervi : repertori – bulletin : weekly recap
June 28 – July 4, 2025
Stitch Their Names Together. Commemorating Gaza, 2024-ongoing.
Rehab Nazzal (رحاب نزال)
Driving in Palestine التحرّك في فلسطين, Fernwood Publishing, Halifax and Winnipeg, 2023.
«We've had this front table display up for 20 months, and we mean it now more than ever.» ― Pilsen Community Books, Chicago, IL, Mat 23, 2025
Dub. Finding Ceremony, Duke University Press, Durham, NC, and London, 2020; Cover art: Canleen Smith, Space Station Monk-Ranger, 2014. Photograph by Cecil McDonald Jr.; Design: Aimee C. Harrison; Typeset: Neuzeit S, Sabon, and Arnold Boecklin by Copperline Book Services.
Stonewall uprising! June 28 (– July 3), 1969 / 2025
John Gerken, Sylvia Ray Rivera. Celebrate People's History Poster, Stonewall, 1969, (2 color offset printed poster), «Celebrate People's History Poster » 7, 2001, Justseeds, Third printing, printed at the worker-owned and union-run Community Printers, Santa Cruz, CA. Plus: June 28, 1969: Stonewall Riots, Zinn Education Project.
Printed Matter, New York, NY: Stonewall was a Riot Against Police Brutality: On Whitewashing and Queer Resistance, (2018, 2020), (offset printed), GenderFail Press, Ridgewood, NY, 2022.
![Be Oakley, (2018, 2020), Stonewall was a Riot Against Police Brutality: On Whitewashing and Queer Resistance, (offset printed), GenderFail Press, Ridgewood, NY, 2022 [Printed Matter, New York, NY]](https://substackcdn.com/image/fetch/$s_!zHXw!,f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2Ffffcce30-c4a7-4ab0-b7c3-d5a80b0215fc_1236x2000.jpeg "Be Oakley, (2018, 2020), Stonewall was a Riot Against Police Brutality: On Whitewashing and Queer Resistance, (offset printed), GenderFail Press, Ridgewood, NY, 2022 [Printed Matter, New York, NY]")
Against Pride Month During a Fucking Genocide – Manifesto, (risograph printed medium blue, flat gold, raspberry, and black), Copy edited by Yvonne LeBien, GenderFail Press, Ridgewood, NY, 2025.
Recordmecca: New Order – 1987 [Substance Promotional Poster], Factory Records, 1987.
![Lawrence Weiner, New Order – 1987, Substance promotional poster, Factory Records, 1987 [Recordmecca. Art/Design: © Lawrence Weiner / ARS, New York]](https://substackcdn.com/image/fetch/$s_!ij3Y!,f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2F376c482b-0804-4d2d-ad99-930f9c1a8b68_1266x1600.png "Lawrence Weiner, New Order – 1987, Substance promotional poster, Factory Records, 1987 [Recordmecca. Art/Design: © Lawrence Weiner / ARS, New York]")
Christie's, London: Shards, (ink, gouache, graphite, and printed paper collage on lined paper), 1986.
![Lawrence Weiner, Shards, (ink, gouache, graphite, and printed paper collage on lined paper), 1986 [Christie’s, London. Private Collection. © Lawrence Weiner / ARS, New York]](https://substackcdn.com/image/fetch/$s_!73Tw!,f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2F0181650c-1d63-4032-9705-db72c7b37812_1400x1800.jpeg "Lawrence Weiner, Shards, (ink, gouache, graphite, and printed paper collage on lined paper), 1986 [Christie’s, London. Private Collection. © Lawrence Weiner / ARS, New York]")
Christie's, London: Study for 'Skydome Banner Project', (graphite, gouache, ink, fabric and tape on paper), 1989.
![Lawrence Weiner, Study for ‘Skydome Banner Project’, (graphite, gouache, ink, fabric and tape on paper), 1989 [Christie’s, London. © Lawrence Weiner / ARS, New York]](https://substackcdn.com/image/fetch/$s_!NYqZ!,f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2F3cca5d19-4458-4a93-b8e1-992c6e0115de_2000x1616.jpeg "Lawrence Weiner, Study for ‘Skydome Banner Project’, (graphite, gouache, ink, fabric and tape on paper), 1989 [Christie’s, London. © Lawrence Weiner / ARS, New York]")
Christie's, London: Flags folded out of sight of the barricade 1789 (1989), (ink, pencil, watercolour and collage on paper), 1989.
![Lawrence Weiner, Flags folded out of sight of the barricade 1789 (1989), (ink, pencil, watercolour and collage on paper), 1989 [Christie’s, London. Brigitte March Galerie, Stuttgart. © Lawrence Weiner / ARS, New York]](https://substackcdn.com/image/fetch/$s_!oM-e!,f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2Ffe5cbd1c-1303-4587-8f5c-2c0363e12287_1600x1319.jpeg "Lawrence Weiner, Flags folded out of sight of the barricade 1789 (1989), (ink, pencil, watercolour and collage on paper), 1989 [Christie’s, London. Brigitte March Galerie, Stuttgart. © Lawrence Weiner / ARS, New York]")
Art Books & Ephemera: Lawrence Weiner: Gyroscopically Speaking, (adv. in «Artforum»), Marian Goodman Gallery, New York, NY, December 10, 2010 – January 21, 2011.
![Lawrence Weiner: Gyroscopically Speaking, (adv. in «Artforum»), Marian Goodman Gallery, New York, NY, December 10, 2010 – January 21, 2011 [Art Books & Ephemera. Art: © Lawrence Weiner / ARS, New York]](https://substackcdn.com/image/fetch/$s_!68k0!,f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2F7f9ad078-3ee1-4956-be85-381e02e03ecc_1001x1010.png "Lawrence Weiner: Gyroscopically Speaking, (adv. in «Artforum»), Marian Goodman Gallery, New York, NY, December 10, 2010 – January 21, 2011 [Art Books & Ephemera. Art: © Lawrence Weiner / ARS, New York]")
Art Books & Ephemera: Lawrence Weiner, (adv. in «Artforum»), Marian Goodman Gallery, New York, NY, January 8 – February 13, 1993.
![Lawrence Weiner, (adv. in «Artforum»), Marian Goodman Gallery, New York, NY, January 8 – February 13, 1993 [Art Books & Ephemera. Art: © Lawrence Weiner / ARS, New York]](https://substackcdn.com/image/fetch/$s_!1SwN!,f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2F23038d3d-c96f-4aca-a150-db0e89e9346d_1080x1080.png "Lawrence Weiner, (adv. in «Artforum»), Marian Goodman Gallery, New York, NY, January 8 – February 13, 1993 [Art Books & Ephemera. Art: © Lawrence Weiner / ARS, New York]")
Pallant House Gallery Bookshop, Gallery Bookshop, Chichester: Lawrence Weiner: Twenty Works, Anthony d'Offay, London, October 22 – November 19, 1980.
![Lawrence Weiner: Twenty Works, Anthony d'Offay, London, October 22 – November 19, 1980 [Pallant House Gallery Bookshop, Gallery Bookshop, Chichester]](https://substackcdn.com/image/fetch/$s_!mPBk!,f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2F17ceec3a-5fec-4f7e-9b90-0218eb4d3a4e_1500x2000.jpeg "Lawrence Weiner: Twenty Works, Anthony d'Offay, London, October 22 – November 19, 1980 [Pallant House Gallery Bookshop, Gallery Bookshop, Chichester]")
Photography Before the Age of Mechanical Reproduction, (salt print), 2011.
![Mel Bochner, Photography Before the Age of Mechanical Reproduction, (salt print), 2011 [© Mel Bochner]](https://substackcdn.com/image/fetch/$s_!5xN3!,f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2Fcb042ece-3747-47ab-ba4a-7eb99300a36e_1208x1000.jpeg "Mel Bochner, Photography Before the Age of Mechanical Reproduction, (salt print), 2011 [© Mel Bochner]")
Photography Before the Age of Mechanical Reproduction, (gelatin print, platinotype, albumen print, collodio-chloride print, cyanotype, and salt print), 2011.
![Mel Bochner, Photography Before the Age of Mechanical Reproduction, (gelatin print, platinotype, albumen print, collodio-chloride print, cyanotype, and salt print), 2011 [© Mel Bochner]](https://substackcdn.com/image/fetch/$s_!axzE!,f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2F6170a5c5-9591-4a18-96cb-6d7ccedd3fcd_1553x862.jpeg "Mel Bochner, Photography Before the Age of Mechanical Reproduction, (gelatin print, platinotype, albumen print, collodio-chloride print, cyanotype, and salt print), 2011 [© Mel Bochner]")
Prosa del Observatorio, in collaboration with Antonio Gálvez, Editorial Lumen, Barcelona, 1974.
