garadinervi : repertori – bulletin : weekly recap

May 17-23, 2025

John Baldessari

Studio Bruno Tonini, Gussago (BS); Vincent Borrelli, Bookseller, Albuquerque; Printed Matter, New York, NY: Close-Cropped Tales, CEPA Gallery, Buffalo, NY, 1981; Exhibition: John Baldessari: Selected Works, Albright-Knox Art Gallery, Buffalo, NY, April 4 – May 17, 1981.

[Art: © John Baldessari]

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Ian Hamilton Finlay

Leo de Goede Books: Ian Hamilton Finlay: Reef-Points, David Nolan Gallery, in collaboration with Eckman Gallery, New York, NY, 1996, Printed and bound by Colin Sackett, Axminster, Edition of 350.

[Art: © Ian Hamilton Finlay]

«This book was designed by lan Hamilton Finlay and Pia Maria Simig for the exhibition REEF-POINTS at the Nolan/Eckman Gallery, New York, in October 1996 / The exhibition was designed by lan Hamilton Finlay and Pia Maria Simig / The prints were made in collaboration with Gary Hincks.»

↗ Little Sparta

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Lawrence Weiner

Saint-Martin Bookshop: Lawrence Weiner: Works, Anatol AV und Filmproduktion, Hamburg, 1977.

[© Lawrence Weiner]

«This volume containing works completed during the period 1967-1977 was brought up (initiated) by Paul Bianchini, Paris/New York and was brought about due to the efforts of Leo Castelli, Peter Downsbrough, Janelle Riering and Irena von Zahn.»

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Robert Kleyn

Saint-Martin Bookshop, Bruxelles-Brussel: Robert Kleyn: Toward the Great Attractor, Wil Aballe, Vancouver / Gevaert Editions, Bruxelles-Brussel, 2025, Printed and bound by Chez Rosi; Exhibition: Maegan Hill-Carroll + Robert Kleyn, rue_du_chapeau_10, Bruxelles-Brussel, April 24 – May 10, 2025.

[Art: © Robert Kleyn]

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Richard Paul Lohse

Art Books & Ephemera: Richard Paul Lohse, Kunsthalle Bern, 1970; Exhibition: September 5 – October 11, 1970.

[Art: © Richard Paul Lohse / Richard Paul Lohse-Stiftung]

↗ Richard Paul Lohse-Stiftung

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Victor Vasarely

Victor Vasarely, La Fondation Demeures Du Nord, Lille, 2004.

[Art: © Victor Vasarely / ADAGP, Paris]

↗ Fondation Vasarely

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Harry Bertoia

MoMA, New York, NY: Composition, (monoprint), 1943, Unique.

[© Estate of Harry Bertoia / ARS, New York]

The Harry Bertoia Foundation, St. George, UT: Untitled, (ink on paper), ca. 1943 [Collection of Celia Bertoia. Harry Bertoia Catalogue Raisonné no. TDMO1482].

[The Harry Bertoia Foundation, St. George, UT. © Estate of Harry Bertoia / ARS, New York]

↗ The Harry Bertoia Foundation

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Museum of Non-Objective Painting

The Guggenheim Museums and Foundation, New York, NY: Alice Mattern Memorial, 1908-1945, Museum of Non-Objective Painting, New York, NY, 1945.

[Art: © The Estate of Alice L. Martin]

The Guggenheim Museums and Foundation, New York, NY: Art of Tomorrow: Fourty-One Reproductions from the Solomon R. Guggenheim Foundation for Non-Objective Painting, New York, NY, 1940.

[Art: © The Estate of Rudolf Bauer]

Rudolf Bauer, Great Fugue, (watercolor, gouache, ink, colored pencil, and graphite on paper), 1929 [Solomon R. Guggenheim Museum, New York, Solomon R. Guggenheim Founding Collection, New York, NY].

[© The Estate of Rudolf Bauer]

The Guggenheim Museums and Foundation, New York, NY: Loan Exhibition, Museum of Non-Objective Painting, New York, NY, June 15 – October 15, 1943. Feat.: Harry Bertoia, E. V. Biel, Florence Brillinger, Werner Drewes, Emmett Edwards, Manuel Essman, Perle Fine, Dwinell Grant, Marguerita Hohenberg, Charles Johnson, Lucille Autorino, Ellen Kern, Maude I. Kerns, Fernando Martinez, Alice L. Mattern, Ladislaus [László] Moholy-Nagy, Hilla Rebay, Attilio Salemme, Rolph Scarlett, John Sennhauser, Charles Smith, Edna Tacon, Jean Xceron.

(brochure, cover)

The Guggenheim Museums and Foundation, New York, NY: New Exhibition: American Non-Objective Painters, Museum of Non-Objective Painting, New York, NY, Opening February 22, 1949; Feat.: Jordan Belson, Ilya Bolotowsky, Kenneth Campbell, Svend Clausen, Hohannesian, Ibram Lassaw, Alice T. Mason, Lloyf Ney, Hilla Rebay, Rolph Scarlett, Zahara Schatz, Charles Smith, Lucia Stern, Robert Wolff, Jean Xceron.

(brochure, cover)

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Jerusalem Women's Club

The Omar al-Jallad Collection, The Palestinian Museum Digital Archive, The Palestinian Museum, Birzeit: Jerusalem Women's Club – Program for June 18, 1960, (announcement), The American School of Oriental Research, Jerusalem.

«Found in the Omar al-Jallad Collection, this English-printed document shows an announcement of a show programme for Palestinian artists, organized by the Jerusalem Women's Club at the American School of Oriental Research in Jerusalem, at a time when the West Bank was under Jordanian rule. Among the artists participating in the show was artist Fatima al-Muhib.»

(announcement)

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Fatima al-Muhib (فاطمة المحب)

The Omar al-Jallad Collection, The Palestinian Museum Digital Archive, The Palestinian Museum, Birzeit: Fatima al-Muhib (فاطمة المحب), Photograph by Omar al-Jallad (عمر الجلاد), n.d. [1990s].

Photo: © Omar al-Jallad (عمر الجلاد))

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The Khalil Sakakini Cultural Centre

The ‏Khalil Sakakini Cultural Center Collection, The Palestinian Museum Digital Archive, The Palestinian Museum, Birzeit: The Eyes of Tel al-Zaatar (عيون تل الزعتر), The Art Collection of Yvette and Mazen Qubti, The Khalil Sakakini Cultural Centre, Ramallah, 1999; Exhibitions Openings: Gaza – Arts and Handicraft Village, Municipality of Gaza, April 20, 1999; Ramallah – The Khalil Sakakini Cultural Centre, May 15, 1999; Jerusalem – Al-Wasiti Art Center; Graphic Design: Nahawand; Printing: Modern Arab Press, Jerusalem.

(catalogue, cover)

«Issued in Arabic and English by the Khalil Sakakini Cultural Centre, a brochure about the exhibition "The Eyes of Tel al-Zaatar", which is a special collection of Yvette and Mazen Qubti, and it was decided to open it in Gaza on 20 April 1999 in the Arts and Crafts Village under the auspices of Nabil Shaath, the Minister of Planning and International Relations at the time, on 15 May at the Khalil Sakakini Center in Ramallah under the auspices of Yasser Abed Rabbo, the Minister of Culture at the time, and in June it will be at the al-Wasti Art Center in Jerusalem, and the brochure included pictures of the works of some artists such as Nabil Anani, Kamal Balata, Kamel al-Mghanni, Vladimir Tamari, Suleiman Mansour, Samir Srouji, Rana Bshara, Taysir Sharaf, and Taysir Barakat, Yvette Bshara, Osama Saeed and Asad Ezzi.»

(catalogue, cover)

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Laila Shawa

Jordan National Gallery of Fine Arts, Amman: Weapons Of Mass Destruction, (wood, ribbon, and stone), 2002.

[© Laila Shawa]

Jordan National Gallery of Fine Arts, Amman: The Walls Of Gaza, [series], (print on canvas), 1992, Edition of 3; (2); (3).

[© Laila Shawa]

[© Laila Shawa]

[© Laila Shawa]

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The Palestinian Museum, Typography, Visual Writing

Printed in Jerusalem: Mustamloun, Edited by Baha Jubeh (curator), and Abdel-Rahman Shabane (guest curator), The Palestinian Museum, Birzeit, 2020; Exhibition: July 21, 2020 – February 28, 2021.

(catalogue, cover)

(catalogue, cover)

Exhibition views:

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Shinichi Omata

Natsu No Koibitotachi E from Boku・Neko・Platanus (Expanded Edition), (Vinyl/LP, Digital album), CHN007, chOOn!!, 2022; Composed and performed by Shinichi Omata, 1984; Design: Luke Bird; Liner Notes: Shinichi Omata.