Prosa del Observatorio, in collaboration with Antonio Gálvez, (1972), Graphic Design by Angel Jové, Editorial Lumen, Barcelona, 1972.
From the Observatory, in collaboration with Antonio Gálvez, (1972), Translated from Spanish by Anne McLean, Archipelago Books, Brooklyn, NY, 2011.
STILL UND DUNKEL – Abandoned, (2xVinyl/LP with 64-page 12" booklet, CD with 64-page 12" booklet, Digital album), HG1906, Hallow Ground, 2019; All music written and produced by Christoph Brünggel; Artwork and Design: Benny Jaberg and Pascal Arnold; Film Stills: Benny Jaberg.
Giuseppe Ielasi, Riccardo D. Wanke
GIUSEPPE IELASI & RICCARDO D. WANKE – with time, we learned to ask less, (Vinyl/LP, Digital album), HG2501, Hallow Ground, 2025; Giuseppe Ielasi: electric guitar / Riccardo D. Wanke: electric piano; Recorded on October 30th and 31st, 2023 in Monza; Photos: Giulia Bruno; Design: Laurin Huber.
Oganesson Remixes, (Limited Edition 12", Summer '25 Bundle – Limited Edition Color Vinyl, Digital album), IARCOG99, International Anthem, 2025; Limited Edition color vinyl LPs included are: IARCOG99 Tortoise - Oganesson Remixes (black vinyl only), IARC0101, IARC0102 (2xLP).
↗ Tortoise
SIMON LANZ & TOBIAS LANZ – Arches, (Limited Vinyl and 4-Page Booklet, Digital album), HG2306, Hallow Ground, 2024; Composed, performed, and recorded by Simon Lanz & Tobias Lanz; Artwork: Ramon Keimig.
↗ CRTTR
claire rousay, Gretchen Korsmo
quilted lament, (Limited Edition Cassette, Digital album), MAP057, mappa, 2025; Composed, recorded and mixed by claire rousay & Gretchen Korsmo; Artwork and Design: Maria Rivero Gonzalez; Words by Tristan Bath.
Abstrakcja koloru, (acrylic on canvas), no date.
![Jadwiga Maziarska, Abstrakcja koloru, (acrylic on canvas), n.d. [© Estate of Jadwiga Maziarska]](https://substackcdn.com/image/fetch/$s_!kFeG!,f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2F09c8e924-f84e-4839-8cb1-0f6709e38f15_847x1100.jpeg "Jadwiga Maziarska, Abstrakcja koloru, (acrylic on canvas), n.d. [© Estate of Jadwiga Maziarska]")
Kompozycja z elipsami, (gouache, watercolor on paper), no date.
![Jadwiga Maziarska, Kompozycja z elipsami, (gouache, watercolor on paper), n.d. [© Estate of Jadwiga Maziarska]](https://substackcdn.com/image/fetch/$s_!lAtQ!,f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2F8ce7ca56-0229-4b9a-a55e-a735cdd091fe_1264x1754.jpeg "Jadwiga Maziarska, Kompozycja z elipsami, (gouache, watercolor on paper), n.d. [© Estate of Jadwiga Maziarska]")
Composition, (collage on paper), 1980s-1990s.
![Jadwiga Maziarska, Composition, (collage on paper), 1980s-1990s [© Estate of Jadwiga Maziarska]](https://substackcdn.com/image/fetch/$s_!Y3v6!,f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2F0cf06f0e-5d21-4df2-a271-32f167da57e8_1500x1397.jpeg "Jadwiga Maziarska, Composition, (collage on paper), 1980s-1990s [© Estate of Jadwiga Maziarska]")
Muzeum Susch, Susch: Untitled [Spatial Model], (threads, wire, wood), 1948, 1st Exhibition of Modern Art, 1948 (presented in the room of models), archival photograph from 1948, now collection of the National Museum in Krakow.
![Jadwiga Maziarska, Untitled [Spatial Model], (threads, wire, wood), 1948, 1st Exhibition of Modern Art, 1948 (presented in the room of models), archival photograph from 1948, now collection of National Museum in Krakow [Muzeum Susch, Susch. © Estate of Jadwiga Maziarska]](https://substackcdn.com/image/fetch/$s_!MmoN!,f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2F3a437e3c-1382-45a1-bc17-89f8c7a55ebd_1069x1425.jpeg "Jadwiga Maziarska, Untitled [Spatial Model], (threads, wire, wood), 1948, 1st Exhibition of Modern Art, 1948 (presented in the room of models), archival photograph from 1948, now collection of National Museum in Krakow [Muzeum Susch, Susch. © Estate of Jadwiga Maziarska]")
Exhibition view: Jadwiga Maziarska: Assembly, Curated by Rhea Anastas and Barbara Piwowarska, Muzeum Susch, Susch, June 15 – November 2, 2025.
![Exhibition view: Jadwiga Maziarska: Assembly, Curated by Rhea Anastas and Barbara Piwowarska, Muzeum Susch, Susch, June 15 – November 2, 2025 [© Estate of Jadwiga Maziarska / Muzeum Susch / Art Stations Foundation; photograph: Federico Sette]](https://substackcdn.com/image/fetch/$s_!1yMN!,f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2Fea145e67-56de-4ef2-98a0-59d17dcc0855_1440x960.jpeg "Exhibition view: Jadwiga Maziarska: Assembly, Curated by Rhea Anastas and Barbara Piwowarska, Muzeum Susch, Susch, June 15 – November 2, 2025 [© Estate of Jadwiga Maziarska / Muzeum Susch / Art Stations Foundation; photograph: Federico Sette]")
Covet The Cover: Musique Non Stop, (12” Single), 12 EMI 5588, EMI, 1986.
![Kraftwerk, Musique Non Stop, (12" Single), 12 EMI 5588, EMI, 1986 [Covet The Cover]](https://substackcdn.com/image/fetch/$s_!Qww0!,f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2Fcb6a670a-4881-4197-bccf-2cb90b2c4e1e_912x900.jpeg "Kraftwerk, Musique Non Stop, (12\" Single), 12 EMI 5588, EMI, 1986 [Covet The Cover]")
«The cover of this 12” features wireframe faces of the band members using state-of-the-art computer graphics created by Rebecca Allen using facial animation software developed by the New York Institute of Technology. It looks crude now, but back in 1986 it was mind-blowing. Some images of Allen working on the heads included here. The album cover features fully fleshed computer renders of Hütter, Bartos, Flür and Schneider.» ― Covet The Cover
![Kraftwerk, Musique Non Stop, (12" Single), 12 EMI 5588, EMI, 1986 [Covet The Cover]](https://substackcdn.com/image/fetch/$s_!TkAV!,f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2Fbf0839e3-42d1-4087-99ca-cc19cb2ea54c_1080x1080.jpeg "Kraftwerk, Musique Non Stop, (12\" Single), 12 EMI 5588, EMI, 1986 [Covet The Cover]")
![Kraftwerk, Musique Non Stop, (12" Single), 12 EMI 5588, EMI, 1986 [Covet The Cover]](https://substackcdn.com/image/fetch/$s_!HlGy!,f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2F938fb5ce-007d-4637-8a8a-78b4b6964674_1080x1080.jpeg "Kraftwerk, Musique Non Stop, (12\" Single), 12 EMI 5588, EMI, 1986 [Covet The Cover]")
«Casa e Mercado»: Untitled [Studi per il sole], (acrylic and acrylic paint), 2004.
![Edival Ramosa, Untitled [Studi per il sole], (acrylic and acrylic paint), 2004 [«Casa e Mercado». Museu Afro Brasil, São Paulo. © Estate of Edival Ramosa. Photo: © Estúdio em Obra]](https://substackcdn.com/image/fetch/$s_!pAhR!,f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2F132c30dc-9c00-4ba9-85fd-89434e1784bc_1280x853.png "Edival Ramosa, Untitled [Studi per il sole], (acrylic and acrylic paint), 2004 [«Casa e Mercado». Museu Afro Brasil, São Paulo. © Estate of Edival Ramosa. Photo: © Estúdio em Obra]")
Bolsa de arte, Rio de Janeiro and São Paulo: Untitled, (acrylic and acrylic paint), no date.
![Edival Ramosa, Untitled, (acrylic and acrylic paint), n.d. [Bolsa de arte, Rio de Janeiro and São Paulo. Museu Afro Brasil, São Paulo. © Estate of Edival Ramosa]](https://substackcdn.com/image/fetch/$s_!_ddn!,f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2F947fa0e6-f30f-4bda-8f13-29402f711420_900x884.jpeg "Edival Ramosa, Untitled, (acrylic and acrylic paint), n.d. [Bolsa de arte, Rio de Janeiro and São Paulo. Museu Afro Brasil, São Paulo. © Estate of Edival Ramosa]")
Untitled, (acrylic and acrylic paint), no date.
![Edival Ramosa, Untitled, (acrylic and acrylic paint), n.d. [© Estate of Edival Ramosa]](https://substackcdn.com/image/fetch/$s_!7rw9!,w_720,c_limit,f_webp,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2Ff5f725f0-95c9-49cd-845b-b36e89037fd5_1157x1166.jpeg)
![Edival Ramosa, Untitled, (acrylic and acrylic paint), n.d. [© Estate of Edival Ramosa]](https://substackcdn.com/image/fetch/$s_!ecD-!,w_720,c_limit,f_webp,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2F688d0fcc-2a57-48ad-99d5-1ceab2accbee_1004x1107.jpeg)
![Edival Ramosa, Untitled, (acrylic and acrylic paint), n.d. [© Estate of Edival Ramosa]](https://substackcdn.com/image/fetch/$s_!or-w!,w_720,c_limit,f_webp,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2F24e98fb9-42e0-4e1b-a55d-e8408ed89d4e_1200x1139.jpeg)
![Edival Ramosa, Untitled, (acrylic and acrylic paint), n.d. [© Estate of Edival Ramosa]](https://substackcdn.com/image/fetch/$s_!Kf3l!,w_720,c_limit,f_webp,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2F3d8aa802-915e-4a04-94f8-50716635b30e_1200x1138.jpeg)
Untitled, (plexiglass), n.d. [1970s].
![Edival Ramosa, Untitled, (plexiglass), n.d. [1970s] [© Estate of Edival Ramosa]](https://substackcdn.com/image/fetch/$s_!S4lW!,w_720,c_limit,f_webp,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2Fe3fda942-f6af-407f-af2a-37ee2002a401_1067x1600.jpeg)
![Edival Ramosa, Untitled, (plexiglass), n.d. [1970s] [© Estate of Edival Ramosa]](https://substackcdn.com/image/fetch/$s_!nvn2!,w_720,c_limit,f_webp,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2Fe91f498a-cd09-41dc-8a3e-29381c1356aa_1600x939.jpeg)
Untitled, (plexiglass), 1970.
![Edival Ramosa, Untitled, (plexiglass), 1970 [© Estate of Edival Ramosa. Photo: Coleção Moraes-Barbosa]](https://substackcdn.com/image/fetch/$s_!8a6q!,f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2F0a82be1f-e46c-4861-9db4-ab56cfadd878_734x1100.jpeg "Edival Ramosa, Untitled, (plexiglass), 1970 [© Estate of Edival Ramosa. Photo: Coleção Moraes-Barbosa]")
Matadero Contemporary Art, San Juan: Untitled, (screenprint), 1971; (2).
![Edival Ramosa, Untitled, (screenprint), 1971, Edition of 100 [Matadero Contemporary Art, San Juan. © Estate of Edival Ramosa]](https://substackcdn.com/image/fetch/$s_!LBe1!,f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2Fa0d99e1d-792b-4cc6-b8b7-e463f6b39cac_1329x1800.jpeg "Edival Ramosa, Untitled, (screenprint), 1971, Edition of 100 [Matadero Contemporary Art, San Juan. © Estate of Edival Ramosa]")
![Edival Ramosa, Untitled, (screenprint), 1971, Edition of 100 [Matadero Contemporary Art, San Juan. © Estate of Edival Ramosa]](https://substackcdn.com/image/fetch/$s_!kVh4!,f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2F2615d278-680d-44d1-aeb3-43e269f6850e_1310x1800.jpeg "Edival Ramosa, Untitled, (screenprint), 1971, Edition of 100 [Matadero Contemporary Art, San Juan. © Estate of Edival Ramosa]")
Untitled, (screenprint), 1971, Edition of 70.
![Edival Ramosa, Untitled, (screenprint), n.d. [1970s], Edition of 70 [© Estate of Edival Ramosa]](https://substackcdn.com/image/fetch/$s_!jdC9!,f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2Ff3c399f8-5851-4a2e-813b-7103dababfc4_767x1100.png "Edival Ramosa, Untitled, (screenprint), n.d. [1970s], Edition of 70 [© Estate of Edival Ramosa]")
Il bello dell'arte moltiplicata: Untitled, (7-color screen printing on aluminum foil paper), Plura Edizioni, Milano, 1972, Edition of 500 numbered and signed copies.
![Edival Ramosa, Untitled, (7 -color screen printing on aluminum foil paper), Plura Edizioni, Milano, 1972, Edition of 500 numbered and signed copies [Il bello dell'arte moltiplicata. © Estate of Edival Ramosa]](https://substackcdn.com/image/fetch/$s_!yUED!,f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2F37f53c8f-39fd-4aa2-8958-509b05eeccea_874x1100.png "Edival Ramosa, Untitled, (7 -color screen printing on aluminum foil paper), Plura Edizioni, Milano, 1972, Edition of 500 numbered and signed copies [Il bello dell'arte moltiplicata. © Estate of Edival Ramosa]")
Untitled, (screenprint), n.d. [1970s], Edition of 70.
![Edival Ramosa, Untitled, (screenprint), n.d. [1970s], Edition of 70 [© Estate of Edival Ramosa]](https://substackcdn.com/image/fetch/$s_!8lv0!,f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2Fd0e32313-1868-4118-9603-4d10b72b05a6_794x1100.png "Edival Ramosa, Untitled, (screenprint), n.d. [1970s], Edition of 70 [© Estate of Edival Ramosa]")
Galerie Denise René, Paris: Spiral, (pencil and acrylic on Ingres paper), 2004.
![Haruhiko Sunagawa, Spiral, (pencil and acrylic on Ingres paper), 2004 [Galerie Denise René, Paris. © Estate of Haruhiko Sunagawa]](https://substackcdn.com/image/fetch/$s_!hczO!,f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2Fae02cc71-ad6d-4e4d-be1e-c38dbfb63546_1232x1400.jpeg "Haruhiko Sunagawa, Spiral, (pencil and acrylic on Ingres paper), 2004 [Galerie Denise René, Paris. © Estate of Haruhiko Sunagawa]")
Galerie Denise René, Paris: Cercle, (pencil, pastel and acrylic on Ingres paper), 1990.
![Haruhiko Sunagawa, Cercle, (pencil, pastel and acrylic on Ingres paper), 1990 [Galerie Denise René, Paris. © Estate of Haruhiko Sunagawa]](https://substackcdn.com/image/fetch/$s_!7P-H!,f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2F9538a1e9-2abf-4f85-a2ea-4eddd8f00e38_1069x1400.jpeg "Haruhiko Sunagawa, Cercle, (pencil, pastel and acrylic on Ingres paper), 1990 [Galerie Denise René, Paris. © Estate of Haruhiko Sunagawa]")
Galerie Denise René, Paris: Spiral (Diffusion), (glass, lava stone, plexiglass), 2015.
![Haruhiko Sunagawa, Spiral (Diffusion), (glass, lava stone, plexiglass), 2015 [Galerie Denise René, Paris. © Estate of Haruhiko Sunagawa]](https://substackcdn.com/image/fetch/$s_!eeTv!,f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2F9d3d2605-bd5c-41e7-b45f-030fee890426_1080x1049.jpeg "Haruhiko Sunagawa, Spiral (Diffusion), (glass, lava stone, plexiglass), 2015 [Galerie Denise René, Paris. © Estate of Haruhiko Sunagawa]")
![Haruhiko Sunagawa, Spiral (Diffusion), (glass, lava stone, plexiglass), 2015 [Galerie Denise René, Paris. © Estate of Haruhiko Sunagawa]](https://substackcdn.com/image/fetch/$s_!hLbq!,f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2Fd9e7dfb1-d7b9-4801-972e-f2a00ee171e9_1294x1291.jpeg "Haruhiko Sunagawa, Spiral (Diffusion), (glass, lava stone, plexiglass), 2015 [Galerie Denise René, Paris. © Estate of Haruhiko Sunagawa]")
Galerie Denise René, Paris: Trajectory (spiral), (mixed media, stone (painted concrete), glass, nylon thread and acrylic on plywood), 2008.