(images via Soundohm)

With My Dog Ricky: The Early Works of Shinichi Omata 1981-1983, (Vinyl/LP, Digital album), CHN011, chOOn!!, 2024; Composed and performed by Shinichi Omata, 1981-1983; Mastered by Josh Bonati at Bonati Mastering, Brooklyn, NY; Design: Luke Bird.

(images via Light in the Attic)

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Chris Connor, Maynard Ferguson

Chris Connor and Maynard Ferguson, Double Exposure, (Vinyl/LP), 8049, Atlantic, 1961.

(images via Hugh Miller)

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Toshi Ichiyanagi

midcenturyclassical; Fondazione Bonotto, Colceresa (VI): Moving Pulse, (7" LP vinyl record), AT-6601, Audio-Technica, 1966; (2).

midcenturyclassical: Music For Living Space, (7" LP vinyl record), ME1187, Bijutsu Shuppan-Sha, 1969.

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Malcolm X, b. May 19, 1925 / 2025 — 100

Internet Archive: Malcolm X: Talks To Young People, (Vinyl/LP), SD 795, Douglas, 1968.

«This album is a recorded talk given by Malcolm X to 37 teen-agers from McComb, Mississippi, who were on a 8-day trip to New York. This trip was sponsored by the Student Nonviolent Coordinating Committee for those youth who had been outstanding in the Civil Rights struggle in their area.»

Internet Archive: Malcolm X Talks to Young People, Edited by Steve Clark, Cover and book design by Toni Gorton, Pathfinder, New York, NY, 1991 [Cover portrait by Carole Byard, from the Pathfinder Mural in New York City; Photo by Margrethe Siem].

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Yuri Kochiyama, b. May 19, 1921 / 2025

Internet Archive: Fishmerchant's Daughter. Yuri Kochiyama: An Oral History, Vol. 1, Edited by Arthur Tobier, Book design by Miriam Berman, Community Documentation Workshop, New York, NY, 1981.

(booklet, cover)

Fishmerchant's Daughter. Yuri Kochiyama: An Oral History, Vol. 2, Edited by Arthur Tobier, Cover design by Kim Fisher / Miriam Berman Graphic Design, Community Documentation Workshop, New York, NY, 1982; Cover Photograph: 7th Avenue in Harlem, looking north from 126th St., on V-J Day 1945 (courtesy Schomberg Center for Research in Black Culture).

(booklet, cover)

Mayumi Nakazawa, The life and times of Yuri Kochiyama, Bungei-Shunju, Tokyo, 1998; Cover Photograph: Yuri Kochiyama at an anti-Vietnam war demonstration in 1969, holding her grandson Zulu.

[Cover Photograph: © Ruiko Yoshida]

↗ Yuri Kochiyama Solidarity Project's (YKSP)

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Mervyn Kurlansky, Jon Naar, Norman Mailer

Studio Bruno Tonini, Gussago (BS): The Faith of Graffiti, Documented by Mervyn Kurlansky & Jon Naar, Text by Norman Mailer, Praeger Publishers, New York, NY, 1974.

[Photographs: © Jon Naar]

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Joe Gilmore

[thinking is form], 2025; (2); (3); (4); (5); (6).

[© Joe Gilmore]

↗ Joe Gilmore

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Ben Vautier

Martini Studio d'Arte, Brescia: Tout le monde se repète, (marker on silk-screened paper), 1979.

[© Ben Vautier]

Lattuada Gallery, Milano: pas signé pas daté, (oil on canvas), 1974.

[© Ben Vautier]

Sangallo Fine Art, Vasto: Di cosa avete paura?, (acrylic on canvas), 2007.

[© Ben Vautier]

Lange + Pult, Zürich: De l'argent en argent, (acrylic on canvas), 2007.

[© Ben Vautier]

NextStreet Gallery, Paris: Je ne jette rien, (acrylic on canvas), 2018.

[© Ben Vautier]

Pleasure Arts, Illkirch-Graffenstaden: Libertà, (acrylic on canvas), 1971.

[© Ben Vautier]

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Anna Maria Maiolino, b. May 20, 1942 / 2025

Tate, London: Anna Maria Maiolino at Rubens Gerchman's opening at Art-Art Gallery in 1967.

[Tate; Courtesy the artist]

Gomide&Co, São Paulo: Untitled, from the Projetos Construídos series, (folded paper), 1972, Edition of 3.