![Haruhiko Sunagawa, Trajectory (spiral), (mixed media, stone (painted concrete), glass, nylon thread and acrylic on plywood), 2008 [Galerie Denise René, Paris. © Estate of Haruhiko Sunagawa]](https://substackcdn.com/image/fetch/$s_!P8lv!,f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2Fa534a03f-342a-4431-87cc-cdf4759ee9f9_1391x1400.jpeg "Haruhiko Sunagawa, Trajectory (spiral), (mixed media, stone (painted concrete), glass, nylon thread and acrylic on plywood), 2008 [Galerie Denise René, Paris. © Estate of Haruhiko Sunagawa]")
![Haruhiko Sunagawa, Trajectory (spiral), (mixed media, stone (painted concrete), glass, nylon thread and acrylic on plywood), 2008 [Galerie Denise René, Paris. © Estate of Haruhiko Sunagawa]](https://substackcdn.com/image/fetch/$s_!wXXg!,f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2Fbfb9c500-2636-4ea3-98c0-74b6aa8dc425_1402x1400.jpeg "Haruhiko Sunagawa, Trajectory (spiral), (mixed media, stone (painted concrete), glass, nylon thread and acrylic on plywood), 2008 [Galerie Denise René, Paris. © Estate of Haruhiko Sunagawa]")
Galerie Denise René, Paris: Spirale I, (wood, stone, glass), 2006.
NASA/JPL: Uranian satellite Miranda, taken by Voyager 2, n.d. [ca. 1986].
![Uranian satellite Miranda, taken by Voyager 2, n.d. [ca. 1986] [NASA/JPL]](https://substackcdn.com/image/fetch/$s_!KsgX!,f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2F4cc7cd7f-27a2-4fc0-9e55-bed469fe7b79_750x750.jpeg "Uranian satellite Miranda, taken by Voyager 2, n.d. [ca. 1986] [NASA/JPL]")
NASA/JPL: Image of the planet Uranus, taken by the spacecraft Voyager 2, 1986.
![Image of the planet Uranus, taken by the spacecraft Voyager 2, 1986 [NASA/JPL]](https://substackcdn.com/image/fetch/$s_!52s3!,f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2Fcc201f61-c8d4-4a8d-96d7-7910d2708a86_1600x1600.jpeg "Image of the planet Uranus, taken by the spacecraft Voyager 2, 1986 [NASA/JPL]")
NASA/JPL: «These two pictures of Uranus were compiled from images recorded by Voyager 2 on Jan. 10, 1986, when the NASA spacecraft was 18 million kilometers (11 million miles) from the planet.»
![«These two pictures of Uranus were compiled from images recorded by Voyager 2 on Jan. 10, 1986, when the NASA spacecraft was 18 million kilometers (11 million miles) from the planet.» [NASA/JPL]](https://substackcdn.com/image/fetch/$s_!BUJq!,f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2F272021ae-c3c1-4873-89ad-cb25edef1309_1567x929.jpeg "«These two pictures of Uranus were compiled from images recorded by Voyager 2 on Jan. 10, 1986, when the NASA spacecraft was 18 million kilometers (11 million miles) from the planet.» [NASA/JPL]")
Infiernos artificiales. Arte participativo y políticas de la espectaduría, Translation by Fabiola Iza, «t—e—e o r í a», El Taller de Ediciones Económicas, Guadalajara, 2016.
La tierra como pedagogía: inteligencia nishnaabeg y transformación rebelde, (2014), Translation by Sol Aréchiga Mantilla, «t-e-e» 30, El Taller de Ediciones Económicas, Guadalajara, 2022 (pdf) [Licencia de Producción entre Pares]. Originally published as Land as pedagogy: Nishnaabeg intelligence and rebellious transformation, in «Decolonization» – Indigeneity, Education & Society, Vol. 3, No. 3, 2014, pp. 1-25 (pdf).
![Leanne Betasamosake Simpson, (2014), La tierra como pedagogía: inteligencia nishnaabeg y transformación rebelde, Translation by Sol Aréchiga Mantilla, «t-e-e» 30, El Taller de Ediciones Económicas, Guadalajara, 2022 (pdf here) [Licencia de Producción entre Pares]](https://substackcdn.com/image/fetch/$s_!Xv-G!,f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2Fb50ddbde-d988-44ff-b3f7-27c66219f2b0_776x1200.png "Leanne Betasamosake Simpson, (2014), La tierra como pedagogía: inteligencia nishnaabeg y transformación rebelde, Translation by Sol Aréchiga Mantilla, «t-e-e» 30, El Taller de Ediciones Económicas, Guadalajara, 2022 (pdf here) [Licencia de Producción entre Pares]")
En las ruinas del bosque, (2018), «t-e-e» 29, El Taller de Ediciones Económicas, Guadalajara, 2022 (pdf) [Licencia de Producción entre Pares]. Originally published as In the Forest Ruins, in Superhumanity. Design of the Self, Edited by Nick Axel, Beatriz Colomina, Nikolaus Hirsch, Anton Vidokle, and Mark Wigley, University of Minnesota Press, Minneapolis, MN, 2018.
![Paulo Tavares, (2018), En las ruinas del bosque, «t-e-e» 29, El Taller de Ediciones Económicas, Guadalajara, 2022 (pdf here) [Licencia de Producción entre Pares]](https://substackcdn.com/image/fetch/$s_!0lrV!,f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2F0c932886-4f70-45d7-b9b9-cb51213017df_776x1200.png "Paulo Tavares, (2018), En las ruinas del bosque, «t-e-e» 29, El Taller de Ediciones Económicas, Guadalajara, 2022 (pdf here) [Licencia de Producción entre Pares]")
Hacia un enfoque alimentario de la muerte, Translation by Nicolás Pradilla, «t-e-e» 31, El Taller de Ediciones Económicas, Guadalajara, 2023.
Descolonizar las relaciones con la naturaleza, Translation by Nicolás Pradilla, «t-e-e» 32, El Taller de Ediciones Económicas, Guadalajara, 2024.
Bendōwa Books, Holyoke, MA: Miscellaneous Monotype Borders and Ornaments, At the Press & Letterfoundry of Michael and Winifred Bixler, Skaneateles, NY, 1995. Miscellaneous Monotype Borders and Ornaments including specimens of Bembo, Dante, Walbaum, Van Dijck, Joanna, Garamond, Centaur, Ehrhardt, Fournier, Bell, Baskerville, Poliphilus, Gill Sans, and Univers.
![Miscellaneous Monotype Borders and Ornaments, At the Press & Letterfoundry of Michael and Winifred Bixler, Skaneateles, NY, 1995 [Bendōwa Books, Holyoke, MA]](https://substackcdn.com/image/fetch/$s_!Fw82!,f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2Fe9e53a7b-33e4-490c-a24a-bd9afdc638eb_1118x1600.jpeg "Miscellaneous Monotype Borders and Ornaments, At the Press & Letterfoundry of Michael and Winifred Bixler, Skaneateles, NY, 1995 [Bendōwa Books, Holyoke, MA]")
![Miscellaneous Monotype Borders and Ornaments, At the Press & Letterfoundry of Michael and Winifred Bixler, Skaneateles, NY, 1995 [Bendōwa Books, Holyoke, MA]](https://substackcdn.com/image/fetch/$s_!D06v!,f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2F35d7644c-4854-48df-b553-8ea154b18c7c_1600x1600.jpeg "Miscellaneous Monotype Borders and Ornaments, At the Press & Letterfoundry of Michael and Winifred Bixler, Skaneateles, NY, 1995 [Bendōwa Books, Holyoke, MA]")
![Miscellaneous Monotype Borders and Ornaments, At the Press & Letterfoundry of Michael and Winifred Bixler, Skaneateles, NY, 1995 [Bendōwa Books, Holyoke, MA]](https://substackcdn.com/image/fetch/$s_!sIPc!,f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2Ff32121a3-bbdc-49cb-8803-f6ff29818bfe_1946x1557.jpeg "Miscellaneous Monotype Borders and Ornaments, At the Press & Letterfoundry of Michael and Winifred Bixler, Skaneateles, NY, 1995 [Bendōwa Books, Holyoke, MA]")
![Miscellaneous Monotype Borders and Ornaments, At the Press & Letterfoundry of Michael and Winifred Bixler, Skaneateles, NY, 1995 [Bendōwa Books, Holyoke, MA]](https://substackcdn.com/image/fetch/$s_!pKOe!,f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2F808922d3-0e75-47de-865a-42ac1409edc5_1946x1557.jpeg "Miscellaneous Monotype Borders and Ornaments, At the Press & Letterfoundry of Michael and Winifred Bixler, Skaneateles, NY, 1995 [Bendōwa Books, Holyoke, MA]")
![Miscellaneous Monotype Borders and Ornaments, At the Press & Letterfoundry of Michael and Winifred Bixler, Skaneateles, NY, 1995 [Bendōwa Books, Holyoke, MA]](https://substackcdn.com/image/fetch/$s_!5FdL!,f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2F80112548-c3ec-4561-8517-4b5cc2c68fb1_1946x1557.jpeg "Miscellaneous Monotype Borders and Ornaments, At the Press & Letterfoundry of Michael and Winifred Bixler, Skaneateles, NY, 1995 [Bendōwa Books, Holyoke, MA]")
![Miscellaneous Monotype Borders and Ornaments, At the Press & Letterfoundry of Michael and Winifred Bixler, Skaneateles, NY, 1995 [Bendōwa Books, Holyoke, MA]](https://substackcdn.com/image/fetch/$s_!90mn!,f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2Ffa69320c-5702-4ecc-b756-76dc3f642223_1946x1557.jpeg "Miscellaneous Monotype Borders and Ornaments, At the Press & Letterfoundry of Michael and Winifred Bixler, Skaneateles, NY, 1995 [Bendōwa Books, Holyoke, MA]")
![Miscellaneous Monotype Borders and Ornaments, At the Press & Letterfoundry of Michael and Winifred Bixler, Skaneateles, NY, 1995 [Bendōwa Books, Holyoke, MA]](https://substackcdn.com/image/fetch/$s_!LfUr!,f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2Fd4fdb053-e35b-4b88-abde-e053e47dba58_1946x1557.jpeg "Miscellaneous Monotype Borders and Ornaments, At the Press & Letterfoundry of Michael and Winifred Bixler, Skaneateles, NY, 1995 [Bendōwa Books, Holyoke, MA]")
Bendōwa Books, Holyoke, MA: Futura Type Specimen, Bauer Alphabets Inc., New York, NY, n.d. [presumed ca. 1950s].