[© Anna Maria Maiolino]

Gomide&Co, São Paulo: Untitled, (mixed media), 1973.

[© Anna Maria Maiolino]

Luisa Strina, São Paulo: Drawing Object, (overlapping papers in the wooden box), 1981.

[© Anna Maria Maiolino]

Zipper Galeria, São Paulo: Série desenho objeto, (acrylic paint on paper, cuts, tears, Styrofoam in wooden box with glass), 1981.

[© Anna Maria Maiolino]

LURIXS: Arte Contemporanea, Rio de Janeiro: No Horizonte, (gouache on paper), 1975, Edition of 3 + 1AP.

[© Anna Maria Maiolino]

Luisa Strina, São Paulo: Untitled, from the series É o que Falta, (molded cement with pigment), 1997-2001.

[© Anna Maria Maiolino]

La Biennale di Venezia, Venezia: Maycon Lima (photograph), Anna Maria Maiolino.

[Photo: © Maycon Lima]

Anna Maria Maiolino, The Museum of Contemporary Art, Los Angeles, CA, August 4 – December 31, 2017 [then January 22, 2018].

Art: Anna Maria Maiolino, Entrevidas, from the Fotopoemação series, (gelatin silver prints), 1981

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Bruce Nauman

Studio Bruno Tonini, Gussago (BS): CLEARSKY, [Los Angeles, CA], 1968.

[© Bruce Nauman / ARS, New York]

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Shirley Paes Leme

From the exhibition Shirley Paes Leme: When attitudes (trans)form / Quando atitudes (trans)formam, ​Curated by Cauê Alves, Galeria de Arte do Centro Cultural Minas, Belo Horizonte, 2014; (2); (3); (4); (5); (6); (7); (8); (9); (10).

[© Shirley Paes Leme. Photo: Eduardo Eckenfels, Leonardo Finotti]

[© Shirley Paes Leme. Photo: Eduardo Eckenfels, Leonardo Finotti]

[© Shirley Paes Leme. Photo: Eduardo Eckenfels, Leonardo Finotti]

[© Shirley Paes Leme. Photo: Eduardo Eckenfels, Leonardo Finotti]

[© Shirley Paes Leme. Photo: Eduardo Eckenfels, Leonardo Finotti]

[© Shirley Paes Leme. Photo: Eduardo Eckenfels, Leonardo Finotti]

[© Shirley Paes Leme. Photo: Eduardo Eckenfels, Leonardo Finotti]

[© Shirley Paes Leme. Photo: Eduardo Eckenfels, Leonardo Finotti]

[© Shirley Paes Leme. Photo: Eduardo Eckenfels, Leonardo Finotti]

[© Shirley Paes Leme. Photo: Eduardo Eckenfels, Leonardo Finotti]

↗ Shirley Paes Leme

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Nakako Hayashi

Here and There 1 – 13.5, Co-Published by Bananafish and Nieves, Zürich, 2025.

Here and There 1 – 13.5 (cover)

↗ Nakako Hayashi

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Bando CTK

typoswiss: Blackbook, 2023.

[© Bando / Philippe Lehman]

↗ Bando / Philippe Lehman

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Band of Weeds

New Pangaea, (Vinyl/LP, Digital album), PANG19, Superpang, 2025; Music by Olli Aarni, Lauri Ainala, Kalle Hamm, Hermanni Keko & Anniina Saksa; Cover Design: Lauri Ainala & Kalle Hamm; Political Pangaea Map: Massimo Pietrobon; Map of Seili: Kalle Hamm; Executive Production: Christian Di Vito.

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Darryl “Cornbread” McCray

Most Beautiful Swiss Books Award 2024; Errant Books, online bookstore; Draw Down, New Haven, CT and Boston, MA: Cornbread the Legend: Graffiti in Philadelphia, 1965-1971, Edited and Published by Maxitype, Genève, 2024; Design: Maximage – David Keshavjee, Julien Tavelli, Genève, Daniel Haettenschwiller; Includes a font license for Maxitype's Cornbread Fat.

[Art: © Darryl “Cornbread” McCray]

↗ Darryl “Cornbread” McCray

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Pauline Oliveros

Zabriskie – Buchladen für Kultur und Natur, Berlin: A Year of Deep Listening. 365 Text Scores for Pauline Oliveros, Edited by Stephanie Loveless, Terra Nova Press, 2025.