School of Visual Arts Archives + Milton Glaser Design Study Center and Archives, New York, NY: Courtesy the Whitney Museum of American Art, SVA presents a collection of drawings and paintings, The School of Visual Arts, March 29 – April 18, 1963.
![George Tscherny, Courtesy the Whitney Museum of American Art, SVA presents a collection of drawings and paintings, The School of Visual Arts, New York, NY, March 29 – April 18, 1963 [School of Visual Arts Archives + Milton Glaser Design Study Center and Archives, New York, NY]](https://substackcdn.com/image/fetch/$s_!xKc9!,f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2F8ac2889e-ffc6-485b-99fc-e465c2349f93_847x1100.png "George Tscherny, Courtesy the Whitney Museum of American Art, SVA presents a collection of drawings and paintings, The School of Visual Arts, New York, NY, March 29 – April 18, 1963 [School of Visual Arts Archives + Milton Glaser Design Study Center and Archives, New York, NY]")
School of Visual Arts Archives + Milton Glaser Design Study Center and Archives, New York, NY: School of Visual Arts, School of Visual Arts, New York, NY, 1964.
![George Tscherny, School of Visual Arts, (catalogue), School of Visual Arts, New York, NY, 1964 [School of Visual Arts Archives + Milton Glaser Design Study Center and Archives, New York, NY]](https://substackcdn.com/image/fetch/$s_!L70f!,f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2F4806637d-616d-4414-9b10-515b9e3cec7e_1492x1500.jpeg "George Tscherny, School of Visual Arts, (catalogue), School of Visual Arts, New York, NY, 1964 [School of Visual Arts Archives + Milton Glaser Design Study Center and Archives, New York, NY]")
Display: Graphic Design Bookstore + Collection: George Tscherny: Minimum Means Maximum Meaning. Five Decades of Graphic Design, Compiled by Yu BingNan, Edited by Zhao Zhong, Southeast University Press, [China], 2004.
![George Tscherny: Minimum Means Maximum Meaning. Five Decades of Graphic Design, Compiled by Yu BingNan, Edited by Zhao Zhong, Southeast University Press, Nanjing, Jiangsu, 2004 [Display: Graphic Design Bookstore + Collection]](https://substackcdn.com/image/fetch/$s_!UETV!,f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2F2f62d42c-8f90-4c18-b754-40724ab2c76a_1022x1315.jpeg "George Tscherny: Minimum Means Maximum Meaning. Five Decades of Graphic Design, Compiled by Yu BingNan, Edited by Zhao Zhong, Southeast University Press, Nanjing, Jiangsu, 2004 [Display: Graphic Design Bookstore + Collection]")
Librería El Astillero, Cantabria: Robert Rauschenberg: Tracks, Pyramid Arts, Tampa, FL, 1976.
![Robert Rauschenberg: Tracks, Pyramid Arts, Tampa, FL, 1976 [Librería El Astillero, Cantabria. Art: © Robert Rauschenberg Foundation, New York, NY]](https://substackcdn.com/image/fetch/$s_!-ycX!,w_720,c_limit,f_webp,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2F0e1396b4-6e00-484c-b93b-da7141f91d5d_1080x1080.jpeg)
![Robert Rauschenberg: Tracks, Pyramid Arts, Tampa, FL, 1976 [Librería El Astillero, Cantabria. Art: © Robert Rauschenberg Foundation, New York, NY]](https://substackcdn.com/image/fetch/$s_!nfQ2!,w_720,c_limit,f_webp,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2F7cef7bfe-691f-48cf-822b-a769c134791d_1080x1080.jpeg)
![Robert Rauschenberg: Tracks, Pyramid Arts, Tampa, FL, 1976 [Librería El Astillero, Cantabria. Art: © Robert Rauschenberg Foundation, New York, NY]](https://substackcdn.com/image/fetch/$s_!cotq!,w_720,c_limit,f_webp,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2F76e7276f-5af0-4cfd-981e-dc733e63665f_1080x1080.jpeg)
![Robert Rauschenberg: Tracks, Pyramid Arts, Tampa, FL, 1976 [Librería El Astillero, Cantabria. Art: © Robert Rauschenberg Foundation, New York, NY]](https://substackcdn.com/image/fetch/$s_!E4ps!,w_720,c_limit,f_webp,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2Fa113d549-6b55-409a-85b0-e226ce55f558_1080x1080.jpeg)
↗ Robert Rauschenberg Foundation
Studio Bruno Tonini, Gussago (BS): Donald Judd. A catalogue of the Exhibition at the National Gallery of Canada, Ottawa 24 May – 6 July, 1975. Catalogue Raisonné of Paintings, Objects, and Wood-Blocks 1960-1974 / Catalogue de l'exposition à la Galeria nationale du Canada, Ottawa, 24 mai – 6 juillet 1975. Catalogue raisonné de peintures, objets et planches en bois 1960-1974, The National Gallery of Canada for the Corporation of the Nationals Museums of Canada, Ottawa, 1975; Preface: Jean Sutherland Boggs; Graphic Design: Eiko Emori.