A Year of Deep Listening. 365 Text Scores for Pauline Oliveros (cover)

[Photo: Zabriskie – Buchladen für Kultur und Natur, Berlin]

↗ The Center for Deep Listening

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Loop

Covet The Cover: Collision, (12" Single), 12CHAP27, Chapter 22, 1988; Artwork: Chris Clunn; Design [Sleeve]: Frank Booth.

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Cosmic Ear

TRACES, (Black Vinyl/LP, Marbled Vinyl/LP, CD, Digital album), WJLP76 / WJLP76X / WJCD76, We Jazz, 2025; Christer Bothén: donso n'goni, bass clarinet, contra bass clarinet, piano / Mats Gustafsson: tenor sax, flute, slide flute, Ab clarinet, live electronics, organ, harmonica / Goran Kajfeš: trumpet, pocket trumpet, synth, electronics, percussion / Juan Romero: congas, berimbau and percussion / Kansan Zetterberg: bass, donso n’goni / Special guest: Marianne N'Lemwo, karignan; Liner Notes: John Corbett; Band Photograph: Johan Bergmark; Original Artwork: Christer Bothén; Design: Matti Nives.

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Damon Locks

Mendacity, (ink, pencil, metallic tape, tracing paper, turmeric tea, gouache), 2025; Exhibition: Damon Locks: We Are Our People / Listen To This, Goldfinch, Chicago, IL, March 22 – May 3, 2025.

[© Damon Locks]

7" to support the exhibition Damon Locks: We Are Our People / Listen To This, Goldfinch, Chicago, IL, March 22 – May 3, 2025; Side A: Listen to This, Featuring Lou Mallozzi / Side B: The Riots Came Through Here, high notes by Tramaine S. Parker and Eva Supreme], RD002, Recording Device, 2025, Edition of 100.

Recording Device, 2025, Edition of 100 [Art: © Damon Locks]

↗ Damon Locks, Black Monument Ensemble

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Richard Serra

Paths and Edges #1, (1 color etching), Gemini G.E.L., Los Angeles, CA, 2007, (RS07-3413), Edition of 60.

[© Richard Serra / ARS, New York]

Paths and Edges #9, (1 color etching), Gemini G.E.L., Los Angeles, CA, 2007, (RS07-3421), Edition of 60.

[© Richard Serra / ARS, New York]

Paths and Edges #10, (1 color etching), Gemini G.E.L., Los Angeles, CA, 2007, (RS07-3422), Edition of 60.

[© Richard Serra / ARS, New York]

Junction #1, (1 color etching), Gemini G.E.L., Los Angeles, CA, 2010, (RS10-3485), Edition of 50.

[© Richard Serra / ARS, New York]

Junction #5, (1 color etching), Gemini G.E.L., Los Angeles, CA, 2010, (RS10-3489), Edition of 50.

[© Richard Serra / ARS, New York]

Junction #9, (1 color etching), Gemini G.E.L., Los Angeles, CA, 2010, (RS10-3493), Edition of 50.

[© Richard Serra / ARS, New York]

Swivel, (1 color photogravure etching), Gemini G.E.L., Los Angeles, CA, 2011, (RS11-3511), Edition of 50.

[© Richard Serra / ARS, New York]

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Extra: Readings

Howard S. Becker, (1963, 1973), Outsiders. Studi di sociologia della devianza, Foreword by Gianmarco Navarini, «Biblioteca / Sociologia», Meltemi, Milano, 2017.

Maurice Halbwachs, (1925), I quadri sociali della memoria, Foreword by Antonio Cavicchia Scalamonti, Translation by Gianfranco Brevetto, Luciana Carnevale, and Gianfranco Pecchinenda, Ipermedium, Napoli & Los Angeles, CA, 1997.

Marc Bloch, La guerra e le false notizie. Ricordi (1914-1915) e Riflessioni (1921), Translation by Gregorio De Paola, «Le terre» 231, Fazi Editore, Roma, 2014

Pilar Calveiro, Poder y desaparición. Los campos de concentración en Argentina, Colihue, Buenos Aires, 2006.

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Extra: Support ⌘

Support Palestinian Science with Scientists for Palestine, Scientists for Palestine, 2025.

Note: about the journal, “how” has priority over “what” in a synchronic and diachronic process, and following the chains of posts is the best way to “read” and "de-scribe" it—in the bulletin, for summary reasons, the posts are aggregated by names and sources.

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