![Donald Judd. A catalogue of the Exhibition at the National Gallery of Canada, Ottawa 24 May – 6 July, 1975. Catalogue Raisonné of Paintings, Objects, and Wood-Blocks 1960-1974 / Catalogue de l'exposition à la Galeria nationale du Canada, Ottawa, 24 mai – 6 juillet 1975. Catalogue raisonné de peintures, objets et planches en bois 1960-1974, The National Gallery of Canada for the Corporation of the Nationals Museums of Canada, Ottawa, 1975 [Studio Bruno Tonini, Gussago (BS). Art: © Judd Foundation / ARS, New York]](https://substackcdn.com/image/fetch/$s_!kWAF!,f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2F079895ab-34fe-4913-aa27-c1cc68508211_1074x1323.jpeg "Donald Judd. A catalogue of the Exhibition at the National Gallery of Canada, Ottawa 24 May – 6 July, 1975. Catalogue Raisonné of Paintings, Objects, and Wood-Blocks 1960-1974 / Catalogue de l'exposition à la Galeria nationale du Canada, Ottawa, 24 mai – 6 juillet 1975. Catalogue raisonné de peintures, objets et planches en bois 1960-1974, The National Gallery of Canada for the Corporation of the Nationals Museums of Canada, Ottawa, 1975 [Studio Bruno Tonini, Gussago (BS). Art: © Judd Foundation / ARS, New York]")
![Donald Judd. A catalogue of the Exhibition at the National Gallery of Canada, Ottawa 24 May – 6 July, 1975. Catalogue Raisonné of Paintings, Objects, and Wood-Blocks 1960-1974 / Catalogue de l'exposition à la Galeria nationale du Canada, Ottawa, 24 mai – 6 juillet 1975. Catalogue raisonné de peintures, objets et planches en bois 1960-1974, The National Gallery of Canada for the Corporation of the Nationals Museums of Canada, Ottawa, 1975 [Studio Bruno Tonini, Gussago (BS). Art: © Judd Foundation / ARS, New York]](https://substackcdn.com/image/fetch/$s_!vErd!,w_474,c_limit,f_webp,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2F597a483e-f53a-4a88-ad06-26bf22effb72_1800x1800.jpeg)
![Donald Judd. A catalogue of the Exhibition at the National Gallery of Canada, Ottawa 24 May – 6 July, 1975. Catalogue Raisonné of Paintings, Objects, and Wood-Blocks 1960-1974 / Catalogue de l'exposition à la Galeria nationale du Canada, Ottawa, 24 mai – 6 juillet 1975. Catalogue raisonné de peintures, objets et planches en bois 1960-1974, The National Gallery of Canada for the Corporation of the Nationals Museums of Canada, Ottawa, 1975 [Studio Bruno Tonini, Gussago (BS). Art: © Judd Foundation / ARS, New York]](https://substackcdn.com/image/fetch/$s_!DtJS!,w_474,c_limit,f_webp,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2Fbb065cec-9b77-4faf-8fd7-397c64b2b905_1800x1800.jpeg)
![Donald Judd. A catalogue of the Exhibition at the National Gallery of Canada, Ottawa 24 May – 6 July, 1975. Catalogue Raisonné of Paintings, Objects, and Wood-Blocks 1960-1974 / Catalogue de l'exposition à la Galeria nationale du Canada, Ottawa, 24 mai – 6 juillet 1975. Catalogue raisonné de peintures, objets et planches en bois 1960-1974, The National Gallery of Canada for the Corporation of the Nationals Museums of Canada, Ottawa, 1975 [Studio Bruno Tonini, Gussago (BS). Art: © Judd Foundation / ARS, New York]](https://substackcdn.com/image/fetch/$s_!pA9l!,w_474,c_limit,f_webp,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2Fcc95523d-c2b1-4ec2-ae12-9edd32ed79c0_1800x1800.jpeg)
![Donald Judd. A catalogue of the Exhibition at the National Gallery of Canada, Ottawa 24 May – 6 July, 1975. Catalogue Raisonné of Paintings, Objects, and Wood-Blocks 1960-1974 / Catalogue de l'exposition à la Galeria nationale du Canada, Ottawa, 24 mai – 6 juillet 1975. Catalogue raisonné de peintures, objets et planches en bois 1960-1974, The National Gallery of Canada for the Corporation of the Nationals Museums of Canada, Ottawa, 1975 [Studio Bruno Tonini, Gussago (BS). Art: © Judd Foundation / ARS, New York]](https://substackcdn.com/image/fetch/$s_!SNBO!,w_474,c_limit,f_webp,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2F458c4714-dd66-4f38-aba8-5747b6dc091d_1800x1800.jpeg)
![Donald Judd. A catalogue of the Exhibition at the National Gallery of Canada, Ottawa 24 May – 6 July, 1975. Catalogue Raisonné of Paintings, Objects, and Wood-Blocks 1960-1974 / Catalogue de l'exposition à la Galeria nationale du Canada, Ottawa, 24 mai – 6 juillet 1975. Catalogue raisonné de peintures, objets et planches en bois 1960-1974, The National Gallery of Canada for the Corporation of the Nationals Museums of Canada, Ottawa, 1975 [Studio Bruno Tonini, Gussago (BS). Art: © Judd Foundation / ARS, New York]](https://substackcdn.com/image/fetch/$s_!EWp3!,w_474,c_limit,f_webp,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2Fe10dfc4f-f022-4770-aeed-2917c53c1f7a_1800x1800.jpeg)
![Donald Judd. A catalogue of the Exhibition at the National Gallery of Canada, Ottawa 24 May – 6 July, 1975. Catalogue Raisonné of Paintings, Objects, and Wood-Blocks 1960-1974 / Catalogue de l'exposition à la Galeria nationale du Canada, Ottawa, 24 mai – 6 juillet 1975. Catalogue raisonné de peintures, objets et planches en bois 1960-1974, The National Gallery of Canada for the Corporation of the Nationals Museums of Canada, Ottawa, 1975 [Studio Bruno Tonini, Gussago (BS). Art: © Judd Foundation / ARS, New York]](https://substackcdn.com/image/fetch/$s_!xdqR!,w_474,c_limit,f_webp,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2F45de736e-49ce-4a12-b4ea-1823db75f3bd_1800x1800.jpeg)
Studio Bruno Tonini, Gussago (BS): Donald Judd. Skulpturen, Kunsthalle, Bern, 1976. Texts, paperback I: Marianne Schmidt, Johannes Gachnang; Texts, paperback II: Johannes Gachnang and Donald Judd; Exhibition: April 14 – May 30, 1976.
![Donald Judd. Skulpturen, Kunsthalle Bern, 1976 [Studio Bruno Tonini, Gussago (BS). Art: © Judd Foundation / ARS, New York]](https://substackcdn.com/image/fetch/$s_!B1pd!,f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2Fbeb71f5f-888d-49b8-b444-5dced3a65959_979x1260.jpeg "Donald Judd. Skulpturen, Kunsthalle Bern, 1976 [Studio Bruno Tonini, Gussago (BS). Art: © Judd Foundation / ARS, New York]")
![Donald Judd. Skulpturen, Kunsthalle Bern, 1976 [Studio Bruno Tonini, Gussago (BS). Art: © Judd Foundation / ARS, New York]](https://substackcdn.com/image/fetch/$s_!-0rP!,w_474,c_limit,f_webp,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2Ffdd4270b-82f5-4895-8f55-93b79273fda7_1800x1800.jpeg)
![Donald Judd. Skulpturen, Kunsthalle Bern, 1976 [Studio Bruno Tonini, Gussago (BS). Art: © Judd Foundation / ARS, New York]](https://substackcdn.com/image/fetch/$s_!YKyp!,w_474,c_limit,f_webp,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2Fb35ae611-276d-43fc-be3a-83f1b80fafe3_1800x1800.jpeg)
![Donald Judd. Skulpturen, Kunsthalle Bern, 1976 [Studio Bruno Tonini, Gussago (BS). Art: © Judd Foundation / ARS, New York]](https://substackcdn.com/image/fetch/$s_!FmZW!,w_474,c_limit,f_webp,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2Ffd5b65f1-e07f-4736-a94e-3e691a9c453d_1800x1800.jpeg)
![Donald Judd. Skulpturen, Kunsthalle Bern, 1976 [Studio Bruno Tonini, Gussago (BS). Art: © Judd Foundation / ARS, New York]](https://substackcdn.com/image/fetch/$s_!xcQO!,w_720,c_limit,f_webp,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2F962276f8-211b-4d38-b6bc-79a12b00a600_1800x1800.jpeg)
![Donald Judd. Skulpturen, Kunsthalle Bern, 1976 [Studio Bruno Tonini, Gussago (BS). Art: © Judd Foundation / ARS, New York]](https://substackcdn.com/image/fetch/$s_!RHGQ!,w_720,c_limit,f_webp,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2F787c68df-f203-4a2f-8d54-d1c79bfce681_1800x1800.jpeg)
Studio Bruno Tonini, Gussago (BS): Donald Judd, Stedelijk Van Abbemuseum / Lecturis, Eindhoven, 1987-1988; Texts: Rainer Crone, R. H. Fuchs; Exhibition: Stedelijk Van Abbemuseum, Eindhoven, 1987 – 1988, in collaboration with Städtische Kunsthalle, Düsseldorf; ARC / Musée d'Art Moderne de la Ville de Paris, Paris; Fondaciò Joan Mirò, Barcelona.
![Donald Judd, Stedelijk Van Abbemuseum / Lecturis, Eindhoven, 1987-1988 [Studio Bruno Tonini, Gussago (BS). Art: © Judd Foundation / ARS, New York]](https://substackcdn.com/image/fetch/$s_!2b9A!,w_474,c_limit,f_webp,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2Ffe925254-edfd-4ed5-9a42-3779fb66c606_1600x1600.jpeg)
![Donald Judd, Stedelijk Van Abbemuseum / Lecturis, Eindhoven, 1987-1988 [Studio Bruno Tonini, Gussago (BS). Art: © Judd Foundation / ARS, New York]](https://substackcdn.com/image/fetch/$s_!8-eP!,w_474,c_limit,f_webp,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2Ff546bfc2-dc6f-4acb-a3f1-221f3a56566a_1600x1600.jpeg)
![Donald Judd, Stedelijk Van Abbemuseum / Lecturis, Eindhoven, 1987-1988 [Studio Bruno Tonini, Gussago (BS). Art: © Judd Foundation / ARS, New York]](https://substackcdn.com/image/fetch/$s_!8lKS!,w_474,c_limit,f_webp,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2F74710f0b-6e4d-4b9d-abff-43925e802d90_1600x1600.jpeg)
![Donald Judd, Stedelijk Van Abbemuseum / Lecturis, Eindhoven, 1987-1988 [Studio Bruno Tonini, Gussago (BS). Art: © Judd Foundation / ARS, New York]](https://substackcdn.com/image/fetch/$s_!Q0H3!,w_474,c_limit,f_webp,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2F078f172a-2b8c-41b9-ab4d-3fbed14ae788_1600x1600.jpeg)
![Donald Judd, Stedelijk Van Abbemuseum / Lecturis, Eindhoven, 1987-1988 [Studio Bruno Tonini, Gussago (BS). Art: © Judd Foundation / ARS, New York]](https://substackcdn.com/image/fetch/$s_!psux!,w_474,c_limit,f_webp,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2F242e399c-d333-486a-a556-c7f1ebb1124b_1600x1600.jpeg)
![Donald Judd, Stedelijk Van Abbemuseum / Lecturis, Eindhoven, 1987-1988 [Studio Bruno Tonini, Gussago (BS). Art: © Judd Foundation / ARS, New York]](https://substackcdn.com/image/fetch/$s_!52Kg!,w_474,c_limit,f_webp,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2Ff4d76ee8-a965-48c3-bbb3-1c081bcbd331_1600x1600.jpeg)
![Donald Judd, Stedelijk Van Abbemuseum / Lecturis, Eindhoven, 1987-1988 [Studio Bruno Tonini, Gussago (BS). Art: © Judd Foundation / ARS, New York]](https://substackcdn.com/image/fetch/$s_!WbuY!,w_720,c_limit,f_webp,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2F2df2d3c3-ca5c-4a53-a50e-fcf17dcc4e44_1600x1600.jpeg)
![Donald Judd, Stedelijk Van Abbemuseum / Lecturis, Eindhoven, 1987-1988 [Studio Bruno Tonini, Gussago (BS). Art: © Judd Foundation / ARS, New York]](https://substackcdn.com/image/fetch/$s_!Aa-Q!,w_720,c_limit,f_webp,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2F0c200ab7-7f3b-4272-81ed-a217f98d85ca_1600x1600.jpeg)
Studio Bruno Tonini, Gussago (BS): Donald Judd. Zeichnungen / Drawings 1956-1976, Kunstmuseum Basel, 1976; Text: Dieter Koepplin; Exhibition: April 14 – June 23, 1976.
![Donald Judd. Zeichnungen / Drawings 1956-1976, Kunstmuseum Basel, 1976 [Studio Bruno Tonini, Gussago (BS). Art: © Judd Foundation / ARS, New York]](https://substackcdn.com/image/fetch/$s_!b0bq!,f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2Ff87f4600-0194-4c95-b9dd-8df05cd85d0a_989x1280.jpeg "Donald Judd. Zeichnungen / Drawings 1956-1976, Kunstmuseum Basel, 1976 [Studio Bruno Tonini, Gussago (BS). Art: © Judd Foundation / ARS, New York]")
![Donald Judd. Zeichnungen / Drawings 1956-1976, Kunstmuseum Basel, 1976 [Studio Bruno Tonini, Gussago (BS). Art: © Judd Foundation / ARS, New York]](https://substackcdn.com/image/fetch/$s_!ueuf!,w_474,c_limit,f_webp,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2Fcc04ad32-3f23-4771-85b2-309a1824d48f_1600x1600.jpeg)
![Donald Judd. Zeichnungen / Drawings 1956-1976, Kunstmuseum Basel, 1976 [Studio Bruno Tonini, Gussago (BS). Art: © Judd Foundation / ARS, New York]](https://substackcdn.com/image/fetch/$s_!59RX!,w_474,c_limit,f_webp,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2F99acf1be-9143-4596-b2c8-80e156977363_1600x1600.jpeg)
![Donald Judd. Zeichnungen / Drawings 1956-1976, Kunstmuseum Basel, 1976 [Studio Bruno Tonini, Gussago (BS). Art: © Judd Foundation / ARS, New York]](https://substackcdn.com/image/fetch/$s_!fUqI!,w_474,c_limit,f_webp,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2F4292925c-699c-4db0-80a5-39556d0689e1_1600x1600.jpeg)
![Donald Judd. Zeichnungen / Drawings 1956-1976, Kunstmuseum Basel, 1976 [Studio Bruno Tonini, Gussago (BS). Art: © Judd Foundation / ARS, New York]](https://substackcdn.com/image/fetch/$s_!IONJ!,w_474,c_limit,f_webp,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2Fb513d4db-7936-456a-8344-7460867d7179_1600x1600.jpeg)
![Donald Judd. Zeichnungen / Drawings 1956-1976, Kunstmuseum Basel, 1976 [Studio Bruno Tonini, Gussago (BS). Art: © Judd Foundation / ARS, New York]](https://substackcdn.com/image/fetch/$s_!01NL!,w_474,c_limit,f_webp,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2F24374823-1c0d-478d-8bab-c9bbf8e21dba_1600x1600.jpeg)
![Donald Judd. Zeichnungen / Drawings 1956-1976, Kunstmuseum Basel, 1976 [Studio Bruno Tonini, Gussago (BS). Art: © Judd Foundation / ARS, New York]](https://substackcdn.com/image/fetch/$s_!uw_M!,w_474,c_limit,f_webp,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2F4456f3fe-9f4e-48a9-82f6-f4d83013903e_1600x1600.jpeg)
Studio Bruno Tonini, Gussago (BS): Sections 21-29, Ghislain Mollet-Viéville, Paris, 1985, Edition of 500.
![Ian Wilson, Sections 21-29, Ghislain Mollet-Viéville, Paris, 1985, Edition of 500 [Studio Bruno Tonini, Gussago (BS). © Ian Wilson]](https://substackcdn.com/image/fetch/$s_!tn3b!,f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2Fec5a668d-fd99-46b2-8eae-af7e8781050b_719x1100.jpeg "Ian Wilson, Sections 21-29, Ghislain Mollet-Viéville, Paris, 1985, Edition of 500 [Studio Bruno Tonini, Gussago (BS). © Ian Wilson]")
![Ian Wilson, Sections 21-29, Ghislain Mollet-Viéville, Paris, 1985, Edition of 500 [Studio Bruno Tonini, Gussago (BS). © Ian Wilson]](https://substackcdn.com/image/fetch/$s_!bhCl!,w_474,c_limit,f_webp,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2Feae5f629-917e-4043-aa70-53fa51ea717d_1600x1600.jpeg)
![Ian Wilson, Sections 21-29, Ghislain Mollet-Viéville, Paris, 1985, Edition of 500 [Studio Bruno Tonini, Gussago (BS). © Ian Wilson]](https://substackcdn.com/image/fetch/$s_!n0os!,w_474,c_limit,f_webp,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2F2d822d26-a2c7-4606-8ba2-23c9cabf7745_1600x1600.jpeg)
![Ian Wilson, Sections 21-29, Ghislain Mollet-Viéville, Paris, 1985, Edition of 500 [Studio Bruno Tonini, Gussago (BS). © Ian Wilson]](https://substackcdn.com/image/fetch/$s_!phFB!,w_474,c_limit,f_webp,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2Fa1ffec7f-d64e-4a8c-96ff-e2d9a3f93c9e_1600x1600.jpeg)
![Ian Wilson, Sections 21-29, Ghislain Mollet-Viéville, Paris, 1985, Edition of 500 [Studio Bruno Tonini, Gussago (BS). © Ian Wilson]](https://substackcdn.com/image/fetch/$s_!OPPm!,w_474,c_limit,f_webp,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2F03e78e63-4302-4fc1-8800-42b842fc9364_1600x1600.jpeg)
![Ian Wilson, Sections 21-29, Ghislain Mollet-Viéville, Paris, 1985, Edition of 500 [Studio Bruno Tonini, Gussago (BS). © Ian Wilson]](https://substackcdn.com/image/fetch/$s_!GN51!,w_474,c_limit,f_webp,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2F17ec0375-7f12-4572-911d-25d0f834343e_1811x1811.jpeg)
![Ian Wilson, Sections 21-29, Ghislain Mollet-Viéville, Paris, 1985, Edition of 500 [Studio Bruno Tonini, Gussago (BS). © Ian Wilson]](https://substackcdn.com/image/fetch/$s_!9aTl!,w_474,c_limit,f_webp,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2Ffef1f97c-5db6-4cf4-a238-ff36e5d08842_1600x1600.jpeg)
Studio Bruno Tonini, Gussago (BS): Section 34, 2nd Set, Art Metropole / David Bellman, Toronto, 1983, Edition of 500.
![Ian Wilson, Section 34, 2nd Set, 1983, Art Metropole / David Bellman, Toronto, 1984, Edition of 500 [Studio Bruno Tonini, Gussago (BS). © Ian Wilson]](https://substackcdn.com/image/fetch/$s_!ODZ1!,f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2F03591c44-f7fe-46ba-a9d4-87038eae7ab0_719x1100.jpeg "Ian Wilson, Section 34, 2nd Set, 1983, Art Metropole / David Bellman, Toronto, 1984, Edition of 500 [Studio Bruno Tonini, Gussago (BS). © Ian Wilson]")
![Ian Wilson, Section 34, 2nd Set, 1983, Art Metropole / David Bellman, Toronto, 1984, Edition of 500 [Studio Bruno Tonini, Gussago (BS). © Ian Wilson]](https://substackcdn.com/image/fetch/$s_!sAIQ!,w_474,c_limit,f_webp,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2F9bf9a3d1-a796-4eca-bb9b-d93e2181e954_1600x1600.jpeg)
![Ian Wilson, Section 34, 2nd Set, 1983, Art Metropole / David Bellman, Toronto, 1984, Edition of 500 [Studio Bruno Tonini, Gussago (BS). © Ian Wilson]](https://substackcdn.com/image/fetch/$s_!W01F!,w_474,c_limit,f_webp,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2Fba848c7a-18a5-40a2-8755-2f37c9e557cb_1600x1600.jpeg)
![Ian Wilson, Section 34, 2nd Set, 1983, Art Metropole / David Bellman, Toronto, 1984, Edition of 500 [Studio Bruno Tonini, Gussago (BS). © Ian Wilson]](https://substackcdn.com/image/fetch/$s_!-ikk!,w_474,c_limit,f_webp,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2F9f56b816-28a5-43e2-802e-1f1e63578533_1881x1881.jpeg)
![Ian Wilson, Section 34, 2nd Set, 1983, Art Metropole / David Bellman, Toronto, 1984, Edition of 500 [Studio Bruno Tonini, Gussago (BS). © Ian Wilson]](https://substackcdn.com/image/fetch/$s_!HE_O!,w_720,c_limit,f_webp,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2F09ab2879-d720-4f0f-b876-a7d80729b4da_1600x1600.jpeg)
![Ian Wilson, Section 34, 2nd Set, 1983, Art Metropole / David Bellman, Toronto, 1984, Edition of 500 [Studio Bruno Tonini, Gussago (BS). © Ian Wilson]](https://substackcdn.com/image/fetch/$s_!_fjR!,w_720,c_limit,f_webp,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2F82a9e889-7110-4fb8-9b72-48fd4f87c4b0_1600x1600.jpeg)
MoMA, New York, NY: Discussion, 10th of July 1970, (photocopy on seven sheets), 1970.
![Ian Wilson, Discussion, 10th of July 1970, (photocopy on seven sheets), 1970 [MoMA, New York, NY. © Ian Wilson]](https://substackcdn.com/image/fetch/$s_!thwx!,f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2F0c8de8f9-8056-4424-b82c-21bd0f409772_849x1155.jpeg "Ian Wilson, Discussion, 10th of July 1970, (photocopy on seven sheets), 1970 [MoMA, New York, NY. © Ian Wilson]")
![Ian Wilson, Discussion, 10th of July 1970, (photocopy on seven sheets), 1970 [MoMA, New York, NY. © Ian Wilson]](https://substackcdn.com/image/fetch/$s_!Jzpe!,f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2F8c4a303e-88b9-4499-b7fc-9254c26dfe06_849x1155.jpeg "Ian Wilson, Discussion, 10th of July 1970, (photocopy on seven sheets), 1970 [MoMA, New York, NY. © Ian Wilson]")
![Ian Wilson, Discussion, 10th of July 1970, (photocopy on seven sheets), 1970 [MoMA, New York, NY. © Ian Wilson]](https://substackcdn.com/image/fetch/$s_!7TZM!,f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2F808a795d-23ac-4a24-86a5-6c716db8d0d3_849x1155.jpeg "Ian Wilson, Discussion, 10th of July 1970, (photocopy on seven sheets), 1970 [MoMA, New York, NY. © Ian Wilson]")
![Ian Wilson, Discussion, 10th of July 1970, (photocopy on seven sheets), 1970 [MoMA, New York, NY. © Ian Wilson]](https://substackcdn.com/image/fetch/$s_!BFtS!,f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2Fad844568-2a61-45a9-85bc-b91f32a261e3_849x1155.jpeg "Ian Wilson, Discussion, 10th of July 1970, (photocopy on seven sheets), 1970 [MoMA, New York, NY. © Ian Wilson]")
![Ian Wilson, Discussion, 10th of July 1970, (photocopy on seven sheets), 1970 [MoMA, New York, NY. © Ian Wilson]](https://substackcdn.com/image/fetch/$s_!AHRe!,f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2F33707c9c-2366-47c6-9244-ab0956fe3ce5_849x1155.jpeg "Ian Wilson, Discussion, 10th of July 1970, (photocopy on seven sheets), 1970 [MoMA, New York, NY. © Ian Wilson]")
![Ian Wilson, Discussion, 10th of July 1970, (photocopy on seven sheets), 1970 [MoMA, New York, NY. © Ian Wilson]](https://substackcdn.com/image/fetch/$s_!jiC-!,f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2Ffeecf350-4c49-41d5-a918-db5d6b661f50_849x1155.jpeg "Ian Wilson, Discussion, 10th of July 1970, (photocopy on seven sheets), 1970 [MoMA, New York, NY. © Ian Wilson]")
![Ian Wilson, Discussion, 10th of July 1970, (photocopy on seven sheets), 1970 [MoMA, New York, NY. © Ian Wilson]](https://substackcdn.com/image/fetch/$s_!5pbB!,f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2F1af19e7b-a836-4f98-bb10-da2074e0bafe_849x1155.jpeg "Ian Wilson, Discussion, 10th of July 1970, (photocopy on seven sheets), 1970 [MoMA, New York, NY. © Ian Wilson]")
MoMA, New York, NY: Discussion, 10th of September 1972, (typewritten text and ink on paper), 1972.
![Ian Wilson, Discussion, 10th of September 1972, (typewritten text and ink on paper), 1972 [MoMA, New York, NY. © Ian Wilson]](https://substackcdn.com/image/fetch/$s_!utYJ!,f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2F52dbf1d6-dc65-42e7-a714-5becd8a5ff7e_895x1155.jpeg "Ian Wilson, Discussion, 10th of September 1972, (typewritten text and ink on paper), 1972 [MoMA, New York, NY. © Ian Wilson]")
MoMA, New York, NY: Discussion, 23rd of January 1972, (typewritten text and ink on paper), 1972.
![Ian Wilson, Discussion, 23rd of January 1972, (typewritten text and ink on paper), 1972 [MoMA, New York, NY. © Ian Wilson]](https://substackcdn.com/image/fetch/$s_!k5e6!,f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2F9a50a0bf-6682-40a3-a84a-03c3cb7108be_896x1155.jpeg "Ian Wilson, Discussion, 23rd of January 1972, (typewritten text and ink on paper), 1972 [MoMA, New York, NY. © Ian Wilson]")
![Ian Wilson, Discussion, 23rd of January 1972, (typewritten text and ink on paper), 1972 [MoMA, New York, NY. © Ian Wilson]](https://substackcdn.com/image/fetch/$s_!hpa1!,f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2Fdb895f4b-7e42-439b-a286-ebfbd03c521b_896x1155.jpeg "Ian Wilson, Discussion, 23rd of January 1972, (typewritten text and ink on paper), 1972 [MoMA, New York, NY. © Ian Wilson]")
Extra: Readings
Francesca Albanese, From economy of occupation to economy of genocide, Office of the United Nations High Commissioner for Human Rights (OHCHR), Genève and New York, NY, June 30, 2025, Advance edited version. Plus: Q&A: Francesca Albanese, Special Rapporteur on the occupied Palestinian territories, (video), UN Human Rights Council, July 3, 2025.
Stephen Sheehi, Before Painting: Nicola Saig, Painting, and Photographic Seeing, «Jerusalem Quarterly», Issue 100, Winter 2024, pp. 38-58 [Institute for Palestine Studies, Beirut, Ramallah, and Washington, D.C.].
Tullio De Mauro (2003), Parole di giorni lontani, Società Editrice il Mulino, Bologna, 2006.
Extra: Listenings
Anne-James Chaton, Andy Moor, Yannis Kyriakides, Handmade Series Vol. 03 Tailles, Unsounds Records, 2025.
sofi, hypergloss, PANG34, Superpang, 2025.
Note: Regarding the journal, “how” has priority over “what” in both synchronic and diachronic processes, and following the chains of posts is the best way to “read” and "de-scribe" it. In the bulletin, for summary reasons, the posts are aggregated by name and source.
garadinervi : repertori
ragione e storia
www: garadinervi-repertori.blog
bulletin: garadinervi.substack.com
e-mail: garadinervi@proton.me